Materials & Techniques: scraping out / On-site Access: Accessible by appointment in the Study Room / Period: 19th century / Exhibition History: Works of Splendor and Imagination - The Exhibition Watercolor 1770-1870 (Yale Center for British Art, 1981-09-16 - 1981-11-22) - YCBA Collections Search Search Results

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Materials & Techniques scraping out

On-site Access Accessible by appointment in the Study Room

Period 19th century

Exhibition History Works of Splendor and Imagination - The Exhibition Watercolor 1770-1870 (Yale Center for British Art, 1981-09-16 - 1981-11-22)

1. Devil's Bridge, Saint Gotthard's Pass

Devil's Bridge, Saint Gotthard's Pass

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1804
Materials & Techniques:: Watercolor, white wax crayon and scraping out on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 41 5/8 x 29 7/8 inches (105.7 x 75.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Landscape with figures

Landscape with figures

Creator:: William Havell, 1782–1857
Date:: ca. 1804
Materials & Techniques:: Watercolor, scraping out and gum, over graphite on thick, smooth, cream card
Dimensions:: Sheet: 17 1/4 × 15 7/8 inches (43.8 × 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Lake Geneva and Mount Blanc

Lake Geneva and Mount Blanc

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1802 to 1805
Materials & Techniques:: Watercolor, pen and black ink, pen and brown ink and scraping out on slightly textured, cream wove paper
Dimensions:: Sheet: 28 7/8 x 44 5/8 inches (73.3 x 113.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Mer de Glace, in the Valley of Chamonix

Mer de Glace, in the Valley of Chamonix

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1803
Materials & Techniques:: Watercolor, graphite, gum, scraping out and stopping out on moderately thick, slightly textured, cream wove paper mounted on thick, smooth wove paper
Dimensions:: Sheet: 27 3/4 x 41 inches (70.5 x 104.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Millbank

Creator:: David Cox, 1783–1859
Date:: ca. 1810
Materials & Techniques:: Watercolor, pen and brown ink, gray ink, graphite, and scratching out on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 11 1/2 x 21 1/4 inches (29.2 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Harvesters in Landscape in Sussex

Harvesters in Landscape in Sussex

Creator:: Peter DeWint, 1784–1849
Date:: ca. 1820
Materials & Techniques:: Watercolor and graphite with scraping out on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 25 7/8 × 38 3/4 inches (65.7 × 98.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. A Village Snow Scene

A Village Snow Scene

Creator:: Robert Hills, 1769–1844
Date:: 1819
Materials & Techniques:: Watercolor and gouache over graphite with scraping out on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 5/8 x 16 15/16 inches (32 x 43.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Romantic Landscape

Romantic Landscape

Creator:: Samuel Jackson, 1794–1869
Date:: ca. 1830
Materials & Techniques:: Watercolor, gouache, and graphite, with scraping out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/8 × 11 3/4 inches (21.9 × 29.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Tryfan, Carnarvonshire

Tryfan, Carnarvonshire

Creator:: George Fennell Robson, 1788–1833
Date:: 1826
Materials & Techniques:: Watercolor, gouache and scraping out on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 29 15/16 inches (46.4 x 76 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. A View of Snowdon from the Sands of Traeth Mawr, taken at the Ford Between Pont Aberglaslyn and Tremadoc

A View of Snowdon from the Sands of Traeth Mawr, taken at the Ford Between Pont Aberglaslyn and Tremadoc

Creator:: Anthony Vandyke Copley Fielding, 1787–1855
Date:: 1834
Materials & Techniques:: Watercolor, gouache, blue chalk, graphite, and pen and brown ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 25 1/2 x 36 1/4 inches (64.8 x 92.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Tynemouth Pier - Lighting the Lamps at Sundown

Tynemouth Pier - Lighting the Lamps at Sundown

Creator:: Alfred William Hunt, 1830–1896
Date:: 1868
Materials & Techniques:: Watercolor, pen and brown ink, gouache, gum, and scraping out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 5/8 x 21 1/4 inches (37.1 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund