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Materials & Techniques gray ink

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Exhibition History The Fuseli Circle in Rome - Early Romantic Art in the 1770s (Yale Center for British Art, 1979-09-12 - 1979-11-11)

Remove constraint Exhibition History: The Fuseli Circle in Rome - Early Romantic Art in the 1770s (Yale Center for British Art, 1979-09-12 - 1979-11-11)

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Satan Approaching the Court of Chaos
Creator:
William Blake, 1757–1827
Date:
1784 to 1785
Materials & Techniques:
Graphite with pen and gray ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/4 x 13 1/4 inches (23.5 x 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Geographers
Creator:
John Brown, 1749–1787
Date:
undated
Materials & Techniques:
Pen and gray ink, pen and black ink, gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/8 x 10 1/8 inches (18.1 x 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Roman Lady with a Duenna
Creator:
John Brown, 1749–1787
Date:
between 1775 and 1780
Materials & Techniques:
Pen and black ink, pen and gray ink, watercolor, and white gouache; verso: gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/8 x 8 1/2 inches (25.7 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Get Thee Behind Me, Satan
Creator:
John Flaxman, 1755–1826
Date:
between 1783 and 1787
Materials & Techniques:
Gray ink with graphite and gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 16 x 21 7/8 inches (40.6 x 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Creation of the Heavens
Creator:
John Flaxman, 1755–1826
Date:
ca. 1790
Materials & Techniques:
Gray ink and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 10 inches (23.2 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection