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Materials & Techniques watercolor
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Remove constraint Work Type: watercolorSubject Terms woman
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1
- Oberon and Titania
- 1837
2
- Study of a Woman Sewing
- undated
3
- A Great Tree
- ca. 1796
4
- Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
- 1789
5
- Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)
- 1789
6
- Songs of Innocence and of Experience, Plate 26, "A Cradle Song" (Bentley 16)
- 1789
7
- Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
- 1797
8
- The Poems of Thomas Gray, Design 101, "Ode for Music."
- between 1797 and 1798
9
- The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
10
- The Poems of Thomas Gray, Design 31, "A Long Story."
- between 1797 and 1798
11
- The Poems of Thomas Gray, Design 97, "Ode for Music."
- between 1797 and 1798
12
- The Poems of Thomas Gray, Design 99, "Ode for Music."
- between 1797 and 1798
13
- Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
- 1789
14
- The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
15
- The Poems of Thomas Gray, Design 23, "A Long Story."
- between 1797 and 1798
16
- The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
- between 1797 and 1798
17
- The Poems of Thomas Gray, Design 77, "The Descent of Odin."
- between 1797 and 1798
18
- The Poems of Thomas Gray, Design 93, "Ode for Music."
- between 1797 and 1798
19
- Jerusalem, Plate 71, "And above Albions Land...."
- 1804 to 1820
20
- Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
- 1797
21
- Mary Magdalen at the Sepulchre
- ca. 1805
22
- Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
- 1789
23
- Songs of Innocence, Plate 18, "A Cradle Song" (Bentley 16)
- 1789
24
- The Poems of Thomas Gray, Design 83, "The Descent of Odin."
- between 1797 and 1798
25
- The Poems of Thomas Gray, Design 85, "The Descent of Odin."
- between 1797 and 1798
26
- Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
- 1797
27
- Songs of Innocence, Plate 3, "Introduction" (Bentley 4)
- 1789
28
- There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
- ca. 1788
29
- The Meat Market
- undated
30
- The Poultry Market
- undated
31
- Adelaide
- between 1785 and 1786
32
- The Spoiled Child, Scene III
- ca. 1802
33
- Conway Castle
- 1789
34
- Scottish Peasant Women
- undated
35
- Wanstead House
- undated
36
- St. Vincent's Rock, Clifton, Bristol with Hotwell's Spring House in the Distance
- undated
37
- Incantation Scene
- undated
38
- A Young Woman in a Blue Dress
- undated
39
- Hannah Snell - From the Life (in Male Dress)
- undated
40
- A Dancer
- ca. 1836
41
- Woman and Child
- undated
42
- Aldenham Church
- ca. 1817
43
- Old Farm Buildings
- ca. 1817
44
- Portrait Study of a Girl
- ca. 1823
45
- The Lecture House, Watford
- ca. 1820
46
- Landscape with Courting Couple
- 1839
47
- The Woman at the Well
- undated
48
- A Street in Florence with the Duomo and Campanile in the Background
- ca. 1765
49
- View Near the Mill Looking Toward Licenza: Horace's Villa on the Left
- 1783
50
- Peasants Resting
- 1795
51
- Sketches from Life in Paris: Woman and Man Carrying Buckets
- ca. 1835
52
- Figure Studies: Boy Standing
- undated
53
- Cottage and Foot Bridge
- 1794
54
- Portrait of a Lady
- undated
55
- Portrait of a Lady
- 1783
56
- Portrait of a Lady
- undated
57
- Adina and Dr. Dulcamara, Scene from Donigetti's Elisir d'Amore
- undated
58
- Cavalier and Maid in Spanish Costume
- undated
59
- A Young Woman Looking Down
- undated
60
- Devoted Wife
- undated
61
- Woman Dressing, with Maid
- undated
62
- A Mountain Lake
- undated
63
- Mrs. Abington
- undated
64
- Chalfont Lodge, Buckinghamshire
- undated
65
- The Thatched Cottage
- undated
66
- The Gate at Blenheim
- 1787
67
- A Wood Stream with Angler
- undated
68
- A Maiden Lady and her Family
- between 1820 and 1840
69
- Italianate Landscape with Travellers no. 2
- ca. 1760
70
- Italianate Landscape with Travelers, No. 1
- ca. 1765
71
- Woman with a Blue Smock
- undated
72
- A Fisherwoman, Hands under Apron
- undated
73
- View of the Bridge over Uduanulla, near Rahamahal, Bihar
- undated
74
- An Old Market Woman Grinning and Gesturing with her Left Hand
- undated
75
- Brighton Town and Church
- ca. 1780
76
- Extensive wooded landscape with figures in foreground left
- Undated
77
- Street Scene at Stratford by Bow
- undated
78
- A Landscape with a Portrait of a Lady, Full Length, Holding a Hat
- undated
79
- The Assignation
- undated
80
- Evening
- 1828
81
- Coast Scene near Plymouth
- undated
82
- The Monnow Bridge, Monmouthshire
- before 1814
83
- Couple in a Farmyard
- 1782
84
- The Rustic Lover
- 1786
85
- La Mancha
- 1828
86
- Enter Malvolio, Crossgartered..
- 1863
87
- A London Street Crier
- undated
88
- Nature unveils herself to the infant Shakespeare: Thomas Gray, The Progress of Poesy, III.1
- undated
89
- A Regency Pair: Man with Walking Stick
- 1802
90
- A Regency Pair
- 1802
91
- Woodcutter and His Family
- undated
92
- Portrait of a Lady, called Bella Ibbetson, the Artist's Second Wife
- undated
93
- A Goose and a Baboon
- undated
94
- Riders Outside an Inn
- undated
95
- Romantic Landscape
- ca. 1830
96
- Hero and Leander
- 1801
97
- Miss Charlotte Sandby
- undated
98
- Wooded Landscape with Figures Round a Cooking Pot
- 1793
99
- Leander Taking Leave of Hero Before Swimming Back Across the Hellespont
- undated
100
- Faust and Margaret
- undated