Materials & Techniques: canvas / Exhibition History: Painting in England 1700-1850 - From The Collection of Mr. and Mrs. Paul Mellon (Yale University Art Gallery, 1965-04-15 - 1965-06-20) / Subject Terms: dogs (animals) and riding boots - YCBA Collections Search Search Results

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Materials & Techniques canvas

Exhibition History Painting in England 1700-1850 - From The Collection of Mr. and Mrs. Paul Mellon (Yale University Art Gallery, 1965-04-15 - 1965-06-20)

Subject Terms dogs (animals)

Subject Terms riding boots

1. Studies for or after "The third Duke of Richmond with the Charleton Hunt"

Studies for or after "The third Duke of Richmond with the Charleton Hunt"

Creator:: George Stubbs, 1724–1806
Date:: late 1750s
Materials & Techniques:: Oil on four pieces of paper conjoined on canvas
Dimensions:: 10 1/4 × 11 7/8 inches (26 × 30.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Preparing for the Hunt

Preparing for the Hunt

Creator:: John Wootton, 1682–1764
Date:: ca. 1745
Materials & Techniques:: Oil on canvas
Dimensions:: 47 x 49 inches (119.4 x 124.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. George, Marquess of Huntly (later fifth Duke of Gordon), on Tiny

George, Marquess of Huntly (later fifth Duke of Gordon), on Tiny

Creator:: Benjamin Marshall, 1768–1835
Date:: between 1806 and 1807
Materials & Techniques:: Oil on canvas
Dimensions:: 40 x 50 inches (101.6 x 127 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. John Corbet, Sir Robert Leighton and John Kynaston with their Horses and Hounds

John Corbet, Sir Robert Leighton and John Kynaston with their Horses and Hounds

Creator:: Thomas Stringer, 1722–1790
Date:: 1779
Materials & Techniques:: Oil on canvas
Dimensions:: 37 3/4 x 57 1/2 inches (95.9 x 146.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view