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unknown framemaker

George II frame

(early 18th century)

• Materials & TechniquesCarved wood, gilding
• DimensionsFrame: 32 × 36 3/4 inches (81.3 × 93.3 cm)
• CollectionFrames
• Credit lineYale Center for British Art

unknown framemaker

British, Palladian frame

(late 18th century)

• Materials & TechniquesCarved wood, original deteriorated and flaking oil gilding; textured frieze
• DimensionsFrame: 50 × 62 × 3 inches (127 × 157.5 × 7.6 cm)
• CollectionFrames
• Credit lineYale Center for British Art

unknown framemaker

British, Neoclassical frame

(early 19th century)

• Materials & TechniquesWood and compo, original oil and water gilding
• Dimensions
• CollectionFrames
• Credit lineYale Center for British Art

unknown framemaker

British, 'Carlo Maratta' style frame

(late 18th century)

• Materials & TechniquesCarved wood, later gilding over original gilding
• DimensionsFrame: 26 × 21 1/4 × 2 1/4 inches (66 × 54 × 5.7 cm)
• CollectionFrames
• Credit lineYale Center for British Art

unknown framemaker

British, Louis XV Revival frame

(1st half of 19th century)

• Materials & TechniquesWood and compo, original oil and water gilding
• Dimensions
• CollectionFrames
• Credit lineYale Center for British Art

unknown framemaker

British, 'Carlo Maratta' frame

(late 18th century)

• Materials & TechniquesCarved wood, partially regilded over original oil and water gilding
• Dimensions
• CollectionFrames
• Credit lineYale Center for British Art

unknown framemaker

French Provincial Louis XIV frame

(late 17th to early 18th century)

• Materials & TechniquesCarved wood, later gilding over original gilding and sanded frieze
• Dimensions
• CollectionFrames
• Credit lineYale Center for British Art

unknown framemaker

British, Neoclassical frame

(18th century)

• Materials & TechniquesWood and compo, later oil and water gilding over original gilding
• Dimensions
• CollectionFrames
• Credit lineYale Center for British Art

unknown framemaker

British, Louis XIV- Régence style frame

(1st half of 18th century)

• Materials & TechniquesCarved wood, later oil gilding over original gilding and sanded frieze
• Dimensions
• CollectionFrames
• Credit lineYale Center for British Art

unknown framemaker

British, 'Carlo Maratta' style frame

(mid-19th century)

• Materials & TechniquesWood and compo, original oil and water gilding
• Dimensions
• CollectionFrames
• Credit lineYale Center for British Art

unknown framemaker

British, 'Carlo Maratta' frame

(2nd half of 18th century)

• Materials & TechniquesWood and compo, later oil gilding over original oil and water gilding
• Dimensions
• CollectionFrames
• Credit lineYale Center for British Art

unknown framemaker

British, Louis XIV Revival frame

(2nd quarter of 19th century)

• Materials & TechniquesWood and compo, original oil and water gilding
• DimensionsFrame: 45 × 40 × 4 1/2 inches (114.3 × 101.6 × 11.4 cm)
• CollectionFrames
• Credit lineYale Center for British Art

unknown framemaker

British 'Carlo Maratta' - Neoclassical variant frame

(4th quarter of 18th century)

• Materials & TechniquesCarved wood, original deteriorated and flaking oil gilding
• Dimensions
• CollectionFrames
• Credit lineYale Center for British Art

unknown framemaker

British, Neoclassical frame

(4th quarter of 18th century)

• Materials & TechniquesWood and compo, later oil gilding and over original oil and water gilding
• Dimensions
• CollectionFrames
• Credit lineYale Center for British Art

unknown framemaker

British, Neoclassical frame

(4th quarter of 18th century)

• Materials & TechniquesWood and compo, later oil gilding and over original oil and water gilding
• Dimensions
• CollectionFrames
• Credit lineYale Center for British Art

unknown framemaker

British, Neoclassical frame

(4th quarter of 18th century)

• Materials & TechniquesWood and compo, later oil gilding and over original oil and water gilding
• Dimensions
• CollectionFrames
• Credit lineYale Center for British Art

unknown framemaker

British, Neoclassical frame

(late 18th to early 19th century)

• Materials & TechniquesWood and compo, partially regilded over original oil and water gilding
• Dimensions
• CollectionFrames
• Credit lineYale Center for British Art

unknown framemaker

Irish Provincial Rococo frame

(3rd quarter of 18th century)

• Materials & TechniquesCarved wood, abraded regilding over original gilding
• Dimensions
• CollectionFrames
• Credit lineYale Center for British Art

unknown framemaker

British, Louis XIV Revival style frame

(mid-19th century)

• Materials & TechniquesWood and compo, partially regilded and bronze painted over original oil and water gilding
• Dimensions
• CollectionFrames
• Credit lineYale Center for British Art

unknown framemaker

British, Rococo frame

(3rd quarter of 18th century)

• Materials & TechniquesCarved wood, later oil gilding and over original oil and water gilding and textured ground
• DimensionsFrame: 25 1/4 × 30 1/4 × 2 1/2 inches (64.1 × 76.8 × 6.4 cm)
• CollectionFrames
• Credit lineYale Center for British Art

Huguenot craftsman

British, Rococo frame

(mid-18th century)

• Materials & TechniquesCarved wood, later oil gilding and over original oil and water gilding
• Dimensions
• CollectionFrames
• Credit lineYale Center for British Art

unknown framemaker

British, Neoclassical frame

(late 18th century)

• Materials & TechniquesWood & compo (or papier mâché?), later oil gilding over original oil and water gilding and sanded frieze
• Dimensions
• CollectionFrames
• Credit lineYale Center for British Art

unknown framemaker

British, Louis XIV style frame

(2nd quarter of 18th century)

• Materials & TechniquesCarved wood, later oil gilding over original gilding and sanded frieze
• Dimensions
• CollectionFrames
• Credit lineYale Center for British Art

unknown framemaker

British Neoclassical frame

(early 19th century)

• Materials & TechniquesWood and compo, oil gilded
• Dimensions
• CollectionFrames
• Credit lineYale Center for British Art

unknown framemaker

British Neoclassical frame

(late 18th to early 19th century)

• Materials & TechniquesWood and compo, original water gilding
• Dimensions
• CollectionFrames
• Credit lineYale Center for British Art

unknown framemaker

British, Neoclassical frame

(4th quarter of 18th century)

• Materials & TechniquesCarved wood, later gilding over original gilding
• Dimensions
• CollectionFrames
• Credit lineYale Center for British Art

unknown framemaker

British, 'Carlo Maratta' frame

(4th quarter of 18th century)

• Materials & TechniquesCarved wood, partially regilded over original oil and water gilding
• Dimensions
• CollectionFrames
• Credit lineYale Center for British Art

unknown framemaker

British, Neoclassical frame

(early 19th century)

• Materials & TechniquesWood and compo, partially regilded over original oil and water gilding
• Dimensions
• CollectionFrames
• Credit lineYale Center for British Art

unknown framemaker

British, 'Carlo Maratta' frame

(3rd quarter of 18th century)

• Materials & TechniquesCarved wood and compo, later patinated oil and water gilding over original gilding
• Dimensions
• CollectionFrames
• Credit lineYale Center for British Art

unknown framemaker

British, Baroque frame

(3rd quarter of 17th century)

• Materials & TechniquesCarved wood, later gilding over original oil and water gilding
• Dimensions
• CollectionFrames
• Credit lineYale Center for British Art

unknown framemaker

Italian, Baroque frame

(late 17th century to early 18th century)

• Materials & TechniquesCarved wood, original parcel gilding and black tempera
• Dimensions
• CollectionFrames
• Credit lineYale Center for British Art

unknown framemaker

British, 'Carlo Maratta' frame

(2nd half of 18th century)

• Materials & TechniquesCarved wood, later oil and water gilding over original gilding
• Dimensions
• CollectionFrames
• Credit lineYale Center for British Art

unknown framemaker

British, Louis XV style frame

(mid-18th century)

• Materials & TechniquesCarved wood, later oil gilding over original gilding and sanded frieze
• Dimensions
• CollectionFrames
• Credit lineYale Center for British Art

unknown framemaker

British, 'Carlo Maratta' frame

(18th century)

• Materials & TechniquesCarved wood, regilded over original gilding
• DimensionsFrame: 24 1/2 × 33 1/2 × 2 1/2 inches (62.2 × 85.1 × 6.4 cm)
• CollectionFrames
• Credit lineYale Center for British Art

unknown framemaker

British, 'Carlo Maratta' frame

(2nd half of 18th century)

• Materials & TechniquesCarved wood, later oil and water gilding over original gilding
• DimensionsFrame: 24 1/2 × 30 1/4 inches (62.2 × 76.8 cm)
• CollectionFrames
• Credit lineYale Center for British Art

unknown framemaker

British, Louis XIV frame

(2nd quarter of 18th century)

• Materials & TechniquesCarved wood, later oil gilding over original gilding and sanded frieze
• Dimensions
• CollectionFrames
• Credit lineYale Center for British Art

unknown framemaker

British, 'Carlo Maratta' frame

(3rd quarter of 18th century)

• Materials & TechniquesCarved wood, partially regilded over original oil and water gilding
• Dimensions
• CollectionFrames
• Credit lineYale Center for British Art

unknown framemaker

British, 'Hogarth' style print frame

(2nd quarter of 18th century)

• Materials & TechniquesWood and compo, parcel gilt and ebonised
• Dimensions
• CollectionFrames
• Credit lineYale Center for British Art

unknown framemaker

British Louis XV frame

(mid-18th century)

• Materials & TechniquesCarved wood, later oil gilding over original gilding and sanded frieze
• Dimensions
• CollectionFrames
• Credit lineYale Center for British Art

unknown framemaker

British, Louis XIV- Régence style frame

(2nd quarter of 18th century)

• Materials & TechniquesCarved wood, later oil gilding over original oil and water gilding and sanded frieze
• Dimensions
• CollectionFrames
• Credit lineYale Center for British Art