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Materials & Techniques line engraving
Remove constraint Materials & Techniques: line engravingPeriod 19th century
Remove constraint Period: 19th centurySearch Results
1
- Plate X, Fowl Body, Lateral View
- 1804
2
- Plate VIII, Human Body, Posterior View
- 1804
3
- Taj Mahal, Agra
- 1831
- On view at YUAG
4
- Tours - Looking Backward
- 1833
5
- Crowhurst
- 1812
6
- Little Devil's Bridge over the Russ above Altdorft, Switzerland
- 1812
7
- Scene in the Campagna
- 1812
8
- Hedging and Ditching
- 1812
9
- Windsor Castle from Salt Hill
- 1812
10
- From Antique Coins
- 1821
11
- Epicurus
- 1821
12
- Theocritus
- 1821
13
- Caius Julius Cæsar
- 1821
14
- Octavius Augustus Cæsar
- 1821
![William Blake pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]](https://media.collections.yale.edu/thumbnail/ycba/db51dfe6-d6ad-4f8e-89a8-e348c9002be7)
15
- pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
- 1827
![William Blake Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]](https://media.collections.yale.edu/thumbnail/ycba/374dc78e-dd18-49c1-b553-b3cf58cc9df1)
16
- Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
- 1827
![William Blake Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]](https://media.collections.yale.edu/thumbnail/ycba/2377c317-1278-492a-94c3-bda0566322ac)
17
- Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
- 1827
![William Blake Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]](https://media.collections.yale.edu/thumbnail/ycba/a649b6a5-30dd-4484-bf7c-0a2c0cbcf2b6)
18
- Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
- 1827
![William Blake Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]](https://media.collections.yale.edu/thumbnail/ycba/7f5ea7d3-2e50-4064-bf5d-a66c163c0237)
19
- Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
- 1827
20
- For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"
- 1826
21
- For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."
- 1826
22
- For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)
- 1826
23
- For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"
- 1826
24
- For the Sexes: The Gates of Paradise, Plate 4, "Water"
- 1826
25
- For the Sexes: The Gates of Paradise, Plate 5, "Earth"
- 1826
26
- For the Sexes: The Gates of Paradise, Plate 9, "Alas!"
- 1826
27
- For the Sexes: The Gates of Paradise, Plate 1, Title Page
- 1826
28
- For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"
- 1826
29
- For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"
- 1826
30
- For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"
- 1826
31
- For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"
- 1826
32
- For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"
- 1826
33
- For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"
- 1826
34
- For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"
- 1826
35
- For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . . "
- 1826
36
- For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"
- 1826
37
- For the Sexes: The Gates of Paradise, Plate 6, "Air"
- 1826
38
- For the Sexes: The Gates of Paradise, Plate 7, "Fire"
- 1826
39
- For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"
- 1826
![William Blake Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]](https://media.collections.yale.edu/thumbnail/ycba/acf4d172-dfee-4b27-8478-2be8df5a19cb)
40
- Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
- 1827
![William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]](https://media.collections.yale.edu/thumbnail/ycba/00209487-ff25-46ae-91cc-38bc88575a05)
41
- Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
- 1827
42
- Thomas Hayley (1780-1800)
- 1800
43
- Thomas Hayley (1780-1800)
- 1800
44
- A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq
- 1804
45
- A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq
- 1804
46
- Publius Virgilius Maro
- 1821
47
- Rev. John Caspar Lavater (1787-1801)
- 1800
48
- Come Gentle Night: "Romeo and Juliet," Act III, Scene II
- between 1839 and 1849
49
- David Garrick as Richard III in the Drury Lane Theatre Performance, 1759
- 1811
50
- Shakespeare in His Study
- 1859
51
- "We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."
- 1802
52
- "Mark your divorce young sir, whom son I dare not call"
- 1804
53
- "Here, I and sorrows sit; here is my throne, bid kings come and bow to it"
- 1802
54
- William Henry West Betty
- 1806
55
- "Tempest", Act I, Scene I
- 1797
56
- "Hubert, let me not be bound!"
- 1802
57
- John Hawkesworth
- 1806
58
- St. Agatha's Abbey
- ca. 1844
59
- St. Agatha's Abbey
- ca. 1844
60
- St. Agatha's Abbey
- ca. 1844
61
- The Thames at Mortlake
- 1836 to 1838
62
- Dismantling of the Temple of Jupiter, Aegina
- 1835
63
- The Thames at Mortlake
- 1836-1838
64
- Dismantling of the Temple of Jupiter, Aegina
- 1835
65
- The Right Honourable Lord Keith K.B., Vice Admiral of the Red
- 1801
66
- Coast Scene with Fishermen Hauling a Boat Ashore
- undated
67
- The Golden Bough
- undated
68
- The Bay of Baiæ - Apollo and the Sibyl
- undated
69
- Apollo and Daphne in the Vale of Tempe
- 1879
70
- The Thames at Mortlake
- 1836-1838
71
- The Pilgrimage of Childe Harold
- undated
72
- Crossing the Brook
- undated
73
- Venice - the Dogana
- 1869
74
- The Grand Canal, Venice
- 1838
75
- Mercury and Argus
- 1841
76
- Captain Joseph Huddart
- 1801
77
- Folkestone
- ca. 1844
78
- Folkestone
- ca. 1844
79
- The Thames at Mortlake
- 1836-1838
80
- Okehampton
- 1828
81
- The Drowning Slave
- 1846
82
- Craig Crook Castle, near Edinburgh, the Seat of Lord Jeffrey
- 1835
83
- View on Indian Coast
- undated
84
- The Chedder Cliffs, Somersetshire
- 1810
85
- London - Blackfriars Bridge, St. Pauls
- undated
86
- Coast Scene with Fishermen Hauling a Boat Ashore
- undated
87
- Caligula's Palace and Bridge
- 1842
88
- Caligula's Palace and Bridge
- 1842
89
- St. Mark's Place, Venice - Juliet and her Nurse
- 1842
90
- Fetcham Park
- 1838-1852
91
- The Rhine - Neuwied and Weissenthurm
- 1838-1852
92
- The Honourable Henry, Lord Mulgrave, 1st Earl of Mulgrave
- 1808
93
- Reverend Beilby Porteus, Lord Bishop of London
- 1809
94
- Sleeping Boy
- 1812
95
- Mercury and Argus
- 1841
96
- Ancient Italy - Ovid Banished from Rome
- 1842
97
- Ancient Italy - Ovid Banished from Rome
- 1842
98
- Nemi
- 1838-1852
99
- Modern Italy
- 1842
100
- Modern Italy
- 1842