Position pour la Garde en Quarte et le Coup de Quarte
1763
3
James Gwin, 1700–1769
Premiere Position pour tirer L'Epée
1763
4
James Gwin, 1700–1769
Position pour le Garde en Tierce et le Coup de Tierce
1763
5
James Gwin, 1700–1769
Position pour la Garde en Quarte
1763
6
James Gwin, 1700–1769
Position de la Garde de Tierce et le Coup de Seconde
1763
7
James Gwin, 1700–1769
Position de la Garde en Quarte, et le Coup de Flanconnade
1763
8
James Gwin, 1700–1769
Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
1763
9
James Gwin, 1700–1769
Premiere Position du Salut
1763
10
James Gwin, 1700–1769
Seconde Position du Salut
1763
11
James Gwin, 1700–1769
Quatrieme Position du Salut
1763
12
James Gwin, 1700–1769
Troisieme Position du Salut
1763
13
James Gwin, 1700–1769
Cinquieme Position du Salut
1763
14
James Gwin, 1700–1769
De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte
1763
15
James Gwin, 1700–1769
De la Parade de Tierce, sur le Coup de Tierce
1763
16
James Gwin, 1700–1769
De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes
1763
17
James Gwin, 1700–1769
De la Parade de Seconde sur le Coup de Seconde
1763
18
James Gwin, 1700–1769
Position Aprés Avoir Desarmé sur le Coup de Quarte
1763
19
James Gwin, 1700–1769
L'Epée & Lanterne Combattüe par L'Epée et Manteau
1763
20
James Gwin, 1700–1769
Du Desarmement sur le Coup de Quarte ou de Seconde Paré de Prime
1763
21
John Nixon, ca. 1760–1818
Brighton Races
1805
22
James Gwin, 1700–1769
De la Parade du Demi-Cercle sur le Coup, de Quarte Basse
1763
23
James Gwin, 1700–1769
Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime
1763
24
James Gwin, 1700–1769
Position pour la Garde en Tierce
1763
25
James Gwin, 1700–1769
De la Parade de Prime sur le Coup de Seconde
1763
26
James Gwin, 1700–1769
De la Parade Dequinte sur le Coup de Quinte
1763
27
James Gwin, 1700–1769
De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce
1763
28
James Gwin, 1700–1769
De la Risposte de Quarte apres la Parade de Quarte
1763
29
James Gwin, 1700–1769
De la Parade du Cavé sur le Coup de Flanconnade
1763
30
James Gwin, 1700–1769
De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche
1763
31
James Gwin, 1700–1769
De la Risposte en Quinte de Pied forme sur le Coup de Seconde
1763
32
James Gwin, 1700–1769
De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes
1763
33
James Gwin, 1700–1769
Du Coupé sur Pointe de Quarte en Quarte sur les Armes
1763
34
James Gwin, 1700–1769
De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde
1763
35
James Gwin, 1700–1769
De la Passe en Quarte du Dehors des Armes
1763
36
James Gwin, 1700–1769
Demi Volte sur les Coups Forcés au Dehors des Armes
1763
37
James Gwin, 1700–1769
Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes
1763
38
James Gwin, 1700–1769
De la Volte sur la Passe au Dehors des Armes
1763
39
James Gwin, 1700–1769
Du Desarmement sur le Coup de Tierce
1763
40
James Gwin, 1700–1769
Du Desarmement Aprés Avoir Paré le Coup de Quarte
1763
41
James Gwin, 1700–1769
Position Aprés Avoir Désarmé sur le Coup de Tierce
1763
42
James Gwin, 1700–1769
Du Desarmement Aprés la Parade au Dehors des Armes
1763
43
James Gwin, 1700–1769
Risposte Aprés Avoir Trompé la Parade du Poignard
1763
44
James Gwin, 1700–1769
Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne
1763
45
James Gwin, 1700–1769
Position de la Garde Italienne de L'Epée & Poignard
1763
46
James Gwin, 1700–1769
De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson
1763
47
John Buckler FSA, 1770–1851
The Spanish Pointer
ca. 1799
48
George Barret, ca. 1728/32–1784
River with Angler
undated
49
James Gwin, 1700–1769
Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B
1763
50
James Gwin, 1700–1769
De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise
1763
51
Frederick George Byron, 1764–1794
Shooting Party Setting Out
1789
52
Frederick George Byron, 1764–1794
Shooting Party Returning Home
1789
53
Robert Dighton, 1752–1814
Snipe Shooting
ca. 1790
54
unknown artist
Tattersall's Training School
1771
55
Julius Caesar Ibbetson, 1759–1817
Skating in Hyde Park
ca. 1785
56
Julius Caesar Ibbetson, 1759–1817
Salmon Spearing
undated
57
John Wootton, 1682–1764
The Meet
undated
58
Henry Thomas Alken, 1785–1851
Wild Duck Shooting
undated
59
Hubert-François Gravelot, 1699–1773
The Sporting Lady
undated
60
Edward Francis Burney, 1760–1848
View at Chelsea of the Annual Sculling Race for Doggett's Coat and Badge
undated
61
Samuel Howitt, 1756–1822
Foxhunting: The Death
undated
62
Thomas Ross, active from 1753
Netting Partridges
ca. 1750
63
Thomas Rowlandson, 1756–1827
The Return from the Hunt
1787
64
Robert Dighton, 1752–1814
"The King and Noblemen Before the Stag is Turn'd Out"
undated
65
Samuel Howitt, 1756–1822
Going to Cover
undated
66
Samuel Howitt, 1756–1822
Full Cry
undated
67
Samuel Howitt, 1756–1822
Going out of Kennel
undated
68
Thomas Rowlandson, 1756–1827
A Crowded Race Meeting
between 1805 and 1810
69
Thomas Rowlandson, 1756–1827
Breakfast before the Hunt
between 1785 and 1790
70
Paul Sandby, 1731–1809
The Duke of Cumberland With a Gentleman and a Groom, All Mounted, and Dogs
undated
71
Louis Philippe Boitard, active 1734–1760
Dosing a Racehorse
undated
72
John Vanderbank, 1694–1739
"The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..."
1729
73
Edwin W. Cooper of Beccles, 1785–1833
Foxhunting: Full Cry
1816
74
Edwin W. Cooper of Beccles, 1785–1833
Foxhunting: Unkennelling the Pack
1816
75
Jan Wyck, ca. 1645–1700
A Hawking Party
undated
76
Thomas Rowlandson, 1756–1827
How to Vault in the Saddle
1813
77
unknown artist
Evening
1799
78
Thomas Rowlandson, 1756–1827
Stag at Bay - Scene near Taplow, Berks
between 1795 and 1801
79
Samuel Howitt, 1756–1822
Going Out in the Morning: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
1807
80
Samuel Howitt, 1756–1822
The Tiger at Bay: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
1807
81
Samuel Howitt, 1756–1822
Hunting a Hog-Deer: plate 24 for "Oriental Field Sports"
1805
82
Thomas Rowlandson, 1756–1827
Doctor Syntax loses his Money on the Race Ground at York
1820
83
Thomas Rowlandson, 1756–1827
The Kill
undated
84
Thomas Rowlandson, 1756–1827
The Enraged Vicar
undated
85
unknown artist
Mid-Day
1799
86
Possibly Henry Thomas Alken, 1785–1851
The Leicestershire Hunt - A Struggle for the Start
undated
87
Possibly Henry Thomas Alken, 1785–1851
The Leicestershire Hunt - The Death
undated
88
Samuel Howitt, 1756–1822
The Kill
undated
89
Sawrey Gilpin, 1733–1807
A Racing Saddle on a Horse's Back, With Details of Stirrup
undated
90
Samuel Howitt, 1756–1822
Coursing: Setting Out
1794
91
Samuel Howitt, 1756–1822
The Death
undated
92
Samuel Howitt, 1756–1822
The Check
undated
93
John Vanderbank, 1694–1739
"The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse..
1729
94
John Vanderbank, 1694–1739
"The Manege-Gallop with the right leg" engraved as plate 14 in "Twenty Five Actions of the Manage Horse..."
1729
95
Henry William Bunbury, 1750–1811
Patience in a Punt
undated
96
William Hamilton, 1751–1801
The Return from Coursing
undated
97
Samuel Howitt, 1756–1822
Racing Scene
1792
98
Edwin W. Cooper of Beccles, 1785–1833
Foxhunting: Near the Death
1816
99
Edwin W. Cooper of Beccles, 1785–1833
Foxhunting: The Death
1816
100
George Dance, 1741–1825
A Fist Fight, With the Prince Regent Among the Spectators