Materials & Techniques: line engraving / Image Use: Free to Use / Subject Terms: religious and mythological subject - YCBA Collections Search Search Results

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Materials & Techniques line engraving

Image Use Free to Use

Subject Terms religious and mythological subject

William Blake 'We censure nature for a span too short' (Page 23)

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

1797

William Blake 'Time, in advance, behind him hides his wings' (Page 24)

Print made by William Blake, 1757–1827

'Time, in advance, behind him hides his wings' (Page 24)

1797

William Blake "I want! I want!" (Plate 11)

Print made by William Blake, 1757–1827

"I want! I want!" (Plate 11)

1826

William Blake Aged Ignorance (Plate 13)

Print made by William Blake, 1757–1827

Aged Ignorance (Plate 13)

1826

William Blake Death's Door (Plate 17)

Print made by William Blake, 1757–1827

Death's Door (Plate 17)

1826

William Blake "I have said to the Worm: Thou art my mother & my sister" (Plate 18)

Print made by William Blake, 1757–1827

"I have said to the Worm: Thou art my mother & my sister" (Plate 18)

1826

William Blake Frontispiece, "What is Man!" (Plate 2)

Print made by William Blake, 1757–1827

Frontispiece, "What is Man!" (Plate 2)

1826

William Blake "I found him beneath a Tree" (Plate 3)

Print made by William Blake, 1757–1827

"I found him beneath a Tree" (Plate 3)

1826

William Blake For the Sexes: The Gates of Paradise, Title Page (Plate 1)

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Title Page (Plate 1)

1826

William Blake "My son! my Son!" (Plate 10)

Print made by William Blake, 1757–1827

"My son! my Son!" (Plate 10)

1826

William Blake "Does thy God O Priest take such vengeance as this?" (Plate 14)

Print made by William Blake, 1757–1827

"Does thy God O Priest take such vengeance as this?" (Plate 14)

1826

William Blake "Fear & hope are -- Vision" (Plate 15)

Print made by William Blake, 1757–1827

"Fear & hope are -- Vision" (Plate 15)

1826

William Blake Earth (Plate 5)

Print made by William Blake, 1757–1827

Earth (Plate 5)

1826

William Blake Air (Plate 6)

Print made by William Blake, 1757–1827

Air (Plate 6)

1826

William Blake "At length for hatching ripe he breaks the shell" (Plate 8)

Print made by William Blake, 1757–1827

"At length for hatching ripe he breaks the shell" (Plate 8)

1826

William Blake Alas! (Plate 9)

Print made by William Blake, 1757–1827

Alas! (Plate 9)

1826

William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

Print made by William Blake, 1757–1827

Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

1797

William Blake 'Emblem of that which shall awake the dead' (Page 19)

Print made by William Blake, 1757–1827

'Emblem of that which shall awake the dead' (Page 19)

1797

William Blake Night the First. On Life, Death and Immortality; Title Page

Print made by William Blake, 1757–1827

Night the First. On Life, Death and Immortality; Title Page

1797

William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)

Print made by William Blake, 1757–1827

'Oft bursts my song beyond the bounds of life' (Page 16)

1797

William Blake 'Till death, that mighty hunter, earths them all' (Page 70)

Print made by William Blake, 1757–1827

'Till death, that mighty hunter, earths them all' (Page 70)

1797

William Blake 'What, though my soul fantastick measures trod' (Page 4)

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

1797

William Blake 'The thunder, if in that the Almighty dwells' (Page 80)

Print made by William Blake, 1757–1827

'The thunder, if in that the Almighty dwells' (Page 80)

1797

William Blake 'The goddess bursts in thunder and in flame' (Page 95)

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

1797

William Blake 'The present moment terminates our sight' (Page 13)

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

1797

William Blake 'If angels tremble, 'tis at such a sight' (Page 93)

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

1797

William Blake 'Tis greatly wise to talk with our past hours' (Page 31)

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

1797

William Blake 'Like that, the dial speaks; and points to thee' (Page 33)

Print made by William Blake, 1757–1827

'Like that, the dial speaks; and points to thee' (Page 33)

1797

William Blake 'Swift on his downy pinion flies from woe' (Page 1)

Print made by William Blake, 1757–1827

'Swift on his downy pinion flies from woe' (Page 1)

1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

1797

William Blake 'Love, and love only, is the loan for love' (Page 37)

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

1797

William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

1797

William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

1797

William Blake 'This King of Terrors is the Prince of Peace' (Page 63)

Print made by William Blake, 1757–1827

'This King of Terrors is the Prince of Peace' (Page 63)

1797

William Blake 'Behold him, when past by; what then is seen' (Page 25)

Print made by William Blake, 1757–1827

'Behold him, when past by; what then is seen' (Page 25)

1797

William Blake 'One radiant mark, – the death-bed of the just' (Page 41)

Print made by William Blake, 1757–1827

'One radiant mark, – the death-bed of the just' (Page 41)

1797

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

1797

William Blake 'Angels should paint it, angels ever there' (Page 40)

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

1797

William Blake 'As if the sun could envy, check'd his beam' (Page 49)

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

1797

William Blake 'Measuring his motions by revolving spheres' (Page 26)

Print made by William Blake, 1757–1827

'Measuring his motions by revolving spheres' (Page 26)

1797

William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)

Print made by William Blake, 1757–1827

'O treacherous conscience! while she seems to sleep" (Page 27)

1797

William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

1797

William Blake "Help! Help!" (Plate 12)

Print made by William Blake, 1757–1827

"Help! Help!" (Plate 12)

1826

William Blake "The Traveller hasteth in the Evening" (Plate 16)

Print made by William Blake, 1757–1827

"The Traveller hasteth in the Evening" (Plate 16)

1826

William Blake "To The Accuser who is The God of This World..." (Plate 19)

Print made by William Blake, 1757–1827

"To The Accuser who is The God of This World..." (Plate 19)

1826

William Blake "He meets his Saviour in the Grave..." (Plate 20)

Print made by William Blake, 1757–1827

"He meets his Saviour in the Grave..." (Plate 20)

1826

William Blake Water (Plate 4)

Print made by William Blake, 1757–1827

Water (Plate 4)

1826

William Blake Fire (Plate 7)

Print made by William Blake, 1757–1827

Fire (Plate 7)

1826

William Blake 'That touch, with charm celestial heals the soul' (Page 90)

Print made by William Blake, 1757–1827

'That touch, with charm celestial heals the soul' (Page 90)

1797

William Blake The Christian Triumph; Title Page

Print made by William Blake, 1757–1827

The Christian Triumph; Title Page

1797

William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

Print made by William Blake, 1757–1827

'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

1797

William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)

Print made by William Blake, 1757–1827

'The Sun beheld it – No, the shocking scene' (Page 75)

1797

William Blake 'His hand the good man fastens on the skies' (Page 86)

Print made by William Blake, 1757–1827

'His hand the good man fastens on the skies' (Page 86)

1797

William Blake 'Is lost in love! thou great Philanthropist' (Page 87)

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

1797

William Blake 'But for the blessing wrestle not with heaven' (Page 88)

Print made by William Blake, 1757–1827

'But for the blessing wrestle not with heaven' (Page 88)

1797

William Blake 'When faith is virtue, reason makes it so' (Page 92)

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

1797

William Blake 'Death! great proprietor of all! 'tis thine' (Page 8)

Print made by William Blake, 1757–1827

'Death! great proprietor of all! 'tis thine' (Page 8)

1797

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

1797

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

1797

William Blake 'The longest night though longer far, would fail' (Page 15)

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

1797

Edward Goodall St. Julienne's Chapel

Print made by Edward Goodall, 1795–1870

St. Julienne's Chapel

1834

James Henry Watt St. Cecilia

James Henry Watt, 1799–1867

St. Cecilia

1834

George Cooke Florence, from the Chiesa al Monte

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

George Cooke Florence, from the Chiesa al Monte

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

Theodore Casper von Furstenberg Head of St. John Baptist on a Charger

Print made by Theodore Casper von Furstenberg, ca. 1615–1675

Head of St. John Baptist on a Charger

ca. 1656

John Alexander Lot and His Family

Print made by John Alexander, 1686–before 1768

Lot and His Family

ca. 1718

William Faithorne The Betrayal of Christ

Print made by William Faithorne, ca. 1620–1691

The Betrayal of Christ

1653

Paulus Pontius Cæsar Alexander Scaglia

Print made by Paulus Pontius, 1603–1658

Cæsar Alexander Scaglia

ca. 1635

unknown artist William Robertson

unknown artist

William Robertson

1799

Peeter Clouwet Carolus Scribanius

Print made by Peeter Clouwet, 1629–1670

Carolus Scribanius

ca. 1635

Lucas Vorsterman I Isabella Clara Eugenia

Print made by Lucas Vorsterman I, 1595–1675

Isabella Clara Eugenia

ca. 1635

Pieter de Jode II Ferdinandus Austriacus

Print made by Pieter de Jode II, ca. 1606–1674

Ferdinandus Austriacus

ca. 1635

Simon Gribelin The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland

Print made by Simon Gribelin, 1662–1733

The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland

1720

Simon Gribelin The Ceiling of the Banqueting House at Whitehall: The Peaceful Reign of James I

Simon Gribelin, 1662–1733

The Ceiling of the Banqueting House at Whitehall: The Peaceful Reign of James I

1720

Simon Gribelin The Ceiling in the Banqueting House at Whitehall

Print made by Simon Gribelin, 1662–1733

The Ceiling in the Banqueting House at Whitehall

ca. 1720

Paulus Pontius Aubertus Miræus

Print made by Paulus Pontius, 1603–1658

Aubertus Miræus

ca. 1635

Paulus Pontius Cæsar Alexander Scaglia

Print made by Paulus Pontius, 1603–1658

Cæsar Alexander Scaglia

ca. 1635

Guillaume Sulpice Chevalier Intemperance

Print made by Guillaume Sulpice Chevalier, 1804–1866

Intemperance

undated

Francesco Bartolozzi Reverend Hugh Blair, D.D.

Francesco Bartolozzi, 1728–1815

Reverend Hugh Blair, D.D

1801

Charles Grignion Britannia Allegory

Charles Grignion, 1717–1810

Britannia Allegory

between 1743 and 1747

Francesco Bartolozzi Samson Breaking His Bands

Print made by Francesco Bartolozzi, 1728–1815

Samson Breaking His Bands

1799

Francesco Bartolozzi The Resurrection

Francesco Bartolozzi, 1728–1815

The Resurrection

George C. Finden A Mythological Battle

George C. Finden, 1811–1885

A Mythological Battle

1853

Paulus Pontius Cæsar Alexander Scaglia

Print made by Paulus Pontius, 1603–1658

Cæsar Alexander Scaglia

ca. 1635

Paulus Pontius Cæsar Alexander Scaglia

Print made by Paulus Pontius, 1603–1658

Cæsar Alexander Scaglia

ca. 1635

John Paine Ferdinandus Austriacus

Print made by John Paine, 1623–1700

Ferdinandus Austriacus

ca. 1635

James Baylis Allen Decline of Carthage

Print made by James Baylis Allen, 1803–1876

Decline of Carthage

between 1859 and 1861

Thomas Abiel Prior The Golden Bough

Print made by Thomas Abiel Prior, 1809–1886

The Golden Bough

1875

John Scott Crypt in Kirkstall Abbey, Yorkshire

Print made by John Scott, 1774–1828

Crypt in Kirkstall Abbey, Yorkshire

1814

Robert Brandard The Bay of Baiæ, Apollo and the Sibyl

Print made by Robert Brandard, 1805–1862

The Bay of Baiæ, Apollo and the Sibyl

between 1859 and 1861

James Baylis Allen Phryne Going to the Bath as Venus

Print made by James Baylis Allen, 1803–1876

Phryne Going to the Bath as Venus

between 1859 and 1861

Edward P. Brandard Apollo and Daphne in the Vale of Tempe

Print made by Edward P. Brandard, 1819–1898

Apollo and Daphne in the Vale of Tempe

between 1859 and 1861

George Cooke Florence, from the Chiesa al Monte

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

Placido Columbani At the City of Albano

Print made by Placido Columbani, born ca. 1744, active 1801

At the City of Albano

undated

Placido Columbani At the City of Albano

Print made by Placido Columbani, born ca. 1744, active 1801

At the City of Albano

undated

Placido Columbani At the Minerva at Rome

Print made by Placido Columbani, born ca. 1744, active 1801

At the Minerva at Rome

undated

Francesco Bartolozzi Ticket: Mr. Cox's Museum

Print made by Francesco Bartolozzi, 1728–1815

Ticket: Mr. Cox's Museum

1772

Placido Columbani At Naples

Print made by Placido Columbani, born ca. 1744, active 1801

At Naples

undated

William Woollett Dido and Aeneas

William Woollett, 1735–1785

Dido and Aeneas

1787