"Landscape Scenery", No. 10: Scenes with Wood-Cutters
1821
2
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 13: Groups of Infantry and Army Horses
1821
3
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 7: Scenes of Cricket and a Waggoner With His Team
1821
4
Henry Thomas Alken, 1785–1851
"Scraps", No. 15: Racehorse with Jockey Up, Two Men Discussing the Horse
1823
5
Henry Thomas Alken, 1785–1851
"Scraps", No. 28: Skittle Alley With Players and Spectators
1823
6
Henry Thomas Alken, 1785–1851
"Scraps", no. 32: Two Mamelukes Talking, One Mounted
1823
7
Henry Thomas Alken, 1785–1851
"Scraps", no. 33: Mounted Mameluke Brandishing a Sword
1823
8
Henry Thomas Alken, 1785–1851
"Scraps", no. 34: Mounted Mameluke Pointing a Pistol
1823
9
Henry Thomas Alken, 1785–1851
"Scraps", no. 35: Mounted Mameluke with Bamboo Spear
undated
10
Henry Thomas Alken, 1785–1851
"Sporting Anecodotes:" Drawing for the Soft-Gound Etching of 'The Sporting Butcher'
undated
11
Henry Thomas Alken, 1785–1851
"Sporting Incidents:" Drawing For the Soft-gound Etching of 'Panther Hunting'
undated
12
Henry Thomas Alken, 1785–1851
"Sporting Incidents:" Drawing For the Soft-ground Etching of 'Through the Wood'
undated
13
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
between 1831 and 1832
14
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'
between 1831 and 1832
15
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
between 1831 and 1832
16
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'
between 1831 and 1832
17
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'
between 1831 and 1832
18
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '
between 1831 and 1832
19
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
between 1831 and 1832
20
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'
between 1831 and 1832
21
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
between 1831 and 1832
22
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
between 1831 and 1832
23
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
between 1831 and 1832
24
Henry Thomas Alken, 1785–1851
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
25
Duncan Grant, 1885–1978
'Diana and Acteon', after Titian, done for the National Gallery appeal in London
ca. 1970
26
Robert Price, 1717–1761
A Bridge in a Landscape
undated
27
Henry Thomas Alken, 1785–1851
A Charging Mameluke Firing a Pistol
ca. 1823
28
Samuel De Wilde, 1748–1832
A Gentleman, full length, Holding a Paper and Pencil
1795
29
Attributed to Augustin Heckel, 1690–1770
A Grotesque
undated
30
Attributed to Augustin Heckel, 1690–1770
A Grotesque Mask
undated
31
John Frederick Lewis, 1804–1876
A Head Keeper, Windsor Castle, 1826
1826
32
Paul Sandby, 1731–1809
A Lady Copying at a Drawing Table
ca. 1765
33
James Seymour, 1702–1752
A Lady Riding Side-Saddle, Turns to Look at a Dismounted Rider
undated
34
Samuel De Wilde, 1748–1832
A Lady, full length, Wearing a Blue Sash and Holding a Fan
1795
35
George Morland, 1763–1804
A Man Lifting a Trunk, Two studies on one sheet
1792
36
Sir David Wilkie, 1785–1841
A Priest with Two Children
between 1825 and 1828
37
Thomas Sibson, 1817–1844
A Saxon Slave-Market
undated
38
George Morland, 1763–1804
A Sportsman Loading His Gun
undated
39
John Frederick Lewis, 1804–1876
A Street Scene in Granada on the Day of the Bullfight
1833
40
Henry Thomas Alken, 1785–1851
A Turn Up with the Lads of the Village
undated
41
George Lambert, 1700–1765
A Young Man Asleep
undated
42
Marcellus Laroon the Younger, 1679–1772
A Youth Carrying a Basket
undated
43
Giles Hussey, 1710–1788
Album of 36 Drawings Selected by Benjamin West, P.R.A
between 1730 and 1768
44
Attributed to Augustin Heckel, 1690–1770
Album of Fifty-five Ornamental Designs
undated
45
Samuel De Wilde, 1748–1832
An Actor
undated
46
Samuel De Wilde, 1748–1832
An Actress
1806
47
Edward Francis Burney, 1760–1848
An Allegory of America Carrying the Cap of Liberty
undated
48
John Raphael Smith, 1752–1812
An Evening Walk
ca. 1783
49
unknown artist
An Ornamental Pool and Fountain
ca. 1700
50
John Flaxman, 1755–1826
Apollo Preceding Hector with His Aegis, and Dispersing the Greeks, Fuseli's Lectures
undated
51
John Robert Cozens, 1752–1797
Ariccia
ca. 1783
52
Attributed to Augustin Heckel, 1690–1770
Bacchus & Ariadne; Design for a Gold Box
ca. 1730
53
William Daniell, 1769–1837
Charles Catton, R. A
between 1808 and 1814
54
Hubert-François Gravelot, 1699–1773
Charles Howard, second Baron Howard of Effingham and first Earl of Nottingham (1536-1624)
undated
55
Sir David Wilkie, 1785–1841
Child's Broken Cart and Fiddler's Wife's Arm
1806
56
Richard Cosway, 1742–1821
Christ Blessing Little Children
undated
57
David Scott, 1806–1849
Christian and Hopeful in the Castle of Giant Despair
ca. 1831
58
David Scott, 1806–1849
Christian, Accompanied by Discretion, Piety, Charity and Prudence
ca. 1831
59
unknown artist
Classical Scene: Minerva as the Goddess of Arts and Sciences
undated
60
Philippe-Jacques de Loutherbourg, 1740–1812
Corps de Garde (Barbarians Defeated by a Book)
undated
61
David Cox, 1783–1859
Cottage in Herefordshire
before August 1820
62
James Seymour, 1702–1752
Coursing - After the Kill
undated
63
Malcolm Drummond, 1880–1945
Dancing Couples
undated
64
Edward Francis Burney, 1760–1848
Deposition
undated
65
Attributed to Augustin Heckel, 1690–1770
Design for a Cartouche
undated
66
Attributed to Augustin Heckel, 1690–1770
Design for a Cartouche
undated
67
Attributed to Augustin Heckel, 1690–1770
Design for a Cartouche
undated
68
Attributed to Augustin Heckel, 1690–1770
Design for a Cartouche
undated
69
Attributed to Augustin Heckel, 1690–1770
Design for a Cartouche
undated
70
Attributed to Augustin Heckel, 1690–1770
Design for a Cartouche
undated
71
Attributed to Augustin Heckel, 1690–1770
Design for a Cartouche of Cupid and Diana
undated
72
Attributed to Augustin Heckel, 1690–1770
Design for a Cartouche with Figures Holding Hands
undated
73
Attributed to Augustin Heckel, 1690–1770
Design for a Cartouche with Mythological Figures
undated
74
Attributed to Augustin Heckel, 1690–1770
Design for a Cartouche with Putti
undated
75
Attributed to Augustin Heckel, 1690–1770
Design for a Cartouche with Putti
undated
76
Attributed to Augustin Heckel, 1690–1770
Design for a Cartouche with Putto
undated
77
Attributed to Augustin Heckel, 1690–1770
Design for a Cartouche with Putto
undated
78
Alfred Stevens, 1817–1875
Design for a Coat of Arms
undated
79
Hubert-François Gravelot, 1699–1773
Design for a Frontispiece: A Bishop Conferring an Honor, Scene Within a Cartouche
undated
80
Hubert-François Gravelot, 1699–1773
Design for a Frontispiece: Allegorical Landscape
undated
81
Hubert-François Gravelot, 1699–1773
Design for a Frontispiece: Bust of a Roman Man
undated
82
Hubert-François Gravelot, 1699–1773
Design for a Frontispiece: Shepherds with Flock
undated
83
Hubert-François Gravelot, 1699–1773
Design for a Medal: Boths Hand Fil'd for Britain
between 1734 and 1736
84
Hubert-François Gravelot, 1699–1773
Design for a Medal: Frederick and Augusta, Prince and Princess of Wales
undated
85
Hubert-François Gravelot, 1699–1773
Design for a Medal: Frederick and Augusta, Prince and Princess of Wales
undated
86
Hubert-François Gravelot, 1699–1773
Design for a Vignette: Figure of Abundance
undated
87
Hubert-François Gravelot, 1699–1773
Design for a Vignette: The King of France Surrounded by Courtiers
undated
88
Hubert-François Gravelot, 1699–1773
Design for an Engraving: Battle of Troy with the Trojan Horse
undated
89
Hubert-François Gravelot, 1699–1773
Design for an Engraving: Figures in an Interior
undated
90
Hubert-François Gravelot, 1699–1773
Design for an Engraving: Parlement de Paris Reassembling with Figure of Justice
1762
91
unknown artist
Designs for Emblem
undated
92
Edward Francis Burney, 1760–1848
Designs for Illustrations to Mozart's Operas
undated
93
William Taverner, 1703–1772
Diana
undated
94
Henry Thomas Alken, 1785–1851
Drawing for "Specimens of Riding Near London:" Fancy - View Near Gray's Inn Road
between 1809 and 1823
95
Henry Thomas Alken, 1785–1851
Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could
between 1809 and 1823
96
William Mulready, 1786–1863
Drawing for The First Voyage
ca. 1833
97
unknown artist
Entrance Doorway in the Tower, St Stephen's Chapel