Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
'Henry IV, Part I,' Act II, Scene IV
undated
6
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
'Henry IV, Part I,' Act II, Scene III
undated
7
Simon François Ravenet, 1706–1774
Isaac Watts
undated
8
James Northcote, 1746–1831
Macbeth and the Witches
between 1777 and 1778
9
unknown artist
The Death of Cordelia
undated
10
Print made by Francesco Bartolozzi, 1728–1815
Lovelace in Prison
1788
11
Philippe-Jacques de Loutherbourg, 1740–1812
Thomas Weston as Spy in Bates "The Rival Candidates"
undated
12
Alexander Runciman, 1736–1785
Celadon and Amelia from Thomson's 'The Seasons'
undated
13
Thomas Carwitham, active 1723
Illustration to Homer's Iliad
1723
14
Print made by Hugh Downman, d. 1789
Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip
ca. 1787
15
Print made by Prince Rupert, 1619–1682
The Little Executioner
ca. 1662
16
Print made by Bernard Lens II, 1659–1725
Venus and Adonis
undated
17
Print made by Bernard Lens II, 1659–1725
Venus and Adonis
ca. 1690
18
Print made by Bernard Lens II, 1659–1725
Acteon and Diana
undated
19
Print made by Bernard Lens II, 1659–1725
Diana and Acteon
undated
20
Print made by John Faber the Younger, ca. 1695–1756
Kitty Clive as Lady Easy in "The Careless Husband"
1739
21
Print made by Bernard Lens II, 1659–1725
The Judgement of Paris
undated
22
Francesco Bartolozzi, 1728–1815
Reverend Hugh Blair, D.D
1801
23
Isaac Taylor, 1730–1807
Scene from the play, "The Careless Husband"
undated
24
Sawrey Gilpin, 1733–1807
Study for "Gulliver's Travels"
undated
25
Robert Smirke, 1752–1845
Launce with his Dog Crab
ca. 1821
26
Print made by Thomas Goff Lupton, 1791–1873
Procris and Cephalus
1864
27
Richard Parkes Bonington, 1802–1828
Studies for Shylock
1825
28
Robert Smirke, 1752–1845
Prospero and Ariel
1821
29
Keith Vaughan, 1912–1977
Faim, Soif, Cris, Danse, Danse, Danse
1949
30
Johann Jacobus Haid, 1704–1767
Mr. Garrick in "The Farmer's Return"
1766
31
Giuseppe Marchi, ca. 1735–1808
Portrait of John Moody as Foigard
between 1769 and 1771
32
Print made by Francesco Bartolozzi, 1728–1815
John Henderson as Iago
before 1786
33
Print made by Francesco Bartolozzi, 1728–1815
Ticket: Anacreontic Society Meeting
1779
34
Print made by Francesco Bartolozzi, 1728–1815
Celadon and Amelia
1782
35
Print made by Francesco Bartolozzi, 1728–1815
Imogen's Bedchamber in Cymbeline's Palace, 'Cymbeline,' Act II, Scene II
1786
36
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming
1745
37
Valentine Green, 1739–1813
Rinaldo and Armida
1775
38
Print made by Robert Blyth, 1750–1784
The Captive
1781
39
Valentine Green, 1739–1813
Mr. Garrick and Mrs. Pritchard, in the Tragedy of 'Macbeth.' Act II. Scene III
1776
40
Keith Vaughan, 1912–1977
Je Dus Voyager
1949
41
Print made by Francesco Bartolozzi, 1728–1815
Ticket: Anacreontic Society Meeting
1773
42
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..
1745
43
Print made by Francesco Bartolozzi, 1728–1815
John Henderson as Iago
1786
44
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
45
John Downman, 1750–1824
John Edwin and Mrs. Mary Wells as Lingo and Cowslip in "The Agreeable Surprise"
1787
46
Thomas Rowlandson, 1756–1827
Henderson in the Character of Falstaff
undated
47
Mary Hoare, 1744–1820
Antigonus Disposing of Perdita
ca. 1781
48
Mary Hoare, 1744–1820
Prospero and Miranda
1781
49
Mary Hoare, 1744–1820
Lady Percy Watching the Sleeping Hotspur
1781
50
Print made by Luigi Schiavonetti, 1765–1810
The Soul Exploring the Recesses of the Grave
1808
51
Print made by Luigi Schiavonetti, 1765–1810
Death's Door
1808
52
Print made by Luigi Schiavonetti, 1765–1810
Death of the Strong Wicked Man
1808
53
Print made by Luigi Schiavonetti, 1765–1810
The Death of the Good Old Man
1808
54
Print made by Luigi Schiavonetti, 1765–1810
The Soul Hovering over the Body reluctantly Parting with Life
1808
55
Print made by Luigi Schiavonetti, 1765–1810
Robert Blair, The Grave, Title Page
1808
56
Print made by Luigi Schiavonetti, 1765–1810
The Descent of Man into the Vale of Death
1808
57
Print made by Luigi Schiavonetti, 1765–1810
Death's Door
1808
58
Print made by Luigi Schiavonetti, 1765–1810
Death of the Strong Wicked Man
1808
59
Print made by Luigi Schiavonetti, 1765–1810
The Death of the Good Old Man
1808
60
Print made by Luigi Schiavonetti, 1765–1810
The Counsellor, King, Warrior, Mother & Child, in the Tomb
1808
61
Print made by Luigi Schiavonetti, 1765–1810
The Reunion of the Soul & the Body
1808
62
Print made by Luigi Schiavonetti, 1765–1810
The Meeting of a Family in Heaven
1808
63
Print made by Luigi Schiavonetti, 1765–1810
Robert Blair, The Grave, Title Page
1808
64
Print made by Luigi Schiavonetti, 1765–1810
The Descent of Man into the Vale of Death
1808
65
Print made by Luigi Schiavonetti, 1765–1810
The Reunion of the Soul & the Body
1808
66
Print made by Luigi Schiavonetti, 1765–1810
The Soul Hovering over the Body reluctantly Parting with Life
1808
67
Print made by Luigi Schiavonetti, 1765–1810
The Soul Exploring the Recesses of the Grave
1808
68
Print made by Luigi Schiavonetti, 1765–1810
The Meeting of a Family in Heaven
1808
69
Print made by Luigi Schiavonetti, 1765–1810
The Counsellor, King, Warrior, Mother & Child, in the Tomb