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unknown artist

Portrait of a Mughal Woman in Red and Gold

(18th century)

• Materials & TechniquesGouache, watercolor, pen and ink, and gilding on burnished Indian paper
• DimensionsSheet: 16 3/8 × 11 1/8 inches (41.6 × 28.3 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Gangaram Chintaman Navgire Tambat, active 1790s

Interior View of the Great Chaitya Hall at Karla

(1793)

• Materials & TechniquesGray wash, pen and black ink, and graphite on medium, slightly textured, cream laid paper
• DimensionsSheet: 15 1/4 × 11 1/8 inches (38.7 × 28.3 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Gangaram Chintaman Navgire Tambat, active 1790s

Drawing of a Pillar at Karla

(1793)

• Materials & TechniquesGray wash, pen and black ink, and graphite on medium, slightly textured, cream laid paper
• DimensionsSheet: 15 1/4 × 11 1/4 inches (38.7 × 28.6 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

George Chinnery, 1774–1852

Study for the Portrait of a Major General, possibly Arthur Wellesley,... [Read more]

(between 1802 and 1810)

• Materials & TechniquesWatercolor, graphite, and pen and brown ink on medium, slightly textured, cream wove paper
• DimensionsSheet: 6 7/8 × 4 3/8 inches (17.5 × 11.1 cm), Mount: 9 7/8 × 7 inches (25.1 × 17.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Henry Courtney Selous, 1811–1890

Illustration to Pilgrim's Progress, 10. (The Pilgrim in the Armory)

(undated)

• Materials & TechniquesPen and black ink on medium, slightly textured, cream wove paper
• DimensionsSheet: 8 3/8 × 12 5/16 inches (21.3 × 31.3 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Gift of Andrew Wilton

James Lewis, 1751–1820

Design for a Country House

(undated)

• Materials & TechniquesGraphite, pen and black ink, watercolor on smooth, thick, brown laid paper
• DimensionsSheet: 8 5/8 × 25 5/8 inches (21.9 × 65.1 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

John O'Connor, 1830–1889

Belfast from Bunker's Hill / On the Road to Hollywood

(undated)

• Materials & TechniquesWatercolor, graphite, pen and brown ink and black ink on medium, moderately textured, beige wove paper
• DimensionsSheet: 7 1/4 × 11 5/16 inches (18.4 × 28.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

James Wyatt, 1746–1813

Cobham Hall, Kent: Plan of Tower Staircase

(ca. 1790)

• Materials & TechniquesGraphite, pen and black and brown ink, yellow wash on moderately thick, moderately textured, cream laid paper
• DimensionsSheet: 12 3/16 x 17 1/2 inches (31 x 44.5 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Sir George Clausen, 1852–1944

Study for "Propping the Rick; a Stormy Day"

(ca. 1911)

• Materials & TechniquesPen and brown ink and brown wash on moderately thick, rough, brown wove paper
• DimensionsSheet: 12 1/4 × 9 1/4 inches (31.1 × 23.5 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Gift of Mrs. Lila Eden

Robert Dighton, 1752–1814

Coits Played opposite the Horns, Kennington Common

(ca. 1784)

• Materials & TechniquesPen and black ink and brown ink and watercolor
• DimensionsSheet: 6 x 8in. (15.2 x 20.3cm), Frame: 7 11/16 × 9 1/4 × 5/16 inches (19.6 × 23.5 × 0.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Robert Dighton, 1752–1814

Foot Ball played at Market Place, Barnet

(ca. 1784)

• Materials & TechniquesPen and black ink and brown ink and watercolor
• DimensionsSheet: 6 x 8in. (15.2 x 20.3cm), Frame: 7 11/16 × 9 1/4 × 5/16 inches (19.6 × 23.5 × 0.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Robert Dighton, 1752–1814

Fives played at the Tennis court Leicester Fields

(ca. 1784)

• Materials & TechniquesPen and black ink and brown ink and watercolor
• DimensionsSheet: 6 x 8in. (15.2 x 20.3cm), Frame: 7 11/16 × 9 1/4 × 5/16 inches (19.6 × 23.5 × 0.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Robert Dighton, 1752–1814

Trap Ball Played at the Black Prince, Newington, Butts

(ca. 1784)

• Materials & TechniquesPen and black ink and brown ink and watercolor
• DimensionsSheet: 6 x 8in. (15.2 x 20.3cm), Frame: 7 11/16 × 9 1/4 × 5/16 inches (19.6 × 23.5 × 0.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

unknown artist

The Earl of Lonsdale's Hound Van arriving at a Meet of the Cottesmore Hunt,... [Read more]

(1809)

• Materials & TechniquesPen and black ink on medium, slightly textured, cream laid paper
• DimensionsSheet: 7 1/8 x 12 5/8in. (18.1 x 32.1cm), Frame: 13 3/16 × 18 11/16 × 1/4 inches (33.5 × 47.5 × 0.7 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Sawrey Gilpin, 1733–1807

Two Mares with their Foals

(undated)

• Materials & TechniquesPen and black ink over graphite with brown wash
• DimensionsSheet: 3 9/16 × 9 1/8 inches (9 × 23.2 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Philip William May, 1864–1903

The Dog Cart

(undated)

• Materials & TechniquesPen and black ink on brown paper
• DimensionsSheet: 9 1/4 × 13 1/2 inches (23.5 × 34.3 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Philip William May, 1864–1903

A Man and a Boy Riding on a Beach

(undated)

• Materials & TechniquesPen and black and brown ink on medium, smooth, cream wove paper
• DimensionsSheet: 5 3/4 × 7 1/2 inches (14.6 × 19.1 cm), Frame: 10 1/16 × 11 3/4 × 13/16 inches (25.6 × 29.8 × 2 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Thomas Rowlandson, 1756–1827

Providence—The Protection of Drunken Men

(ca. 1784)

• Materials & TechniquesPen and brown ink, and gray wash on medium, slightly textured, cream laid paper
• DimensionsFrame: 8 1/8 × 10 5/8 × 1 1/8 inches (20.6 × 27 × 2.9 cm), Sheet: 5 1/8 × 7 3/4 inches (13 × 19.7 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

John Ruskin, 1819–1900

Study of an Oak Leaf

(undated)

• Materials & TechniquesWatercolor, pen and brown ink, white gouache, gum, and graphite; verso: graphite on medium, slightly textured, cream wove paper
• DimensionsSheet: 7 1/2 × 6 7/8 inches (19.1 × 17.5 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Attributed to Leonard Raven-Hill, 1867–1942

A Riding Mishap—a gentleman is sitting on the ground after being thrown from his... [Read more]

(undated)

• Materials & TechniquesPen and black ink on medium, smooth, cream wove paper
• DimensionsFrame: 9 3/16 × 11 5/16 × 1/4 inches (23.3 × 28.8 × 0.6 cm), Sheet: 5 1/2 × 7 5/8 inches (14 × 19.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

unknown artist

A Plan of Part of the Ancient City of Westminster, from College Street to... [Read more]

(printed 1740, drawn ca. 1760)

• Materials & TechniquesLine engraving marked with pen and black ink, blue wash, and graphite on moderately thick, slightly textured, cream laid paper
• DimensionsSheet: 20 15/16 × 28 3/4 inches (53.2 × 73 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

John Carter, 1748–1817

Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel,... [Read more]

(between 1790 and 1802)

• Materials & TechniquesGraphite and pen and black ink on slightly textured, medium, white laid paper
• DimensionsSheet: 14 1/2 × 6 inches (36.8 × 15.2 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Attributed to John Carter, 1748–1817

Impost moldings, St Stephen's Chapel

(between 1790 and 1802)

• Materials & TechniquesGraphite and pen and black ink on medium, smooth, cream wove paper
• DimensionsSheet: 6 1/8 × 4 inches (15.6 × 10.2 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Attributed to John Carter, 1748–1817

Details of Imposts and Bases of Columns, St Stephen's Chapel

(between 1790 and 1802)

• Materials & TechniquesGraphite and pen and black ink on medium, smooth, cream wove paper
• DimensionsSheet: 6 1/16 × 4 1/8 inches (15.4 × 10.5 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Attributed to John Carter, 1748–1817

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

(ca. 1780)

• Materials & TechniquesGraphite and pen and black ink on medium, slightly textured, cream laid paper
• DimensionsSheet: 6 1/8 × 4 inches (15.6 × 10.2 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Attributed to John Carter, 1748–1817

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

(ca. 1780)

• Materials & TechniquesGraphite and pen and black ink on medium, slightly textured, cream laid paper
• DimensionsSheet: 6 7/8 × 5 5/8 inches (17.5 × 14.3 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

unknown artist

Grave of the Supposed William Lyndewode

(1852)

• Materials & TechniquesGraphite, gray pen and watercolor on medium, slightly textured, cream laid paper
• DimensionsSheet: 9 × 7 5/16 inches (22.9 × 18.6 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Attributed to William Capon, 1757–1827

Entrance to the House of Lords

(1796)

• Materials & TechniquesGraphite, pen and black and brown ink on medium, moderately textured, cream wove paper
• DimensionsSheet: 8 × 6 7/8 inches (20.3 × 17.5 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Attributed to John Carter, 1748–1817

Plan of the Basement Story under the House of Lords

(between 1800 and 1807)

• Materials & TechniquesGraphite and pen and black ink on medium, moderately textured, cream laid paper
• DimensionsSheet: 7 7/8 × 6 5/16 inches (20 × 16 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Attributed to John Carter, 1748–1817

Parts in Stone Underhouse of Lords

(between 1800 and 1807)

• Materials & TechniquesGraphite and pen and black ink on medium, moderately textured, cream laid paper
• DimensionsSheet: 7 3/8 × 5 1/4 inches (18.7 × 13.3 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Attributed to John Carter, 1748–1817

Elevation of the Basement Story, House of Lords

(between 1800 and 1807)

• Materials & TechniquesGraphite and pen and black ink on medium, slightly textured, cream wove paper
• DimensionsSheet: 14 1/4 × 10 1/2 inches (36.2 × 26.7 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Attributed to office of Sir John Soane, 1753–1837

Part of the Construction in the Old House of Lords

(1823)

• Materials & TechniquesGraphite, pen and brown ink and watercolor on slightly textured, moderately thick, white wove paper
• DimensionsSheet: 13 1/2 × 10 1/8 inches (34.3 × 25.7 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Attributed to office of Sir John Soane, 1753–1837

Part of the Construction in the Old House of Lords

(1823)

• Materials & TechniquesGraphite, watercolor, pen and black and brown ink on slightly textured, moderately thick, white wove paper
• DimensionsSheet: 10 3/16 × 12 1/2 inches (25.9 × 31.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Attributed to office of Sir John Soane, 1753–1837

Part of the Construction in the Old House of Lords

(1823)

• Materials & TechniquesGraphite, black and brown pen, and watercolor on slightly textured, moderately thick, white wove paper
• DimensionsSheet: 9 13/16 × 12 5/8 inches (24.9 × 32.1 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

unknown artist

Peers' Entrance

(undated)

• Materials & TechniquesGraphite and pen and black ink on moderately thick, slightly textured, white wove paper
• DimensionsSheet: 8 3/8 × 13 inches (21.3 × 33 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Attributed to John Carter, 1748–1817

Palace at Westminster

(between 1800 and 1807)

• Materials & TechniquesGraphite and pen and black ink on medium, slightly textured, white laid paper
• DimensionsSheet: 6 × 3 1/2 inches (15.2 × 8.9 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Attributed to office of Sir John Soane, 1753–1837

Plan of the Upper Floor of Lord Committee Rooms

(1835)

• Materials & TechniquesPen and black ink and watercolor on moderately textured, moderately thick, white wove paper
• DimensionsSheet: 9 3/4 × 14 1/4 inches (24.8 × 36.2 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Attributed to John Carter, 1748–1817

Plan of Painted Chamber

(between 1793 and 1799)

• Materials & TechniquesGraphite and pen and black ink on medium, slightly textured, cream wove paper
• DimensionsSheet: 6 1/4 × 5 9/16 inches (15.9 × 14.1 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Attributed to John Carter, 1748–1817

North Side, Painted Chamber

(between 1793 and 1799)

• Materials & TechniquesGraphite and pen and black ink on medium, slightly textured, white wove paper
• DimensionsSheet: 9 × 14 3/8 inches (22.9 × 36.5 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Attributed to John Carter, 1748–1817

Paintings on the Wall by H in Plan

(between 1793 and 1799)

• Materials & TechniquesPen and black ink and graphite on medium, slightly textured, white laid paper
• DimensionsSheet: 7 5/8 × 12 1/2 inches (19.4 × 31.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection