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Materials & Techniques compo

Remove constraint Materials & Techniques: compo

Credit Line Yale Center for British Art

Remove constraint Credit Line: Yale Center for British Art

Period 18th century

Remove constraint Period: 18th century

Image Available Available

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Subject Terms frame alteration: probably not

Remove constraint Subject Terms: frame alteration: probably not

Height [cm] Unknown

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Search Results

British, 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Wood and compo, later oil gilding over original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
4th quarter of 18th century
Materials & Techniques:
Wood and compo, later oil gilding over original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Hogarth' style print frame
Creator:
unknown framemaker
Date:
2nd quarter of 18th century
Materials & Techniques:
Wood and compo, parcel gilt and ebonised
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
4th quarter of 18th century
Materials & Techniques:
Carved wood and compo, later oil gilding and re-sanded frieze over original oil gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British Neoclassical, 'Dowman' variant frame
Creator:
unknown framemaker
Date:
4th quarter of 18th century
Materials & Techniques:
Carved wood and compo, later oil and water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical, 'Morland' frame
Creator:
unknown framemaker
Date:
late 18th century
Materials & Techniques:
Wood and compo; later water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British 'Carlo Maratta' - Neoclassical variant frame
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Carved wood and compo, later patinated oil and water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
Continental Europe (?), 'Salvator Rosa' style frame
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Carved wood and compo, later gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Wood and compo, later gilding over original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
4th quarter of 18th century
Materials & Techniques:
Wood and compo, partially regilded over original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British Neoclassical frame with oval inset
Creator:
unknown framemaker
Date:
late 18th century
Materials & Techniques:
Wood and compo, later gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Palladian, 'William Kent' style frame
Creator:
unknown framemaker
Date:
3rd quarter of 18th century
Materials & Techniques:
Carved wood and composition, regilded over original gilding and sanded frieze
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
4th quarter of 18th century
Materials & Techniques:
Wood and compo, partially regilded over original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
4th quarter of 18th century
Materials & Techniques:
Carved wood and compo, later oil gilding and over original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art