Materials & Techniques: line engraving / Exhibition History: The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)

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Materials & Techniques line engraving

Exhibition History The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)

Figures engraved by Francesco Bartolozzi, 1728–1815

The Death of Captain Cook

1783

James Parker, 1750–1805

Fainasollis, Borbar and Fingal

1783

Francesco Bartolozzi, 1728–1815

The Death of Chatham

1788

Print made by George Cooke, 1781–1834

Poole, Dorsetshire

1814

Print made by William Bernard Cooke, 1778–1855

Battle Abbey, The Spot where Harold Fell

1819

Print made by William Bernard Cooke, 1778–1855

Torbay from Brixham

1821

Print made by Robert Wallis, 1794–1878

Stone Henge

1829

Print made by John Horsburgh, 1791–1869

Folkestone: Harbour, and Coast to Dover, Kent

1831

Print made by John Horsburgh, 1791–1869

Folkstone: Harbour, and Coast to Dover, Kent

1831

Print made by Edward Goodall, 1795–1870

Fingal's Cave, Staffa

1833

James T. Willmore, 1800–1863

Byron's Dream

1833

Print made by Henry Le Keux, 1787–1868

Abbotsford, Vignette Title

1834

Print made by Robert Wallis, 1794–1878

Dudley, Worcestershire

1835

Print made by W. R. Smith, active 1819–1851

Harlech Castle, North Wales

1836

Print made by William Miller, 1796–1882

Modern Italy

1842

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