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Creator Thomas Rowlandson, 1756–1827, British

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The Vinery
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Pen and brown ink with pale brown and pale green wash over graphite on medium, slightly textured, cream, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Landscape with a Hunting Party
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor with pen and red-brown and gray ink over graphite with pen and gray ink and wash line on border on thick, moderately textured, beige, wove support paper.
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Everett V. Meeks, B.A. 1901, Fund
Mares and Foals in a Field
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Pen and red-brown ink, and graphite, with wash on moderately thick, smooth, blued white, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Milkmaids and Gentlemen in St. James's Park
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Pen and gray-brown ink with wash, over graphite; verso: pen and gray brown ink and watercolor blots on medium, moderately textured, blued white, laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Drawing Cover
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor with pen and brown, gray and red-brown ink, with pen and ink line and wash border on medium, moderately textured, blued white, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Comforts of Bath: The Ball
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1798
Medium:
Watercolor with pen and black ink on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Group of Five Bulls about to Fight
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
ca. 1810
Medium:
Gray wash and graphite with pen and brown ink and pen and gray ink on medium, slightly textured, blued white wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Woolpack Inn
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Pen and red-brown and gray ink with wash and graphite on medium, slightly textured, cream, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Comforts of Bath: Private Practice Previous to the Ball
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1798
Medium:
Watercolor with pen and black ink on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Amorous Turk
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor with pen and black ink and wash on slightly textured, laid paper, mounted on thick, moderately textured, beige, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Burial at Carisbrooke, Isle of Wight
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
between 1797 and 1800
Medium:
Pen and black and brown ink with blue and gray washes over graphite on moderately thick, moderately textured, white, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Valley of Stones, Lynton, Devon
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor, with pen and red and gray-brown ink; verso: graphite on medium, slightly textured, beige wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Three Horses in Stalls
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Gray wash and graphite with pen and brown ink and pen and gray ink on medium, slighlty textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Skating on the Serpentine
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
before 1790
Medium:
Pen and gray and black ink and wash over graphite; verso: pen and black ink on repaired section on medium, slightly textured, blued white, laid paper, mounted on moderately thick, slightly textured, light blue, laid paper.
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Henry Angelo and Madame Cain Fencing
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor with pen and red-brown and gray-brown ink on moderately thick, moderately textured, wove paper, mounted on cream, thick, rough wove paper with gray ink and wash line borders
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. The Test

The Test
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Pen and gray ink and wash over graphite on medium, moderately textured, light blue, (faded to beige), laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dudley Castle
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor with pen and black and gray ink and wash over graphite; verso: graphite on medium, slightly textured, blued white, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Prospect Before Us
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1788
Medium:
Pen and black ink and wash over graphite on medium, moderately textured, blued white, laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tintagel Castle
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
between 1785 and 1790
Medium:
Watercolor with wash over graphite on moderately thick, moderately textured, light blue, laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection