The Eton Boat on the Towpath of the Thames: Windsor Castle in Background
ca. 1845
6
James Gwin, 1700–1769
De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes
1763
7
James Gwin, 1700–1769
De la Parade du Demi-Cercle sur le Coup, de Quarte Basse
1763
8
James Gwin, 1700–1769
De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce
1763
9
James Gwin, 1700–1769
De la Parade Dequinte sur le Coup de Quinte
1763
10
James Gwin, 1700–1769
De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes
1763
11
James Gwin, 1700–1769
De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche
1763
12
James Gwin, 1700–1769
De la Risposte de Quarte apres la Parade de Quarte
1763
13
James Gwin, 1700–1769
De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise
1763
14
James Gwin, 1700–1769
Du Desarmement sur le Coup de Tierce
1763
15
James Gwin, 1700–1769
Risposte Aprés Avoir Trompé la Parade du Poignard
1763
16
James Gwin, 1700–1769
De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson
1763
17
James Gwin, 1700–1769
Du Desarmement sur le Coup de Quarte ou de Seconde Paré de Prime
1763
18
James Gwin, 1700–1769
L'Epée & Lanterne Combattüe par L'Epée et Manteau
1763
19
James Gwin, 1700–1769
Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne
1763
20
Thomas Rowlandson, 1756–1827
Stag at Bay - Scene near Taplow, Berks
between 1795 and 1801
21
Frederick George Byron, 1764–1794
Shooting Party Setting Out
1789
22
Frederick George Byron, 1764–1794
Shooting Party Returning Home
1789
23
John Nixon, ca. 1760–1818
Brighton Races
1805
24
James Gwin, 1700–1769
Position pour la Garde en Quarte et le Coup de Quarte
1763
25
James Gwin, 1700–1769
Position pour la Garde en Quarte
1763
26
James Gwin, 1700–1769
Position pour le Garde en Tierce et le Coup de Tierce
1763
27
James Gwin, 1700–1769
Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
1763
28
James Gwin, 1700–1769
Position de la Garde de Tierce et le Coup de Seconde
1763
29
James Gwin, 1700–1769
Premiere Position pour tirer L'Epée
1763
30
James Gwin, 1700–1769
Troisieme Position du Salut
1763
31
James Gwin, 1700–1769
Position de la Garde en Quarte, et le Coup de Flanconnade
1763
32
James Gwin, 1700–1769
Quatrieme Position du Salut
1763
33
James Gwin, 1700–1769
De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte
1763
34
James Gwin, 1700–1769
De la Parade de Tierce, sur le Coup de Tierce
1763
35
James Gwin, 1700–1769
De la Parade de Seconde sur le Coup de Seconde
1763
36
James Gwin, 1700–1769
De la Risposte en Quinte de Pied forme sur le Coup de Seconde
1763
37
James Gwin, 1700–1769
Du Coupé sur Pointe de Quarte en Quarte sur les Armes
1763
38
James Gwin, 1700–1769
Demi Volte sur les Coups Forcés au Dehors des Armes
1763
39
James Gwin, 1700–1769
De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde
1763
40
James Gwin, 1700–1769
Position Aprés Avoir Désarmé sur le Coup de Tierce
1763
41
James Gwin, 1700–1769
Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes
1763
42
James Gwin, 1700–1769
De la Volte sur la Passe au Dehors des Armes
1763
43
James Gwin, 1700–1769
Du Desarmement Aprés Avoir Paré le Coup de Quarte
1763
44
James Gwin, 1700–1769
Position de la Garde Italienne de L'Epée & Poignard
1763
45
James Gwin, 1700–1769
Position Aprés Avoir Desarmé sur le Coup de Quarte
1763
46
James Gwin, 1700–1769
Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime
1763
47
James Gwin, 1700–1769
Du Desarmement Aprés la Parade au Dehors des Armes
1763
48
James Gwin, 1700–1769
Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B
1763
49
James Gwin, 1700–1769
Position pour la Garde en Tierce
1763
50
James Gwin, 1700–1769
Premiere Position du Salut
1763
51
James Gwin, 1700–1769
Seconde Position du Salut
1763
52
James Gwin, 1700–1769
Cinquieme Position du Salut
1763
53
James Gwin, 1700–1769
De la Parade du Cavé sur le Coup de Flanconnade
1763
54
James Gwin, 1700–1769
De la Parade de Prime sur le Coup de Seconde
1763
55
James Gwin, 1700–1769
De la Passe en Quarte du Dehors des Armes
1763
56
John Buckler FSA, 1770–1851
The Spanish Pointer
ca. 1799
57
George Barret, ca. 1728/32–1784
River with Angler
undated
58
Hubert-François Gravelot, 1699–1773
Two Prize Fighters
ca. 1742
59
unknown artist
Morning
1799
60
unknown artist
Mid-Day
1799
61
unknown artist
Evening
1799
62
George Alken, 1794–active 1837
Exercising a Racehorse
undated
63
George Alken, 1794–active 1837
Foxhunting: Rider, Taking a Fence
undated
64
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
undated
65
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
undated
66
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
undated
67
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'
undated
68
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Morning. Turning Out in Prime Twig. Doing the Least you Can
1818
69
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing it No How
1818
70
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" The Down Leap Done
1818
71
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing the Down Leap
1818
72
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Afternoon. Returning Home in Fine Trim. Doing the Most you Can
1818
73
John Collet, ca. 1725–1780
Stable Boy Leading a Trotting Horse in a Landscape with a Castle Tower
undated
74
Henry William Bunbury, 1750–1811
An Illustration of H. Bunbury ('Geoffrey Gambado'), "An Academy for Grown Horsemen: 'A Bit of Blood'
undated
75
John Collet, ca. 1725–1780
Stable Boy Holding a Horse in a Landscape
undated
76
Edward Duncan, 1803–1882
Wild Duck Shooting
1825
77
Sawrey Gilpin, 1733–1807
Two Riders Conversing
undated
78
William Heath, 1795–1840
Woodcock Shooting
undated
79
Samuel Howitt, 1756–1822
Woodcock Shooting
undated
80
Sir Edwin Henry Landseer, 1802–1873
Sportsman and Two Dogs
undated
81
Sir Edwin Henry Landseer, 1802–1873
The Deer-Stalker, Oct. 15, 1852
1852
82
Thomas Rowlandson, 1756–1827
'How to Twist Your Neck'
undated
83
Thomas Rowlandson, 1756–1827
Breakfast before the Hunt
between 1785 and 1790
84
Thomas Rowlandson, 1756–1827
The Annual Sculling Race for Doggett's Coat and Badge
between 1805 and 1810
85
Thomas Rowlandson, 1756–1827
An English Postilion
ca. 1785
86
James Seymour, 1702–1752
Riders and Hounds in an Open Landscape
undated
87
James Seymour, 1702–1752
A Boar Hunt
undated
88
James Seymour, 1702–1752
'True Blue Beat by Whitefoot': Galloping to Left, with Jockey Up Whipping-On
undated
89
James Seymour, 1702–1752
Coursing - After the Kill
undated
90
James Seymour, 1702–1752
Conqueror Going to Start
undated
91
Louis Philippe Boitard, active 1734–1760
Dosing a Racehorse
undated
92
John Vanderbank, 1694–1739
"The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse..
1729
93
John Vanderbank, 1694–1739
"The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..."
1729
94
John Collet, ca. 1725–1780
A Game of Bowls
undated
95
Henry Thomas Alken, 1785–1851
Jumping a Double Oxer - A Rider in Difficulties
undated
96
Henry Thomas Alken, 1785–1851
Jumping a Wooden Fence
undated
97
Robert Dighton, 1752–1814
Snipe Shooting
ca. 1790
98
unknown artist
Tattersall's Training School
1771
99
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Going Along a Slapping Pace...'
undated
100
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Charging an Ox Fence with Good Success'