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1951 (still life – sweet peas)
Creator:
Ben Nicholson, 1894–1982, British
Date:
1951
Medium:
Graphite and oil on board
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young Woman Holding a Cat
Creator:
Gwen John, 1876–1939, British
Date:
ca. 1920
Medium:
Oil and graphite on canvas
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
February 1957 (brown and grey)
Creator:
Ben Nicholson, 1894–1982, British
Date:
1957
Medium:
Oil and graphite on panel
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Headfort House: Ceiling Rose in Staircase
Creator:
Robert Adam, 1728–1792, British
Date:
1772
Medium:
Pen and brown ink, graphite on moderately thick, moderately textured, cream laid paper mounted on linen
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Headfort House: Staircase Entablature
Creator:
Robert Adam, 1728–1792, British
Date:
1772
Medium:
Pen and black ink, graphite on moderately thick, moderately textured, cream laid paper mounted on linen
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Headfort House: Lady's Room Ceiling Rose
Creator:
Robert Adam, 1728–1792, British
Date:
1772
Medium:
Pen and black and brown ink, graphite on moderately thick, moderately textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Headfort House: Lady's Room Moldings
Creator:
Robert Adam, 1728–1792, British
Date:
1772
Medium:
Pen and black ink, graphite on moderately thick, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Headfort House, Ireland: Elevation of the Eating Parlor
Creator:
Robert Adam, 1728–1792, British
Date:
1771
Medium:
Pen and black ink with gray wash and graphite on moderately thick, moderately textured, beige laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Paradoxurus Dubius
Creator:
Charles Hamilton Smith, 1776–1859, Belgian
Date:
ca. 1837
Medium:
Watercolor, pen and gray ink and graphite on medium, slightly textured,, cream, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Magellanic Aguara Fox: Cerdocyon Magellanicus
Creator:
Charles Hamilton Smith, 1776–1859, Belgian
Date:
ca. 1837
Medium:
Watercolor, pen and brown ink and graphite on medium, slightly textured, cream, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sooty Falcon
Creator:
William Swainson, 1789–1855, British
Date:
ca. 1837
Medium:
Watercolor, pen and black ink, gouache, gum arabic, gray wash and graphite on moderately thick, slightly textured, cream, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Paradoxurus Dubius
Creator:
Charles Hamilton Smith, 1776–1859, Belgian
Date:
ca. 1837
Medium:
Watercolor, pen and brown ink and graphite on moderately thick, smooth, cream, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Peruvian Paso
Creator:
Charles Hamilton Smith, 1776–1859, Belgian
Date:
ca. 1837
Medium:
Watercolor, pen and brown ink and graphite on moderately thick, moderately textured, cream, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Bornou Race
Creator:
Charles Hamilton Smith, 1776–1859, Belgian
Date:
ca. 1837
Medium:
Watercolor, graphite, pen and gray ink and black ink on medium, slightly textured, cream, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Colt Third Issue of Brood Mare and Second by the Black Arab
Creator:
Charles Hamilton Smith, 1776–1859, Belgian
Date:
ca. 1837
Medium:
Watercolor, graphite, pen and black ink on medium, slightly textured, cream, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Villous Horse, Primeval White Stock
Creator:
Charles Hamilton Smith, 1776–1859, Belgian
Date:
ca. 1837
Medium:
Watercolor, pen and gray ink, and graphite on medium, slightly textured, cream, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. The Hinny

The Hinny
Creator:
Charles Hamilton Smith, 1776–1859, Belgian
Date:
ca. 1837
Medium:
Watercolor, pen and gray ink, and graphite on medium, slightly textured, white, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hippotigris Quacha
Creator:
Charles Hamilton Smith, 1776–1859, Belgian
Date:
ca. 1837
Medium:
Watercolor, pen and brown ink and graphite on moderately thick, smooth, cream, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. The Zebra

The Zebra
Creator:
Charles Hamilton Smith, 1776–1859, Belgian
Date:
ca. 1837
Medium:
Watercolor, pen and brown ink and graphite on medium, slightly textured, cream, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Alpine, or Great St. Bernard Dog
Creator:
Charles Hamilton Smith, 1776–1859, Belgian
Date:
ca. 1837
Medium:
Watercolor, pen and gray ink, and graphite on medium, slightly textured, cream, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Feral Dog of St. Domingo
Creator:
Charles Hamilton Smith, 1776–1859, Belgian
Date:
ca. 1837
Medium:
Watercolor pen and black ink, gray ink and graphite on moderately thick, smooth, cream, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Naked Hyaena of the Deserts of Nubia
Creator:
Charles Hamilton Smith, 1776–1859, Belgian
Date:
ca. 1837
Medium:
Watercolor, pen and brown ink and graphite on medium, smooth, white, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Snow Leopard
Creator:
Charles Hamilton Smith, 1776–1859, Belgian
Date:
ca. 1837
Medium:
Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, cream, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Great Sea Serpent
Creator:
James Stewart, 1791–1863, British
Date:
ca. 1837
Medium:
Pen and black ink, gray wash and graphite on moderately thick, slightly textured, cream, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Chlamyphorus Truncatus
Creator:
Charles Hamilton Smith, 1776–1859, Belgian
Date:
ca. 1837
Medium:
Watercolor, pen and brown ink and graphite on medium, smooth, cream, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Eira Ferruginea - Gulo Castaneus Griffith's Cuvier
Creator:
Charles Hamilton Smith, 1776–1859, Belgian
Date:
ca. 1837
Medium:
Watercolor, pen and brown ink and graphite on moderately thick, smooth, cream, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Title Page: The Naturalist Library: Mammalia. Introduction. Volume: 1:13
Creator:
Charles Hamilton Smith, 1776–1859, Belgian
Date:
ca. 1837
Medium:
Pen and gray ink, gray wash and graphite on moderately thick, slightly textured, cream, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Halmaturus Rutilans
Creator:
Charles Hamilton Smith, 1776–1859, Belgian
Date:
ca. 1837
Medium:
Watercolor, pen and black ink, brown ink, and graphite on moderately thick, slightly textured, cream, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Frontispiece - Peter Simon Pallas
Creator:
Charles Hamilton Smith, 1776–1859, Belgian
Date:
ca. 1837
Medium:
Pen in black ink, gray ink, gray wash and graphite on moderately thick, slightly textured, cream, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Corsac Dog-Fox
Creator:
Charles Hamilton Smith, 1776–1859, Belgian
Date:
ca. 1837
Medium:
Watercolor, pen and black ink, brown ink and graphite on modeately tick, smooth, cream, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Macacus (Maimon) Brachyurus, White Maimon
Creator:
Charles Hamilton Smith, 1776–1859, Belgian
Date:
ca. 1837
Medium:
Watercolor, pen and red ink, gray ink, and graphite on medium, slightly textured, cream, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Nasua (Solitaria) Monachus, From Life
Creator:
Charles Hamilton Smith, 1776–1859, Belgian
Date:
ca. 1837
Medium:
Watercolor, with pen and brown ink, and graphite on medium, slightly textured, cream, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Dongola Horse
Creator:
Charles Hamilton Smith, 1776–1859, Belgian
Date:
ca. 1837
Medium:
Graphite, gray wash, pen and gray ink on moderately thick, smooth, cream, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
English Draught Horse
Creator:
Charles Hamilton Smith, 1776–1859, Belgian
Date:
ca. 1837
Medium:
Watercolor, pen and black ink and graphite on medium, slightly textured, cream, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dongola Horse
Creator:
Charles Hamilton Smith, 1776–1859, Belgian
Date:
ca. 1837
Medium:
Watercolor, pen and black ink, brown ink, and graphite on medium, slightly textured, cream, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Marengo, Bonaparte's Arab
Creator:
Charles Hamilton Smith, 1776–1859, Belgian
Date:
ca. 1837
Medium:
Watercolor with pen and black ink, over graphite on moderately thick, smooth, cream, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Medo-Persian Horse and Egyptian Horse
Creator:
Charles Hamilton Smith, 1776–1859, Belgian
Date:
ca. 1837
Medium:
Graphite and pen and gray ink on medium, slightly textured, cream, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The English Race-Horse
Creator:
Charles Hamilton Smith, 1776–1859, Belgian
Date:
ca. 1837
Medium:
Watercolor, graphite, pen and black ink on medium, slightly textured, cream, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Tarpan. Wild Horse. Native to Russia
Creator:
Charles Hamilton Smith, 1776–1859, Belgian
Date:
ca. 1837
Medium:
Watercolor, graphite, pen and brown ink and black ink on medium, slightly textured, cream, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Koomrah Horse
Creator:
Charles Hamilton Smith, 1776–1859, Belgian
Date:
ca. 1837
Medium:
Watercolor, graphite, pen and black ink on medium, slightly textured, cream, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Brood Mare and Third Foal, with Marks of Quagga
Creator:
Charles Hamilton Smith, 1776–1859, Belgian
Date:
ca. 1837
Medium:
Watercolor, graphite, pen and black ink and brown ink on medium, slightly textured, cream, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Asinus Onager Horse
Creator:
Charles Hamilton Smith, 1776–1859, Belgian
Date:
ca. 1837
Medium:
Watercolor, pen and gray ink and graphite on medium, smooth, cream, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Shrubat-ur-Reech
Creator:
Charles Hamilton Smith, 1776–1859, Belgian
Date:
ca. 1837
Medium:
Graphite, gray wash and pen and gray ink on moderately thick, smooth, white, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Parent of the Modern Coach Dog - Turnspit Dog
Creator:
Charles Hamilton Smith, 1776–1859, Belgian
Date:
ca. 1837
Medium:
Watercolor, pen and gray ink and graphite on moderately thick, smooth, cream, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Oriental Hound
Creator:
Charles Hamilton Smith, 1776–1859, Belgian
Date:
ca. 1837
Medium:
Watercolor, pen and brown ink and gray ink and graphite on medium, slightly textured, cream, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Painted Thous Dog
Creator:
Charles Hamilton Smith, 1776–1859, Belgian
Date:
ca. 1837
Medium:
Watercolor, pen and brown - gray ink and graphite on moderately thick, smooth, cream, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Newfoundland Dog, Original Breed
Creator:
Charles Hamilton Smith, 1776–1859, Belgian
Date:
ca. 1837
Medium:
Watercolor, pen and brown ink, black ink and graphite on medium, smooth, cream, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Wild Dog of Natolla
Creator:
Charles Hamilton Smith, 1776–1859, Belgian
Date:
ca. 1837
Medium:
Watercolor, pen and black ink, gray ink and graphite on medium, smooth, cream, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fennec of Bruce and Red Backed Fennec
Creator:
Charles Hamilton Smith, 1776–1859, Belgian
Date:
ca. 1837
Medium:
Watercolor, pen and brown ink, black ink, gray ink, red ink and graphite on moderately thick, smooth, cream, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Spotted Hyena
Creator:
Charles Hamilton Smith, 1776–1859, Belgian
Date:
ca. 1837
Medium:
Watercolor, pen and brown inki and graphite on medium, smooth, cream, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Aardwolf

Aardwolf
Creator:
Charles Hamilton Smith, 1776–1859, Belgian
Date:
ca. 1837
Medium:
Watercolor, pen and brown ink and graphite on medium, smooth, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Hyena of Albara
Creator:
Charles Hamilton Smith, 1776–1859, Belgian
Date:
ca. 1837
Medium:
Watercolor, pen and gray ink, black ink, brown ink and graphite on moderately thick, smooth, cream, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Maned Wolf
Creator:
Charles Hamilton Smith, 1776–1859, Belgian
Date:
ca. 1837
Medium:
Watercolor, pen and black ink, brown ink and graphite on medium, smooth, cream, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Gray Fox
Creator:
Charles Hamilton Smith, 1776–1859, Belgian
Date:
ca. 1837
Medium:
Watercolor, pen and brown ink, gray ink and graphite on medium, smooth, cream, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
American Cross-Fox
Creator:
Charles Hamilton Smith, 1776–1859, Belgian
Date:
ca. 1837
Medium:
Watercolor, pen and black ink and graphite on moderately thick, smooth, cream, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
New Holland Dingo
Creator:
Charles Hamilton Smith, 1776–1859, Belgian
Date:
ca. 1837
Medium:
Watercolor, pen and black ink, brown ink, gouache and graphite on moderately thick, slightly textured, white wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dun-Footed Aguara-Dog
Creator:
Charles Hamilton Smith, 1776–1859, Belgian
Date:
ca. 1837
Medium:
Watercolor, pen and brown ink, black ink and graphite on medium, slightly textured, white, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
South American Sea Lion
Creator:
James Stewart, 1791–1863, British
Date:
ca. 1837
Medium:
Watercolor, graphite, pen and brown ink on thick, slightly textured, cream, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Near Millfield, East Cowes, Isle of Wight
Creator:
Capt. Thomas Hastings, 1778–1854, British
Date:
1831
Medium:
Graphite on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Appuldercombe, 6 June 1833
Creator:
Capt. Thomas Hastings, 1778–1854, British
Date:
1833
Medium:
Graphite on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On the Medna, East Cowes
Creator:
Capt. Thomas Hastings, 1778–1854, British
Date:
1832
Medium:
Graphite on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Poems of Thomas Gray, Design 101, "Ode for Music."
Creator:
William Blake, 1757–1827, British
Date:
between 1797 and 1798
Medium:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
Creator:
William Blake, 1757–1827, British
Date:
between 1797 and 1798
Medium:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
Creator:
William Blake, 1757–1827, British
Date:
between 1797 and 1798
Medium:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
Creator:
William Blake, 1757–1827, British
Date:
between 1797 and 1798
Medium:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."
Creator:
William Blake, 1757–1827, British
Date:
between 1797 and 1798
Medium:
Watercolor with pen and black ink over graphite on moderately thick, slightly textured, cream wove paper with letterpress inset
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
Creator:
William Blake, 1757–1827, British
Date:
between 1797 and 1798
Medium:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
Creator:
William Blake, 1757–1827, British
Date:
between 1797 and 1798
Medium:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
Creator:
William Blake, 1757–1827, British
Date:
between 1797 and 1798
Medium:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Poems of Thomas Gray, Design 5, "Ode on the Spring."
Creator:
William Blake, 1757–1827, British
Date:
between 1797 and 1798
Medium:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Poems of Thomas Gray, Design 57, "The Bard."
Creator:
William Blake, 1757–1827, British
Date:
between 1797 and 1798
Medium:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Design for Omega Workshops Fabric
Creator:
Vanessa Bell, 1879–1961, British
Date:
1913
Medium:
Watercolor, gouache, and graphite on moderately thick, slightly textured, beige, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Study for Ecstasy
Creator:
Eric Gill, 1882–1940, British
Date:
1910
Medium:
Chalk, graphite, crayon on thin, slightly textured, beige, wove paper, mounted on, moderately thick, slightly textured, brown, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mrs. Caroline Murray
Portrait of a Gentleman
Creator:
James Ferguson, 1710–1776, British
Date:
ca. 1747
Medium:
Graphite on parchment
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Ann and Kenneth Rapoport
Portrait of a Gentleman
Creator:
James Ferguson, 1710–1776, British
Date:
ca. 1747
Medium:
Graphite on parchment
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Ann and Kenneth Rapoport
Portrait of a Gentleman
Creator:
James Ferguson, 1710–1776, British
Date:
ca. 1747
Medium:
Graphite on parchment
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Ann and Kenneth Rapoport
The Poems of Thomas Gray, Design 103, "Epitaph on Mrs. Clarke."
Creator:
William Blake, 1757–1827, British
Date:
between 1797 and 1798
Medium:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
Creator:
William Blake, 1757–1827, British
Date:
between 1797 and 1798
Medium:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
Creator:
William Blake, 1757–1827, British
Date:
between 1797 and 1798
Medium:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
Creator:
William Blake, 1757–1827, British
Date:
between 1797 and 1798
Medium:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
Creator:
William Blake, 1757–1827, British
Date:
between 1797 and 1798
Medium:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Poems of Thomas Gray, Design 25, "A Long Story."
Creator:
William Blake, 1757–1827, British
Date:
between 1797 and 1798
Medium:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Poems of Thomas Gray, Design 29, "A Long Story."
Creator:
William Blake, 1757–1827, British
Date:
between 1797 and 1798
Medium:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Poems of Thomas Gray, Design 49, "The Progress of Poesy."
Creator:
William Blake, 1757–1827, British
Date:
between 1797 and 1798
Medium:
Watercolor with pen and black ink over graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Headfort House: Staircase Moldings
Creator:
Robert Adam, 1728–1792, British
Date:
1772
Medium:
Pen and black ink, graphite on moderately thick, moderately textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Headfort House: Lady's Room Ceiling
Creator:
Robert Adam, 1728–1792, British
Date:
1772
Medium:
Pen and black ink, graphite on moderately thick, moderately textured, cream laid paper mounted on canvas
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Headfort House: Moldings
Creator:
Robert Adam, 1728–1792, British
Date:
undated
Medium:
Graphite on moderately thick, rough, gray wove paper mounted on canvas
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Headfort House: Cornice and Frieze
Creator:
Robert Adam, 1728–1792, British
Date:
undated
Medium:
Pen and black and brown ink, graphite on moderately thick, moderately textured, cream laid paper mounted on linen
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Rustics Perform from "A Midsummer Night's Dream"
Creator:
John Massey Wright, 1777–1866, British
Date:
undated
Medium:
Watercolor with brown ink over graphite on moderately thick, slightly textured, beige laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Eira Ferruginea
Creator:
Charles Hamilton Smith, 1776–1859, Belgian
Date:
ca. 1837
Medium:
Watercolor, pen and black ink, brown ink and graphite on moderately thick, smooth, white, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

91. Red Panda

Red Panda
Creator:
Charles Hamilton Smith, 1776–1859, Belgian
Date:
ca. 1837
Medium:
Watercolor, pen and brown ink, black ink and graphite on moderately thick, smooth, white, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sunda Stink Badger
Creator:
Charles Hamilton Smith, 1776–1859, Belgian
Date:
ca. 1837
Medium:
Watercolor, pen and brown ink and graphite on moderately thick, smooth, white, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plains Viscacha
Creator:
Charles Hamilton Smith, 1776–1859, Belgian
Date:
ca. 1837
Medium:
Watercolor, pen and brown ink and graphite on thick, smooth, white, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Banded Mongoose
Creator:
Charles Hamilton Smith, 1776–1859, Belgian
Date:
ca. 1837
Medium:
Watercolor, pen and brown ink and graphite on thick, smooth, white, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Yellow Mongoose
Creator:
Charles Hamilton Smith, 1776–1859, Belgian
Date:
ca. 1837
Medium:
Watercolor and graphite on medium, smooth, white, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Greater Grison
Creator:
Charles Hamilton Smith, 1776–1859, Belgian
Date:
ca. 1837
Medium:
Watercolor, pen and brown ink and graphite on medium, smooth, white, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Banded Palm Civet
Creator:
Charles Hamilton Smith, 1776–1859, Belgian
Date:
ca. 1837
Medium:
Watercolor and graphite on medium, smooth, white, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Syrian Fox and The Egyptian Fox
Creator:
Charles Hamilton Smith, 1776–1859, Belgian
Date:
ca. 1837
Medium:
Watercolor, pen and black ink, brown ink, gray ink and graphite on moderately thick, slightly textured, white, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Capybara
Creator:
Charles Hamilton Smith, 1776–1859, Belgian
Date:
ca. 1837
Medium:
Watercolor, pen and brown ink and graphite on mdeium, smooth, white, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

100. Cape Lion

Cape Lion
Creator:
Charles Hamilton Smith, 1776–1859, Belgian
Date:
ca. 1837
Medium:
Watercolor, pen and black ink and graphite on medium, smooth, white, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection