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John Gendall, 1790–1865

Fulham Palace, Porter's Lodge

(undated)

• Materials & TechniquesBrown wash, pen and brown ink with white gouache over graphite on thick, textured, card
• DimensionsSheet: 5 × 5 15/16 inches (12.7 × 15.1 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

unknown artist

Solitude, The Reading Magdalene

(undated)

• Materials & TechniquesBrown wash and pen and brown ink on medium, slightly textured, cream wove paper, mounted on moderately thick, slightly textured, cream wove paper
• DimensionsSheet: 7 x 10 1/8 inches (17.8 x 25.7 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Yale Art Gallery Collection

Sir John Gilbert, 1817–1897

Wayfarers

(undated)

• Materials & TechniquesBrown wash, gray wash, and pen and brown ink on thick, slightly textured, cream wove paper
• DimensionsSheet: 6 × 5 5/8 inches (15.2 × 14.3 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

James William Giles, 1801–1870

Nemi

(1824)

• Materials & TechniquesBrown wash, graphite, pen and brown ink, and white gouache on moderately thick, moderately textured, blue wove paper
• DimensionsSheet: 10 3/8 x 14 3/4in. (26.4 x 37.5cm), Sheet: 10 3/8 × 14 3/4 inches (26.4 × 37.5 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

James William Giles, 1801–1870

The Villa Adrianna, Rome

(1824)

• Materials & TechniquesBrown wash and pen and brown ink with touches of white gouache on medium, slightly textured, brown laid paper
• DimensionsSheet: 10 13/16 x 16 5/8 inches (27.5 x 42.2 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Attributed to Sir Nicholas Hawksmoor, ca. 1662–1736

Bowling Green at Hampton Court Palace, Richmond: Bird's-eye View

(ca. 1690)

• Materials & TechniquesPen and brown ink with brown and gray wash over graphite on moderately thick, slightly textured, beige laid paper
• DimensionsSheet: 14 3/16 × 20 1/8 inches (36 × 51.1 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

William Haygarth, active 1810–1816

Mount Soratte from Civita Castellana

(1816)

• Materials & TechniquesPen and brown ink, brown wash, and graphite on moderately thick, moderately textured, beige wove paper
• DimensionsSheet: 12 7/8 × 21 1/8 inches (32.7 × 53.7 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

William Haygarth, active 1810–1816

Crater of Vesuvius

(1816)

• Materials & TechniquesBrown wash, pen and brown ink, and graphite on moderately thick, slightly textured, beige wove paper
• DimensionsSheet: 13 1/8 × 21 1/8 inches (33.3 × 53.7 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Francis Hayman, 1707/8–1776

Flying the Kite

(ca. 1740)

• Materials & TechniquesPen and brown ink, brown wash and gray wash on medium, slightly textured, beige laid paper
• DimensionsSheet: 5 5/8 × 9 inches (14.3 × 22.9 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Francis Hayman, 1707/8–1776

Battledore and Shuttlecock

(ca. 1740)

• Materials & TechniquesPen and brown ink, brown wash, gray wash and graphite on medium, slightly textured, beige laid paper
• DimensionsSheet: 5 5/8 × 9 inches (14.3 × 22.9 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

William Hodges, 1744–1797

A View of the Ruins of a Palace at Gazipoor [Ghazipur] on the River Ganges

(ca. 1781)

• Materials & TechniquesGray ink, gray wash, brown wash, and graphite on medium, slightly textured, cream laid paper
• DimensionsSheet: 19 3/4 × 26 1/8 inches (50.2 × 66.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Walter Greaves, 1846–1930

The Old Black Lion, Chelsea

(undated)

• Materials & TechniquesGray and brown wash with pen and gray and brown ink, over graphite on medium, smooth, beige wove paper
• DimensionsSheet: 10 1/2 x 8 3/16in. (26.7 x 20.8cm), Sheet: 8 1/8 × 10 3/8 inches (20.6 × 26.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Amos Green, 1735–1807

Landscape with Wooden Bridge

(undated)

• Materials & TechniquesGray and brown wash over graphite on thin, slightly textured, cream laid paper
• DimensionsSheet: 9 1/4 x 14 1/2in. (23.5 x 36.8cm), Sheet: 9 1/4 × 14 3/8 inches (23.5 × 36.5 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Walter Greaves, 1846–1930

Old Chelsea Church

(undated)

• Materials & TechniquesGray and brown wash with pen and black and brown ink over graphite on Very thick, slightly textured, beige wove paper
• DimensionsSheet: 11 x 7 1/8in. (27.9 x 18.1cm), Sheet: 10 7/8 × 7 1/8 inches (27.6 × 18.1 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Amos Green, 1735–1807

Classical Landscape

(undated)

• Materials & TechniquesGray and brown wash and graphite; verso: gray wash and graphite on medium, moderately textured, cream wove paper
• DimensionsSheet: 12 5/8 x 16 3/4in. (32.1 x 42.5cm), Sheet: 10 × 14 inches (25.4 × 35.6 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Amos Green, 1735–1807

Pass of Glyndiffis

(undated)

• Materials & TechniquesGray and brown wash with pen and brown ink over graphite on medium, moderately textured, beige wove paper
• DimensionsSheet: 12 1/2 x 17 1/8 inches (31.8 x 43.5 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Sir George Hayter, 1792–1871

Banditti of Kurdistan Assisting Georgians in Surprising and Carrying off... [Read more]

(1827)

• Materials & TechniquesGraphite and brown wash, squared and numbered for transfer on moderately thick, slightly textured, beige wove paper
• DimensionsSheet: 22 1/2 × 32 5/8 inches (57.2 × 82.9 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Fund

Sir George Hayter, 1792–1871

Portrait Study of Martha, Lady Hayter

(1863)

• Materials & TechniquesGraphite, brown wash and white gouache on medium, slightly textured, brown wove paper
• DimensionsSheet: 7 3/4 × 5 3/4 inches (19.7 × 14.6 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

John Samuel Hayward, 1778–1822

Wreck and the Merchant Vessel, St. George, at Deal, Kent

(1807)

• Materials & TechniquesBrown wash and graphite on medium, slightly textured, cream wove paper
• DimensionsSheet: 5 1/4 × 6 5/8 inches (13.3 × 16.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Attributed to Julius Caesar Ibbetson, 1759–1817

Landscape with a Ruined Tower

(1811)

• Materials & TechniquesGray wash and graphite on medium, slightly textured, cream wove paper
• DimensionsSheet: 7 1/2 × 9 5/8 inches (19.1 × 24.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Thomas Carwitham, active 1723

Ceres and Abas: Ovid, Metamorphoses, Book 5

(ca. 1723)

• Materials & TechniquesPen and brown ink and brown wash on medium, slightly textured, beige laid paper, mounted on moderately thick, slightly textured, beige laid paper
• DimensionsMount: 5 11/16 x 8 3/4 inches (14.5 x 22.2 cm), Sheet: 4 9/16 x 7 5/8 inches (11.6 x 19.3 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

Thomas Carwitham, active 1723

Jupiter and Callisto: Ovid, Metamorphoses, Book 2

(ca. 1723)

• Materials & TechniquesPen and brown ink and brown wash on moderately thick, moderately textured, beige laid paper
• DimensionsSheet: 4 5/16 x 3 3/4 inches (11 x 9.6 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

Samuel Jackson, 1794–1869

Two Riders Fording a River

(undated)

• Materials & TechniquesBrown wash over graphite with scraping on medium, slightly textured, cream wove paper
• DimensionsSheet: 12 3/8 x 16 1/2 inches (31.4 x 41.9 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

J. Jacobs, active 1816–1864

Shakespeare House, Aldersgate Street

(undated)

• Materials & TechniquesGraphite, pen and black ink, brown wash and white gouache on slightly textured, medium, white wove paper
• DimensionsSheet: 8 13/16 × 8 3/8 inches (22.4 × 21.3 cm), Mount: 11 7/8 × 11 7/16 inches (30.2 × 29.1 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Henry Holland, 1745–1806

Design for Stables: Plan and Elevation

(undated)

• Materials & TechniquesPen and black ink with brown wash on thin, smooth, beige wove paper
• DimensionsSheet: 20 15/16 x 12 3/4 inches (53.2 x 32.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Thomas Barker, 1769–1847

Man Leading a Horse

(undated)

• Materials & TechniquesPen and brown ink and brown wash; verso: graphite on thin, slightly textured, cream laid paper
• DimensionsSheet: 10 × 8 1/8 inches (25.4 × 20.6 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Hubert-François Gravelot, 1699–1773

Two Prize Fighters

(ca. 1742)

• Materials & TechniquesBrown wash, pen and brown ink and red chalk on medium, slightly textured, beige laid paper
• DimensionsMount: 9 1/2 × 10 inches (24.1 × 25.4 cm), Sheet: 4 1/4 x 4 3/8 inches (10.8 x 11.1 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Hubert-François Gravelot, 1699–1773

Design for an Ornamental Cartouche: Samuel Garth

(undated)

• Materials & TechniquesBrown wash over graphite on medium, slightly textured, beige laid paper
• DimensionsSheet: 2 11/16 x 2 15/16 inches (6.8 x 7.5 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

unknown artist

Alcibiades and Timon

(undated)

• Materials & TechniquesBrown wash and graphite with pen and brown ink on medium, slightly textured, cream wove paper
• DimensionsSheet: 11 1/16 × 10 5/16 inches (28.1 × 26.2 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Fund

Sir Charles D'Oyly, 1781–1845

Totnes from the Seymour Hotel

(1838)

• Materials & TechniquesPen and black ink, brown ink, gray wash, brown wash and graphite on moderately thick, slightly textured, beige wove paper
• DimensionsSheet: 11 7/16 × 18 3/16 inches (29.1 × 46.2 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Gavin Hamilton, 1723–1798

Classical Composition

(undated)

• Materials & TechniquesPen and brown ink, brown wash and graphite on medium, slightly textured, beige wove paper
• DimensionsSheet: 12 1/4 × 15 1/2 inches (31.1 × 39.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Fund

Gavin Hamilton, 1723–1798

Achilles Lamenting the Death of Patroclus

(between 1760 and 1763)

• Materials & TechniquesPen and brown ink, gray wash and brown wash on medium, slightly textured, cream laid paper mounted to medium, slightly textured, cream wove paper
• DimensionsSheet: 6 7/8 × 9 inches (17.5 × 22.9 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Gavin Hamilton, 1723–1798

Classical Composition

(undated)

• Materials & TechniquesPen and brown ink and brown wash on medium, slightly textured, beige laid paper
• DimensionsSheet: 13 1/8 × 17 5/8 inches (33.3 × 44.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Fund

Gavin Hamilton, 1723–1798

Andromache Mourning the Death of Hector

(between 1760 and 1763)

• Materials & TechniquesPen and brown ink with gray wash and brown wash on medium, slightly textured, cream wove paper mounted to medium, slightly textured, cream wove paper
• DimensionsSheet: 6 3/4 × 9 inches (17.1 × 22.9 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Sir Stanley Spencer, 1891–1959

Study of Three Men Holding Baskets for the `Miracle of the Loaves and Fishes'

(undated)

• Materials & TechniquesBrown wash and graphite on medium, slightly textured, cream wove paper
• DimensionsSheet: 11 1/8 × 8 3/4 inches (28.3 × 22.2 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Gift of Joseph F. McCrindle, Yale LLB 1948

Mary Harcourt, 1750–1833

Tournon Opposite to Teint on the Rhone

(ca. 1780)

• Materials & TechniquesBrushed brown ink, brown wash, varnish and brown ground on medium, slightly textured, cream laid paper, mounted on medium, slightly textured, cream laid paper
• DimensionsMount: 7 3/4 x 12 1/8 inches (19.7 x 30.8 cm), Sheet: 5 3/4 x 10 inches (14.6 x 25.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Mary Harcourt, 1750–1833

On the Rhone

(ca. 1780)

• Materials & TechniquesBrushed brown ink, brown wash, gray wash, graphite, brown ground and varnish on medium, slightly textured, cream laid paper, mounted on medium, slightly textured, cream laid paper
• DimensionsSheet: 7 x 11 5/8 inches (17.8 x 29.5 cm), Mount: 8 5/8 x 13 1/4 inches (21.9 x 33.7 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Mary Harcourt, 1750–1833

An Arch in the Vault of an Overgrown Ruin

(ca. 1780)

• Materials & TechniquesBlack ink and brown wash on medium, slightly textured, cream laid paper
• DimensionsSheet: 9 × 11 3/8 inches (22.9 × 28.9 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Mary Harcourt, 1750–1833

Lake Morat from Avenches

(ca. 1780)

• Materials & TechniquesBrushed brown ink, brown wash, graphite and brown ground on thin, slightly textured, cream laid paper, mounted on medium, slightly textured, cream laid paper
• DimensionsSheet: 8 1/2 x 10 7/8 inches (21.6 x 27.6 cm), Mount: 11 3/4 x 13 5/8 inches (29.8 x 34.6 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Wenceslaus Hollar, 1607–1677

A View from Peterborough Tower at Tangier

(1669)

• Materials & TechniquesGraphite, pen and brown ink, gray wash, brown wash, and watercolor on medium, slightly textured, cream wove paper
• DimensionsSheet: 8 × 24 3/8 inches (20.3 × 61.9 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection