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Materials & Techniques etching (printing process)

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William Blake Death's Door; Plate 17
Print made by William Blake, 1757–1827
Death's Door; Plate 17
1793
William Blake Fear & Hope Are -- Vision; Plate 15
Print made by William Blake, 1757–1827
Fear & Hope Are -- Vision; Plate 15
1793
William Blake Romeo and Juliet, Act IV, Scene V
Print made by William Blake, 1757–1827
Romeo and Juliet, Act IV, Scene V
1799
William Blake For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"
1826
Daniel Nikolaus Chodowieki 'Henry IV, Part I,' Act II, Scene IV
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
'Henry IV, Part I,' Act II, Scene IV
undated
James Barry St. Sebastian
Print made by James Barry, 1741–1806
St. Sebastian
undated
James Gillray The Death of the Great Wolf
James Gillray, 1756–1815
The Death of the Great Wolf
1795
James Gillray The Valley of the Shadow of Death
James Gillray, 1756–1815
The Valley of the Shadow of Death
1808
George Cruikshank The Last Scene: 'Jack Sheppard's Farewell to Mr Wood / Blueskin cutting down Jack Sheppard / The Body of Jack Sheppard carried off by the Mob'
Print made by George Cruikshank, 1792–1878
The Last Scene: 'Jack Sheppard's Farewell to Mr Wood / Blueskin cutting down Jack Sheppard / The Body of Jack Sheppard carried off by the Mob'
1839
George Cruikshank Mr. B seeking the Bubble reputation - Plate 5
Print made by George Cruikshank, 1792–1878
Mr. B seeking the Bubble reputation - Plate 5
1820
Joseph Goupy Romanus sum Civis
Joseph Goupy, 1689–1769
Romanus sum Civis
1726
James Gillray Blood on Thunder Fording the Red Sea
James Gillray, 1756–1815
Blood on Thunder Fording the Red Sea
1788