Materials & Techniques: line engraving / Author ss: after Joseph Mallord William Turner, 1775–1851, British / Credit Line: Yale Center for British Art, Paul Mellon Collection / Genre: genre subject

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Materials & Techniques line engraving

Author ss after Joseph Mallord William Turner, 1775–1851, British

Credit Line Yale Center for British Art, Paul Mellon Collection

Genre genre subject

Print made by William Bernard Cooke, 1778–1855

Bodiham Castle, Sussex

1817

Print made by James C. Allen, active 1821–1831

Ivy Bridge, Devonshire

1816

Print made by William Bernard Cooke, 1778–1855

Dartmoor; Source of the Tamar and the Torridge

1816

Print made by Samuel Rawle, 1771–1860

Hylton Castle, County of Durham

1820

Print made by John Horsburgh, 1791–1869

Bermerside

1834

Print made by W. R. Smith, active 1819–1851

Richmond Hill and Bridge, Surrey

1832

Print made by George Cooke, 1781–1834

Gledhow

1816

Print made by George Cooke, 1781–1834

Gledhow

1816

Print made by William Bernard Cooke, 1778–1855

Martigny

1830

Print made by James H. Kernot, active early 19th century

St. Catherine's Hill, near Guildford, Surrey

1832

Print made by James H. Kernot, active early 19th century

St. Catherine's Hill, near Guildford, Surrey

1832

Print made by James H. Kernot, active early 19th century

St. Caterine's Hill, near Guildford, Surrey

1832

Print made by William Bernard Cooke, 1778–1855

Martigny (vignette)

1830

Print made by George Cooke, 1781–1834

Edinburgh Castle, Vignette Title to Vol. I

1826

Print made by George Cooke, 1781–1834

Edinburgh Castle, Vignette Title to Vol. I

1826

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