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Materials & Techniques watercolor

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Associated Places Monmouthshire

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Tintern Abbey
Creator:
Samuel Palmer, 1805–1881
Date:
1835
Materials & Techniques:
Watercolor, gouache, pen and brown ink, and graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 10 3/8 x 14 3/4 inches (26.4 x 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Chepstow Castle
Creator:
John Varley, 1778–1842
Date:
1832
Materials & Techniques:
Watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 x 25 1/4 inches (30.5 x 64.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Romantic Composition
Creator:
John Varley, 1778–1842
Date:
undated
Materials & Techniques:
Watercolor on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 8 x 15 1/2 inches (20.3 x 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
West Window of Tintern Abbey
Creator:
Thomas Sunderland, 1744–1828
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and brown and pen and gray ink on medium, slightly texture, cream wove paper
Dimensions:
Sheet: 15 × 10 5/8 inches (38.1 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Inside View of Tintern Abbey looking from the Nave to the East Window
Creator:
Thomas Sunderland, 1744–1828
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and brown and pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 x 10 5/8 inches (38.1 x 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Llanthony Abbey, Monmouthshire
Creator:
Edward Dayes, 1763–1804
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 5 7/8 × 9 inches (14.9 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection