Young's Night Thoughts, Page 17, "Night the Second, On Time, Death and Friendship."
ca. 1797
102
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 27, "O treacherous conscience!"
ca. 1797
103
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
ca. 1797
104
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"
ca. 1797
105
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"
ca. 1797
106
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"
ca. 1797
107
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"
ca. 1797
108
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 73, "Draw the dire steel? -- ah no!"
ca. 1797
109
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"
ca. 1797
110
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"
ca. 1797
111
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 80, "The thunder if in that the Almighty dwells"
ca. 1797
112
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"
ca. 1797
113
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 90, "That touch, with charm celestial heals the soul"
ca. 1797
114
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"
ca. 1797
115
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 95, "The goddess bursts in thunder and in flame"
ca. 1797
116
Print made by William Blake, 1757–1827
Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."
1797
117
Print made by William Blake, 1757–1827
For Children. The Gates of Paradise, Title Page; Plate 2
1793
118
Print made by William Blake, 1757–1827
I Found Him Beneath a Tree; Plate 3
1793
119
Print made by William Blake, 1757–1827
Fire; Plate 7
1793
120
Print made by William Blake, 1757–1827
My Son! My Son!; Plate 10
1793
121
Print made by William Blake, 1757–1827
Does Thy God O Priest Take such Vengeance as This?; Plate 14
1793
122
Print made by William Blake, 1757–1827
The Traveller Hasteth in the Evening; Plate 16
1793
123
William Blake, 1757–1827
pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
1827
124
William Blake, 1757–1827
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
125
William Blake, 1757–1827
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
126
William Blake, 1757–1827
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
1827
127
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
ca. 1797
128
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
ca. 1797
129
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 46, "Where sense runs savage broke from reason's chain"
ca. 1797
130
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 57, "Trembling each gulp, lest death should snatch the bowl"
ca. 1797
131
Print made by William Blake, 1757–1827
Romeo and Juliet, Act IV, Scene V
1799
132
William Blake, 1757–1827
Theocritus
1821
133
William Blake, 1757–1827
Caius Julius Cæsar
1821
134
William Blake, 1757–1827
From Antique Coins
1821
135
William Blake, 1757–1827
Epicurus
1821
136
William Blake, 1757–1827
Octavius Augustus Cæsar
1821
137
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"
1826
138
William Blake, 1757–1827
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
139
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
140
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 1, Title Page
1826
141
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"
1826
142
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"
1826
143
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."
1826
144
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)
1826
145
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 6, "Air"
1826
146
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 7, "Fire"
1826
147
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 9, "Alas!"
1826
148
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"
1826
149
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"
1826
150
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"
1826
151
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"
1826
152
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"
1826
153
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"
1826
154
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"
1826
155
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"
1826
156
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . . "
1826
157
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 4, "Water"
1826
158
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 5, "Earth"
1826
159
William Blake, 1757–1827
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
160
Print made by William Blake, 1757–1827
Rev. John Caspar Lavater (1787-1801)
1800
161
William Blake, 1757–1827
The Complaint and The Consolation: or Night Thoughts
ca. 1797
162
Print made by William Blake, 1757–1827
A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq
1804
163
Print made by William Blake, 1757–1827
A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq
1804
164
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
ca. 1797
165
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 23, "We censure nature for a span too short"
ca. 1797
166
William Blake, 1757–1827
Publius Virgilius Maro
1821
167
Print made by William Blake, 1757–1827
Thomas Hayley (1780-1800)
1800
168
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"
ca. 1797
169
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
ca. 1797
170
Print made by William Blake, 1757–1827
Fable VI. The Miser and Plutus
1793
171
Print made by William Blake, 1757–1827
Fable XVI. The Pin and the Needle
1793
172
Print made by William Blake, 1757–1827
Fable XXII. The Goat Without a Beard
1793
173
Print made by William Blake, 1757–1827
Fable XXVIII. The Persian, the Sun, and the Cloud
1793
174
Print made by William Blake, 1757–1827
Fable XXIV. The Butterfly and the Snail
1793
175
Print made by William Blake, 1757–1827
Fable XXX. The Setting-dog and the Partridge
1793
176
Print made by William Blake, 1757–1827
Fable I. The Dog and the Fox
1793
177
Print made by William Blake, 1757–1827
Fable XLI. The Owl and the Farmer
1793
178
Print made by William Blake, 1757–1827
Fable XVI. The Ravens, the Sexton, and the Earth-Worm
1793
179
Print made by William Blake, 1757–1827
Introduction to the Fables, The Shepherd and the Philosopher
1793
180
Print made by William Blake, 1757–1827
Fable XIII. The Tame Stag
1793
181
Print made by William Blake, 1757–1827
Fable XII. Pan and Fortune
1793
182
Print made by William Faithorne, ca. 1620–1691
The Betrayal of Christ
1653
183
Print made by John Alexander, 1686–before 1768
Lot and His Family
ca. 1718
184
Print made by Augustus Welby Northmore Pugin, 1812–1852
St. Giles' Catholic Church: Elevation of the Steeple
undated
185
Verso by John Talman, 1677–1726
Studies, with Gardens, Possibly for a Talman Family House
undated
186
Edmund Turrell, active 1835–1860
The Temple of Aphaia at Aegina: Elevations
undated
187
Gerard Edelinck, 1640–1707
Édouard Colbert, Marquis de Villacerf
1696
188
Print made by unknown artist
A View of Several Palaces at Naples at Sun Rise
undated
189
Print made by Isaac Basire, 1704–1768
Cherokee Delegation to England
1730, printed ca. 1748
190
Print made by Francesco Bartolozzi, 1728–1815
Ascension of Madame Sage, Chevalier Biggin and Captain Vincent Lunardi in a Balloon, June 20, 1785
1785
191
M. J. Starling, active 1830
Interior of the Hall at the Deepdene
undated
192
Edward Radclyffe, 1809–1863
Deepdene near Dorking
undated
193
Christian von Mechel, 1737–1817
Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
1792
194
William H. Hoogkamer, 1790–1864
Welgelegen:Vue du Pavillon de Harlem prise du Bois