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Materials & Techniques compo

Remove constraint Materials & Techniques: compo

Subject Terms frame feature: Rare pattern

Remove constraint Subject Terms: frame feature: Rare pattern

Height [cm] Unknown

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Search Results

British, Baroque frame
Creator:
unknown framemaker
Date:
2nd quarter of 18th century
Materials & Techniques:
Wood and compo, later oil and water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
4th quarter of 18th century
Materials & Techniques:
Carved wood and compo, later oil and water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
Perhaps Thomas Vialls, 1719–1781
Date:
4th quarter of 18th century
Materials & Techniques:
Wood and compo, original oil and water gilding and sanded inlay
Collection:
Frames
Credit Line:
Yale Center for British Art
British (?), Provincial 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
3rd quarter of 18th century
Materials & Techniques:
Carved wood and compo, later oil gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
4th quarter of 18th century
Materials & Techniques:
Carved wood and compo, partially regilded over original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, NeoClassical style frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Wood and compo, later oil gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, NeoClassical style frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Wood and compo, later oil gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Wood and compo, later gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th century to early 19th century
Materials & Techniques:
Carved wood and compo, original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British Neoclassical frame
Creator:
unknown framemaker
Date:
4th quarter of 18th century
Materials & Techniques:
Carved wood and compo, regilded over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Victorian 'Salon' style frame
Creator:
unknown framemaker
Date:
mid-19th century
Materials & Techniques:
Wood and compo
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
4th quarter of 18th century
Materials & Techniques:
Wood and compo, partially regilded over original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
Continental Europe, Biedermeier frame
Creator:
unknown framemaker
Date:
1st half of 20th century
Materials & Techniques:
Wood, compo and lace, original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Wood and compo, later gilding and over original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
Continental Europe (?), 'Salvator Rosa' style frame
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Carved wood and compo, later gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th century
Materials & Techniques:
Wood & compo (or papier mâché?), later oil gilding over original oil and water gilding and sanded frieze
Collection:
Frames
Credit Line:
Yale Center for British Art
British Neoclassical frame
Creator:
unknown framemaker
Date:
early 19th century
Materials & Techniques:
Wood and compo, oil gilded
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Régence Revival frame
Creator:
unknown framemaker
Date:
1st half of 19th century
Materials & Techniques:
Wood and compo, probably original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
last third of 18th century
Materials & Techniques:
Wood and compo, later gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
4th quarter of 18th century
Materials & Techniques:
Carved wood and compo, later oil gilding and over original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
last third of 18th century
Materials & Techniques:
Carved wood and compo, successive later oil gildings over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British artist's frame: Pre-Raphaelite
Creator:
unknown framemaker
Date:
3rd quarter of 19th century
Materials & Techniques:
Wood and compo, original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
4th quarter of 18th century
Materials & Techniques:
Carved wood and compo, original oil and water gilding and sanded rail
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Wood and compo, later gilding over original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
No cover image available
Creator:
unknown framemaker
Date:
18th century
Materials & Techniques:
Wood and compo, later gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art