Materials & Techniques: chine collé / Creator Gender: male / Collection: Prints and Drawings

Print made by Thomas Cheesman, 1760–1834/35

Arthur Devis

undated

Print made by John Keyse Sherwin, c.1751–1790

Sir Joshua Reynolds

c.1784

Print made by Samuel William Reynolds, 1773–1835

Miss Emma Hart (afterwards Lady Hamilton) as a Bacchante

undated

Print made by Samuel Freeman, 1773–1857

Sir Robert Ker Porter

undated

William Woollett, 1735–1785

The Rural Cott

1797

Print made by unknown artist

Elisabet Comitissa Warwyck

1798

Thomas Harland, active early 19th century

Charles Barry

undated

Print made by Alexander George Fraser, 1786–1865

A Highland Interior

undated

Print made by William Byrne, 1743–1805

Wickham from the Marlow Road

1803

Print made by William Byrne, 1743–1805

Eton, from the Slough Road

1803

Print made by Godefroy Engelmann, 1788–1839

G. Engelmann

undated

Print made by unknown artist

Hawes Bridge near Kendal

undated

Print made by William Byrne, 1743–1805

Abingdon from the Thames Navigation

1805

Print made by William Byrne, 1743–1805

Newbury from Speen Hill

1805

Print made by William Byrne, 1743–1805

Donnington Castle

1805

Published by Sir Frank Short, 1857–1945

Jason

1807

Print made by Luigi Schiavonetti, 1765–1810

William Blake, Frontispiece

1808

Print made by John Crome, 1768–1821

Mousehold Heath, Norwich

between 1810 and 1811

Etched by Joseph Mallord William Turner, 1775–1851

Hind Head Hill

1811

Print made by William Bernard Cooke, 1778–1855

Lulworth Cove, Dorset

1811-1812

Print made by Anthony Cardon, 1772–1813

Lewis Schiavonetti, V.A

1811

Print made by William Bernard Cooke, 1778–1855

Lulworth Cove, Dorset

1812

Charles Turner, 1774–1857

Sir Harry Burrard-Neale, 2nd Baronet

1812

Niccoló Schiavonetti, 1771–1813

Sir Joseph Banks, 1st Baronet

1812

Print made by William Bernard Cooke, 1778–1855

St. Michael's Mount, Cornwall

1813

Print made by William Bernard Cooke, 1778–1855

Weymouth, Dorset

1813

James Duffield Harding, 1798–1863

View of the Clifton Suspension Bridge

undated

Print made by John Crome, 1768–1821

Front of the New Mills

1813

Print made by George Cuitt, 1779–1854

Presented by the Officers

after 1813

James Duffield Harding, 1798–1863

Château Vilain sur la Riviere Dain, Franche Comte

undated

James Duffield Harding, 1798–1863

Cascades de Thiers, Auvergne

undated

James Duffield Harding, 1798–1863

Gorge du Mont Terrible

undated

Print made by George Cooke, 1781–1834

Poole, Dorsetshire

1814

Print made by William Bernard Cooke, 1778–1855

Lulworth Cove, Dorset

1814

Print made by George Cooke, 1781–1834

Land's End, Cornwall

1814-1826

Print made by William Bernard Cooke, 1778–1855

Dartmouth, Devon

1814

Print made by George Cooke, 1781–1834

Pendennis Castle and Entrance of Falmouth Harbour

1814 to 1826

Print made by George Cooke, 1781–1834

Watchet, Somersetshire

1814-1826

Print made by Samuel Bellin, 1799–1894

David Cox

undated

Print made by William Bernard Cooke, 1778–1855

The Mew Stone. Entrance of Plymouth Sound

1815

Print made by George T Doo, 1800–1886

John Greenhill

undated

M. Gauci, 1810–1846

Luke Thomas Flood, Justice of the Peace

undated

Print made by George Cooke, 1781–1834

Gledhow

1816

Print made by George Cooke, 1781–1834

Gledhow

1816

Sir George Hayter, 1792–1871

H.R.H. Prince Leopold, Queen Victoria's Uncle

1816

Print made by Samuel Cousins, 1801–1887

Mrs. Braddyll

undated

Print made by Samuel Cousins, 1801–1887

Mrs. Braddyll

undated

Print made by William Bernard Cooke, 1778–1855

Plymouth from Mount Batten

1817

Print made by William Bernard Cooke, 1778–1855

Plymouth, with Mount Batten

1817

Print made by W. R. Smith, active 1819–1851

Rosslyn Castle

ca. 1822

James Fittler, 1758–1835

Benjamin West, P.R.A

1817

Print made by William Sharp, 1749–1824

William Sharp

1817

Print made by Samuel Middiman, ca. 1750–1831

Bridge at Narni

1818-1820

Print made by George Cooke, 1781–1834

The Roman Forum from the Tower of the Capitol

1818-1820

Print made by George Hollis, 1792–1842

Rome, Bridge and Castle of St. Angelo, on the Tyber

1818

Print made by George Hollis, 1792–1842

Rome; Bridge and Castle of St. Angelo on the Tyber

1818

Print made by George Cooke, 1781–1834

The Roman Forum from the Tower of the Capitol

1818-1820

Print made by William Richardson, active 1842–1877

The Roman Forum from the Tower of the Capitol

1818-1820

Print made by George Cooke, 1781–1834

The Roman Forum from the Tower of the Capitol

1818

Print made by George Cooke, 1781–1834

The Roman Forum from the Tower of the Capitol

1818-1820

Print made by John Pye, 1782–1874

A View of Oxford from the Abingdon Road

1818

Print made by John Pye, 1782–1874

A View of Oxford from the Abingdon Road

1818

Print made by William Bernard Cooke, 1778–1855

East & West Looe, Cornwall

1818

Print made by George Cooke, 1781–1834

Tintagel Castle, Cornwall

1818

Print made by John Pye, 1782–1874

The Rialto, Venice

1818-1820

Print made by W. R. Smith, active 1819–1851

Heysham and Cumberland Mountain

1818-1823

$William Bernard Cooke Ilfracombe, North Devon$

Print made by William Bernard Cooke, 1778–1855

Ilfracombe, North Devon

1818

Print made by John Byrne, 1786–1847

Rome from Monte Mario

1818-1820

Print made by John Byrne, 1786–1847

Rome from Monte Testaccio

1818-1820

Print made by John Byrne, 1786–1847

Rome, Tomb of Cecilia Metella

1818-1820

Print made by W. R. Smith, active 1819–1851

Florence, from Fiesoli

1818-1820

Print made by James Fittler, 1758–1835

Isola Bella, on the Lago Maggiore

1818-1820

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1818-1823

Print made by John Pye, 1782–1874

Wycliffe, near Rokeby

1818-1823

Print made by John Le Keux, 1783–1846

Rome from the Farnesean Gardens

1818-1820

Print made by John Pye, 1782–1874

Wycliffe, near Rokeby

1818-1823

Print made by Henry Le Keux, 1787–1868

Simmer Lake near Askrig

1818-1823

Print made by John Scott, 1774–1828

Aysgarth Force

1818-1823

Print made by J. C. Varrall, active 1815–1827

Merrick Abbey, Swaledale

1818-1823

Print made by Charles Heath, 1785–1848

Ingleborough, from Hornby Castle Terrace

1818-1823

Print made by Charles Heath, 1785–1848

Kirkby Lonsdale Churchyard

1818-1823

Print made by John Byrne, 1786–1847

Rome, Tomb of Cecilia Metella

1818-1820

Print made by Samuel Rawle, 1771–1860

Florence, from the Ponte alla Carria

1818-1820

Print made by Samuel Rawle, 1771–1860

Florence, from the Ponte alla Carraia

1818-1820

Print made by James Fittler, 1758–1835

Isola Bella on the Lago Maggiore

1818-1820

Print made by George Cooke, 1781–1834

Antiquities at Pola, Frontispiece

1818

Print made by W. R. Smith, active 1819–1851

Florence, from Fiesoli

1818-1820

Print made by Thomas Higham, 1796–1844

Egglestone Abbey, near Barnard Castle

1818-1823

Print made by John Landseer, 1769–1852

Fall of the Tees

1818-1823

Print made by Samuel Rawle, 1771–1860

Brignall Church

1818-1823

Engraved by George Hollis, 1792–1842

The Forum Romanum

1818-1820

Print made by Charles Heath, 1785–1848

Kirkby Lonsdale Churchyard

1818-1823

Print made by John Byrne, 1786–1847

Rome from Monte Testaccio

1818-1820

Print made by Thomas Higham, 1796–1844

Egglestone Abbey, near Barnard Castle

1818-1823

Etched by Samuel Middiman, ca. 1750–1831

Hardraw Fall

1818

Print made by Charles Heath, 1785–1848

Benjamin West, Esq., President of the Royal Academy of London

1818

Print engraved by John Pye, 1782–1874

Hardraw Fall

1818

Print made by Henry Le Keux, 1787–1868

Borthwick Castle

1819

Engraved by Henry Le Keux, 1787–1868

High Street, Edinburgh

1819

Print made by George Cooke, 1781–1834

Naples, from the Mole

1819

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Materials & Techniques chine collé

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