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Materials & Techniques laid paper

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Exhibition History Shakespeare and British Art (Yale Center for British Art, 1981-04-23 - 1981-07-05)

Remove constraint Exhibition History: Shakespeare and British Art (Yale Center for British Art, 1981-04-23 - 1981-07-05)

Subject Terms gesturing

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Search Results

George Romney Prospero and Miranda
George Romney, 1734–1802
Prospero and Miranda
ca. 1787
George Romney Lear Awakened by Cordelia
George Romney, 1734–1802
Lear Awakened by Cordelia
between 1774 and 1775
George Romney Lear Awakened by Cordelia
George Romney, 1734–1802
Lear Awakened by Cordelia
ca. 1774
George Romney John Henderson as Falstaff
George Romney, 1734–1802
John Henderson as Falstaff
1780
Robert Smirke Launce with his Dog Crab
Robert Smirke, 1752–1845
Launce with his Dog Crab
ca. 1821
John Massey Wright The Rustics Perform from "A Midsummer Night's Dream"
John Massey Wright, 1777–1866
The Rustics Perform from "A Midsummer Night's Dream"
undated
Richard Parkes Bonington Studies for Shylock
Richard Parkes Bonington, 1802–1828
Studies for Shylock
1825
Francis Hayman Falstaff Inspecting the Recruits
Francis Hayman, 1707/8–1776
Falstaff Inspecting the Recruits
between 1761 and 1765
unknown artist The Death of Cordelia
unknown artist
The Death of Cordelia
undated
James Northcote Macbeth and the Witches
James Northcote, 1746–1831
Macbeth and the Witches
between 1777 and 1778
Frederic Leighton The Reconciliation of the Montagues and the Capulets
Frederic Leighton, 1830–1896
The Reconciliation of the Montagues and the Capulets
1854
Mary Hoare Prospero and Miranda
Mary Hoare, 1744–1820
Prospero and Miranda
1781
Mary Hoare Lear and Cordelia
Mary Hoare, 1744–1820
Lear and Cordelia
ca. 1781
Mary Hoare The Three Witches from Macbeth: Though the Bark Cannot be Lost...
Mary Hoare, 1744–1820
The Three Witches from Macbeth: Though the Bark Cannot be Lost..
ca. 1781
Mary Hoare Antigonus Disposing of Perdita
Mary Hoare, 1744–1820
Antigonus Disposing of Perdita
ca. 1781