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Materials & Techniques brown ink

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Collection Prints and Drawings

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Associated Places France

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Subject Terms bridge (built work)

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Search Results

View of the Pont Royal
Creator:
William Callow, 1812–1908
Date:
ca. 1833
Materials & Techniques:
Watercolor, pen and brown ink, gray ink, graphite, and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 1/4 × 19 13/16 inches (33.7 × 50.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Pont des Arts, Paris
Creator:
Thomas Shotter Boys, 1803–1874
Date:
between 1831 and 1837
Materials & Techniques:
Pen and black ink and brown ink, graphite and watercolor on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 6 5/8 x 13 1/8 inches (16.8 x 33.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On the Seine
Creator:
Thomas Shotter Boys, 1803–1874
Date:
1831
Materials & Techniques:
Watercolor with pen and brown ink over graphite with gum arabic on moderately thick, slightly textured, cream wove paper, mounted to thick, slightly textured, cream wove paper, mounted to thick, slightly textured, beige card
Dimensions:
Mount: 5 3/4 x 8 3/4 inches (14.6 x 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
L'Institut de France, Paris
Creator:
Thomas Shotter Boys, 1803–1874
Date:
1830
Materials & Techniques:
Watercolor, with pen in brown ink over graphite on moderately thick, rough, beige wove paper
Dimensions:
Sheet: 14 x 10 7/16 inches (35.6 x 26.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Pont de la Concorde and Tuileries Palace from the Cours la Reine
Creator:
François Louis Thomas Francia, 1772–1839
Date:
1823
Materials & Techniques:
Watercolor and brown ink and gouache over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 1/2 x 10 1/2 inches (16.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund