Study of the Human Figure, Anterior View (Outline Drawing for Table VI)
1795 to 1806
3
George Stubbs, 1724–1806
Human Figure, Anterior View (Intended for a Plate That was Never Published)
1795 to 1806
4
George Stubbs, 1724–1806
Human Figure, Anterior View (Largely in outline)
1795 to 1806
5
George Stubbs, 1724–1806
Study of the Human Figure, Anterior View (Probably related to Table XI)
1795 to 1806
6
George Stubbs, 1724–1806
Human Body, Posterior View (Outline Drawing for Table VII)
1795 to 1806
7
George Stubbs, 1724–1806
Human Skeleton, Anterior View
1795 to 1806
8
George Stubbs, 1724–1806
Human Figure, Posterior View (Further Study for Table XII)
1795 to 1806
9
George Stubbs, 1724–1806
Human Figure, Posterior View (Outline Drawing for Key Figure to Table XII)
1795 to 1806
10
George Stubbs, 1724–1806
Human Figure, Posterior View (Almost Identical to Finished Drawing for Table XII)
1795 to 1806
11
George Stubbs, 1724–1806
Human Figure, Posterior View (Finished Study for an Unpublished Plate)
1795 to 1806
12
George Stubbs, 1724–1806
Tiger Skeleton, Lateral View
1795 to 1806
13
George Stubbs, 1724–1806
Tiger Skeleton, Lateral View
1795 to 1806
14
George Stubbs, 1724–1806
Tiger, Lateral View (Outline Study of the Surface Blood Supply, Prepared for the Key Figure to Table IX)
between 1795 and 1806
15
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
16
George Stubbs, 1724–1806
Tiger Body, Lateral View (Shows the third stage in dissection)
1795 to 1806
17
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
18
George Stubbs, 1724–1806
Tiger Body, Lateral view (Study of the muscles exposed at the third stage of dissection)
1795 to 1806
19
George Stubbs, 1724–1806
Tiger Body, Lateral View (Probably made as the basis for a key figure)
1795 to 1806
20
George Stubbs, 1724–1806
Leopard Body, Lateral View (First of Five Studies of Another Large Cat)
1795 to 1806
21
George Stubbs, 1724–1806
Tiger, Recumbent, Viewed Ventrally
1795 to 1806
22
George Stubbs, 1724–1806
Fowl Body, Lateral View (Study for key figure to Table X)
1795 to 1806
23
George Stubbs, 1724–1806
Fowl Body, Lateral View (Probably Prepared for Transfer to the Plate for Engraving the Key Figure to Table X)
1795 to 1806
24
George Stubbs, 1724–1806
Fowl Body, Lateral View (Study for the Key Figure to Table XV)
1795 to 1806
25
George Stubbs, 1724–1806
Human Figure, Lateral View (Prepared for transfer to the plate of the key figure to Table XIII)
1795 to 1806
26
George Stubbs, 1724–1806
Human Figure, Lateral View (Related to Table XIII, detailed study of the blood vessels supplying the muscles)
1795 to 1806
27
George Stubbs, 1724–1806
Human Skeleton, Lateral View
1795 to 1806
28
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
29
George Stubbs, 1724–1806
Tiger Body, Lateral View (Study of the fourth stage of dissection showing the deeper muscles)
1795 to 1806
30
George Stubbs, 1724–1806
Leopard Body, Lateral View
1795 to 1806
31
George Stubbs, 1724–1806
Leopard Body, Lateral View
1795 to 1806
32
George Stubbs, 1724–1806
Leopard Body, Lateral View (Later stage in dissection, superficial connective tissue and ears removed)
1795 to 1806
33
George Stubbs, 1724–1806
Leopard Body, Lateral View
1795 to 1806
34
George Stubbs, 1724–1806
Dorking Hen, Lateral View
1795 to 1806
35
George Stubbs, 1724–1806
Owl Standing, Anterior View
1795 to 1806
36
George Stubbs, 1724–1806
Human Figure, Posterior View
1795 to 1806
37
George Stubbs, 1724–1806
Human Figure, Lateral View (Outline Study in Reverse of Table VIII)
1795 to 1806
38
George Stubbs, 1724–1806
A Prancing Horse, Facing Right
ca. 1790
39
George Stubbs, 1724–1806
Study of a Racehorse in Action: Galloping to Left, a Semi-Anatomical Study, with Skin Flayed to Show Action of Muscles
undated
40
William Hogarth, 1697–1764
The First Stage of Cruelty
ca. 1750
41
William Hogarth, 1697–1764
Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right
undated
42
William Hogarth, 1697–1764
George Taylor's Epitaph: George Taylor Breaking the Ribs of Death
ca. 1750
43
William Haydon Fuge, active ca. 1849–1866
Archdeacon Forster
1853
44
William Haydon Fuge, active ca. 1849–1866
Rev. Charles Forster
undated
45
Henry Thomas Alken, 1785–1851
Symptoms: of Being Wanted, of Anxiety, of a Has Been, of Duck Catching
between 1822 and 1827
46
Henry Thomas Alken, 1785–1851
Symptoms: of Promising a Vote, of Reminding an Elector, of a Bang up Drive in a Lunday, of Spoiling a Chicken, of Breaking a Hunter, of Reminding a Member, of a Convenient Memory
between 1822 and 1827
47
Thomas Ross, active from 1753
Riders, Figures and a Dog
undated
48
Thomas Ross, active from 1753
Figures with a Wagon and Horses
undated
49
Thomas Ross, active from 1753
Figures, Horses and Cows
undated
50
John Michael Rysbrack, 1694–1770
Two Horses' Heads
undated
51
James Seymour, 1702–1752
Horse, With Rider Lightly Sketched, Walking to Left
undated
52
Henry Thomas Alken, 1785–1851
"Sporting Incidents:" Drawing For the Soft-ground Etching of 'Through the Wood'
undated
53
James Seymour, 1702–1752
A Huntsman Holding a Dead Hare, with Two Greyhounds Looking On
undated
54
Sir Edwin Henry Landseer, 1802–1873
Huntsman with Hounds
undated
55
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
between 1831 and 1832
56
Henry Thomas Alken, 1785–1851
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
57
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'
between 1831 and 1832
58
Henry Thomas Alken, 1785–1851
Symptoms: of Taking Lessons, of Having Had Enough, of Earnest, of Fun
between 1822 and 1827
59
Henry Thomas Alken, 1785–1851
Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could
between 1809 and 1823
60
Henry Thomas Alken, 1785–1851
Symptoms: of Being Drawn, of a Fine Song, of Troting, of Being In, of Being Out, of a Recoil
between 1822 and 1827
61
Jan Wyck, ca. 1645–1700
Hare Hunting: The Kill
undated
62
unknown artist
Head of an Eagle, Facing Left
undated
63
Attributed to Augustin Heckel, 1690–1770
Album of Fifty-five Ornamental Designs
undated
64
Henry Thomas Alken, 1785–1851
Symptoms: of Tragedy, of Comedy, of What Do You Say, of Can't You Hear, of the Ornamental, of the Old Story,
between 1822 and 1827
65
Henry Thomas Alken, 1785–1851
Symptoms: of a Great One, of a Fine One, of a Queer One, of a Save All, of a View on Brighton Cliff, of Just Got Over a Gate,
between 1822 and 1827
66
Henry Thomas Alken, 1785–1851
Drawing for "Specimens of Riding Near London:" Fancy - View Near Gray's Inn Road
between 1809 and 1823
67
Henry Thomas Alken, 1785–1851
Symptoms: of The Manager's Judgement, of Being on Board a Packet, of Having Enough to Live Upon, of the Laddle Mis-Placed
between 1822 and 1827
68
Henry Thomas Alken, 1785–1851
Symptoms: of Sporting Friends Likely-to Go Together, of a Double Entendre, of Sporting Friends Likely-to Seperate, of Sure to HIt the Mark
between 1822 and 1827
69
Henry Thomas Alken, 1785–1851
Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty
between 1822 and 1827
70
unknown artist
Head of a Male Lion
undated
71
unknown artist
Head of a Leopard
undated
72
unknown artist
Studies of a Sleeping Lion
undated
73
James Seymour, 1702–1752
Coursing - After the Kill
undated
74
Archibald Thorburn, 1860–1935
Hounds: "Seagull"
1878
75
Archibald Thorburn, 1860–1935
Hounds: "Fleur" and "Frogmore"
1878
76
James Ward, 1769–1859
Head of a Tiger
undated
77
Henry Thomas Alken, 1785–1851
"Sporting Incidents:" Drawing For the Soft-gound Etching of 'Panther Hunting'
undated
78
Henry Thomas Alken, 1785–1851
"Sporting Anecodotes:" Drawing for the Soft-Gound Etching of 'The Sporting Butcher'
undated
79
unknown artist
Study of a Lion, Resting
undated
80
James Ward, 1769–1859
A Young Boy with Dogs
ca. 1798
81
Augustus Edwin John, 1878–1961
Study of Gwen John
ca. 1900
82
unknown artist
Portrait of Mr. Pope
undated
83
Duncan Grant, 1885–1978
'Diana and Acteon', after Titian, done for the National Gallery appeal in London
ca. 1970
84
unknown artist
Entrance Doorway in the Tower, St Stephen's Chapel
undated
85
John Opie, 1761–1807
Standing Classical Female Figure
undated
86
John Opie, 1761–1807
Standing Classical Male Figure with Spear
undated
87
Giles Hussey, 1710–1788
Album of 36 Drawings Selected by Benjamin West, P.R.A