For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"
1826
102
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"
1826
103
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."
1826
104
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)
1826
105
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"
1826
106
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"
1797
107
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
1797
108
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
1797
109
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
1797
110
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
1797
111
Print made by William Blake, 1757–1827
Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."
1797
112
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
113
Print made by William Blake, 1757–1827
Rev. John Caspar Lavater (1787-1801)
1800
114
William Blake, 1757–1827
Epicurus
1821
115
William Blake, 1757–1827
Theocritus
1821
116
William Blake, 1757–1827
Caius Julius Cæsar
1821
117
William Blake, 1757–1827
From Antique Coins
1821
118
William Blake, 1757–1827
Octavius Augustus Cæsar
1821
119
Print made by William Blake, 1757–1827
Romeo and Juliet, Act IV, Scene V
1799
120
William Blake, 1757–1827
The Complaint and The Consolation: or Night Thoughts
ca. 1797
121
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"
ca. 1797
122
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
ca. 1797
123
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"
ca. 1797
124
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"
ca. 1797
125
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"
ca. 1797
126
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"
ca. 1797
127
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"
ca. 1797
128
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 63, "This King of Terrors is the Prince of Peace"
ca. 1797
129
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 73, "Draw the dire steel? -- ah no!"
ca. 1797
130
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 80, "The thunder if in that the Almighty dwells"
ca. 1797
131
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"
1797
132
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
1797
133
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
1797
134
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"
1797
135
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"
1797
136
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"
1797
137
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"
1797
138
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
1797
139
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
1797
140
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
1797
141
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 27, "O Treacherous Conscience!"
1797
142
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"
1797
143
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
144
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
1797
145
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"
1797
146
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
1797
147
William Blake, 1757–1827
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
148
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 1, Title Page
1826
149
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"
1826
150
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . . "
1826
151
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 4, "Water"
1826
152
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 5, "Earth"
1826
153
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 6, "Air"
1826
154
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 7, "Fire"
1826
155
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"
1826
156
William Blake, 1757–1827
pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
1827
157
William Blake, 1757–1827
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
158
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 9, "Alas!"
1826
159
William Blake, 1757–1827
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
160
William Blake, 1757–1827
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
161
William Blake, 1757–1827
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
1827
162
Print made by William Blake, 1757–1827
Introduction to the Fables, The Shepherd and the Philosopher
1793
163
Print made by William Blake, 1757–1827
Fable XIII. The Tame Stag
1793
164
Print made by William Blake, 1757–1827
Fable XVI. The Pin and the Needle
1793
165
Print made by William Blake, 1757–1827
Fable XXII. The Goat Without a Beard
1793
166
Print made by William Blake, 1757–1827
Fable XXX. The Setting-dog and the Partridge
1793
167
Print made by William Blake, 1757–1827
Fable XLI. The Owl and the Farmer
1793
168
Print made by William Blake, 1757–1827
Fable XII. Pan and Fortune
1793
169
Print made by William Blake, 1757–1827
Fable XVI. The Ravens, the Sexton, and the Earth-Worm
1793
170
Print made by William Blake, 1757–1827
Fable VI. The Miser and Plutus
1793
171
Print made by William Blake, 1757–1827
Fable XXVIII. The Persian, the Sun, and the Cloud
1793
172
Print made by William Blake, 1757–1827
Fable XXIV. The Butterfly and the Snail
1793
173
Print made by William Blake, 1757–1827
Fable I. The Dog and the Fox
1793
174
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
ca. 1797
175
Print made by William Blake, 1757–1827
A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq
1804
176
Print made by William Blake, 1757–1827
A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq
1804
177
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
ca. 1797
178
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 23, "We censure nature for a span too short"
ca. 1797
179
Print made by William Blake, 1757–1827
Thomas Hayley (1780-1800)
1800
180
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"
ca. 1797
181
William Blake, 1757–1827
Publius Virgilius Maro
1821
182
Print made by William Angus, 1752–1821
West Hill in Surrey, the Seat of D. H. Rucker Esqr
1810
183
Print made by Isaac Basire, 1704–1768
Cherokee Delegation to England
1730, printed ca. 1748
184
Print made by Francesco Bartolozzi, 1728–1815
Ascension of Madame Sage, Chevalier Biggin and Captain Vincent Lunardi in a Balloon, June 20, 1785
1785
185
Samuel Buck, 1696–1779
The Southwest view of Hertsmonceux Castle in the County of Sussex
1737
186
Charles John Smith, 1803–1838
Herstmonceux Castle for the history and description of the Sussex Coast
undated
187
Print made by Henry Hulsberg, active 1700s–died 1729
Cobham Hall, Kent: First and Second Floor Plans
1715 to 1725
188
Print made by Henry Hulsberg, active 1700s–died 1729
Cobham Hall, Kent: The Elevation of Cobham Hall in Kent
1715 to 1725
189
Print made by Henry Hulsberg, active 1700s–died 1729
Cobham Hall, Kent: The Elevation of Cobham Hall in Kent
1715 to 1725
190
Sparrow, active 1773–1787
Herstmonceux Castle, Sussex Pl. 4
undated
191
Christian von Mechel, 1737–1817
Welgelegen: Vue Perspective de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
1792
192
John Greig, active 1803–1853
Herstmonceux Castle, Sussex
1815
193
William Henry Brooke, 1772–1860
Herstmonceux Castle, Interior of Porter's Lodge and Gateway Tower
undated
194
William Tombleson, ca.1795–1835
Herstmonceux Castle, Sussex
undated
195
unknown artist
Plan of ground floor of Herstmonceux Castle
undated
196
Print made by Henry Hulsberg, active 1700s–died 1729
Cobham Hall, Kent: First and Second Floor Plans
1715 to 1725
197
Edward Radclyffe, 1809–1863
Deepdene near Dorking
undated
198
M. J. Starling, active 1830
Interior of the Hall at the Deepdene
undated
199
Christian von Mechel, 1737–1817
Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
1792
200
Christian von Mechel, 1737–1817
Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam