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Joseph Mallord William Turner Junction of Severn and Wye
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Junction of Severn and Wye
1811
John Augustus Atkinson Fools; or Jesters
Print made by John Augustus Atkinson, 1775–1831
Fools; or Jesters
1813
John Augustus Atkinson Military Costumes of the Reign of King Henry VI, 1447
Print made by John Augustus Atkinson, 1775–1831
Military Costumes of the Reign of King Henry VI, 1447
1812
John Augustus Atkinson Costume of the Reign of King Henry III, 1250
Print made by John Augustus Atkinson, 1775–1831
Costume of the Reign of King Henry III, 1250
1814
Charles Ansell Hamlet
Print made by Charles Ansell, ca.1752–active 1790
Hamlet
1809
James Gillray The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing
Print made by James Gillray, 1756–1815
The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing
1805
unknown artist Locomotive Engine and Train of the Birmingham and Liverpool Rail Road
unknown artist
Locomotive Engine and Train of the Birmingham and Liverpool Rail Road
1825
George Baxter The Belle of the Village
Print made by George Baxter, 1804–1867
The Belle of the Village
1854
James Malton Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats
1802
Robert Havell Crofton Hall, Yorkshire
Robert Havell, 1769–1832
Crofton Hall, Yorkshire
1813
John Bluck Water Engine, Cold-Bath-Field's Prison
Print made by John Bluck, active 1791–1831
Water Engine, Cold-Bath-Field's Prison
1808
John Bluck West India Docks
Print made by John Bluck, active 1791–1831
West India Docks
1810
John Hill Pass-Room Bridewell
John Hill, 1770–1850
Pass-Room Bridewell
1808
John Bluck Saint Stephen's, Walbrook
Print made by John Bluck, active 1791–1831
Saint Stephen's, Walbrook
1809
John Hill Dining Hall, Asylum
John Hill, 1770–1850
Dining Hall, Asylum
1808
Thomas Rowlandson Billingsgate Market
after Thomas Rowlandson, 1756–1827
Billingsgate Market
1808
Thomas Girtin View of the Pantheon taken from the Arsenal
Print made by Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
Thomas Rowlandson Undertakers Regaling
Thomas Rowlandson, 1756–1827
Undertakers Regaling
1801
John Bluck Ackerman's Library for Works of Art
John Bluck, active 1791–1831
Ackerman's Library for Works of Art
1813
John Bluck On the Thames near Battersea
John Bluck, active 1791–1831
On the Thames near Battersea
1809
Bradshaw & Blacklock Eight colour prints
Print made by Bradshaw & Blacklock, active ca.1850
Eight colour prints
after 1850
George Baxter Queen Victoria
after George Baxter, 1804–1867
Queen Victoria
ca. 1860
George Baxter The Death of Ananias
after George Baxter, 1804–1867
The Death of Ananias
after 1855
George Baxter Prince Albert
after George Baxter, 1804–1867
Prince Albert
after 1855
George Baxter Christ's Charge to Peter
after George Baxter, 1804–1867
Christ's Charge to Peter
after 1855
George Baxter Prince Albert
after George Baxter, 1804–1867
Prince Albert
after 1855
Bradshaw & Blacklock Set of 18 Labels from 'Twining & Sons' Hairpins Boxes.
Bradshaw & Blacklock, active ca.1850
Set of 18 Labels from 'Twining & Sons' Hairpins Boxes
after 1850
Bradshaw & Blacklock Returning from the Spring. Virginia.
Bradshaw & Blacklock, active ca.1850
Returning from the Spring. Virginia
after 1850
Bradshaw & Blacklock Specimens of Rocks. Proof of an Illustration for Wright's 'Globe Prepared for Man'.
Bradshaw & Blacklock, active ca.1850
Specimens of Rocks. Proof of an Illustration for Wright's 'Globe Prepared for Man'
after 1850
Bradshaw & Blacklock Eight Rural Subjects
Print made by Bradshaw & Blacklock, active ca.1850
Eight Rural Subjects
after 1850
Bradshaw & Blacklock Four Subjects
Print made by Bradshaw & Blacklock, active ca.1850
Four Subjects
after 1850
Bradshaw & Blacklock Four Subjects
Print made by Bradshaw & Blacklock, active ca.1850
Four Subjects
after 1850
Bradshaw & Blacklock Four Subjects
Print made by Bradshaw & Blacklock, active ca.1850
Four Subjects
after 1850
Bradshaw & Blacklock Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.
Print made by Bradshaw & Blacklock, active ca.1850
Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things
after 1850
Vincent Robert Alfred Brooks Ten Needle-Box Prints
Print made by Vincent Robert Alfred Brooks, 1814–1885
Ten Needle-Box Prints
undated
unknown artist Changing Horses Near Clermont
unknown artist
Changing Horses Near Clermont
1802
Robert Havell Clifton Spring and Woods near Maidenhead
Robert Havell, 1769–1832
Clifton Spring and Woods near Maidenhead
1818
Samuel Freeman Iris
Print made by Samuel Freeman, 1773–1857
Iris
1808
William Daniell Barmouth, Merionethshire
Print made by William Daniell, 1769–1837
Barmouth, Merionethshire
1814
Thomas Girtin The Watermill Above the Bridge at Charenton
Thomas Girtin, 1775–1802
The Watermill Above the Bridge at Charenton
1803
Matthew Dubourg The Marquis of Anglesea Wounded Whilst Leading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo, June 18, 1815
Print made by Matthew Dubourg, active 1786–1838
The Marquis of Anglesea Wounded Whilst Leading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo, June 18, 1815
1815
Bradshaw & Blacklock The Farmer's Boy & The Rustic Angler
Print made by Bradshaw & Blacklock, active ca.1850
The Farmer's Boy & The Rustic Angler
after 1850
Bradshaw & Blacklock Four Subjects
Print made by Bradshaw & Blacklock, active ca.1850
Four Subjects
after 1850
Bradshaw & Blacklock Hampton Court
Print made by Bradshaw & Blacklock, active ca.1850
Hampton Court
after 1850
Bradshaw & Blacklock Haddon Hall
Print made by Bradshaw & Blacklock, active ca.1850
Haddon Hall
after 1850
Bradshaw & Blacklock Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.
Print made by Bradshaw & Blacklock, active ca.1850
Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things
after 1850
Bradshaw & Blacklock Her Majesty Queen Victoria & Family
Print made by Bradshaw & Blacklock, active ca.1850
Her Majesty Queen Victoria & Family
ca. 1851
Bradshaw & Blacklock Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.
Print made by Bradshaw & Blacklock, active ca.1850
Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things
after 1850
Bradshaw & Blacklock Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.
Print made by Bradshaw & Blacklock, active ca.1850
Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things
after 1850
unknown artist Returning from a Review...Paris
unknown artist
Returning from a Review...Paris
1802
James Clark View of HRH the Princess Elizabeth's Cottage at Old Windsor with a View of the Moss House Below
James Clark, 19th century
View of HRH the Princess Elizabeth's Cottage at Old Windsor with a View of the Moss House Below
1812
James Mitan The Pavilion & Steyne at Brighton
James Mitan, 1776–1822
The Pavilion & Steyne at Brighton
1806
George Baxter Gems of the Great Exhibition No. 4: The Foreign Department
Print made by George Baxter, 1804–1867
Gems of the Great Exhibition No. 4: The Foreign Department
1852 or 1854
George Baxter George Pritchard, Her Britannic Majesty's Consul
Print made by George Baxter, 1804–1867
George Pritchard, Her Britannic Majesty's Consul
1845
Bradshaw & Blacklock View near Bingen
Print made by Bradshaw & Blacklock, active ca.1850
View near Bingen
after 1850
Bradshaw & Blacklock Bacharach
Print made by Bradshaw & Blacklock, active ca.1850
Bacharach
after 1850
George Baxter The Great Exhibition: Exterior View from the Southwest
Print made by George Baxter, 1804–1867
The Great Exhibition: Exterior View from the Southwest
1851
George Baxter Little Red Riding Hood
Print made by imitator of George Baxter, 1804–1867
Little Red Riding Hood
after 1856
George Baxter Pomare, Queen of Tahiti
Print made by George Baxter, 1804–1867
Pomare, Queen of Tahiti
1845
George Baxter The Reception of the Rev. J. Williams at Tanna in the South Seas, the Day before He Was Massacred
Print made by George Baxter, 1804–1867
The Reception of the Rev. J. Williams at Tanna in the South Seas, the Day before He Was Massacred
1841
Bradshaw & Blacklock Bacharach and View near Bingen
Print made by Bradshaw & Blacklock, active ca.1850
Bacharach and View near Bingen
after 1850
unknown artist Buckingham Stairs Water Gate
unknown artist
Buckingham Stairs Water Gate
1816
John Bluck Encouragement of Arts &c, Adelphi
John Bluck, active 1791–1831
Encouragement of Arts &c, Adelphi
1809
Daniel Havell A View of the Bank of England
Daniel Havell, 1785–1826
A View of the Bank of England
1816
Thomas Malton the Younger Cambridge University: Queens College
Print made by Thomas Malton the Younger, 1748–1804
Cambridge University: Queens College
1800
Charles Rosenberg Conflagration of the City of Bristol, Taken from the Centre of Somerset Street - (Below) A View of the Gloucester Gaol..
Charles Rosenberg, active 1828–1848
Conflagration of the City of Bristol, Taken from the Centre of Somerset Street - (Below) A View of the Gloucester Gaol.
1831
Thomas Malton the Younger The East Front of the Library of Trinity College in the University of Cambridge
Thomas Malton the Younger, 1748–1804
The East Front of the Library of Trinity College in the University of Cambridge
1800
Frederick Rosenberg The Mail Coach in a Flood
Print made by Frederick Rosenberg, active 1816–1832
The Mail Coach in a Flood
1827
Thomas Girtin View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf
Thomas Girtin, 1775–1802
View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf
1802
Thomas Girtin View of Pont St. Michel, taken from Pont Neuf
Thomas Girtin, 1775–1802
View of Pont St. Michel, taken from Pont Neuf
1803
Thomas Girtin View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
1803
Thomas Girtin View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations
Thomas Girtin, 1775–1802
View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations
1803
Thomas Girtin A General View of Paris taken from Chaillot
etching by Thomas Girtin, 1775–1802
A General View of Paris taken from Chaillot
1803
Thomas Girtin View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame
Thomas Girtin, 1775–1802
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame
1803
Thomas Girtin View of the Gate of St. Denis taken from the Suburbs
Thomas Girtin, 1775–1802
View of the Gate of St. Denis taken from the Suburbs
1802
Thomas Girtin View of Pont de la Tournelle and Notre Dame taken from the Arsenal
Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
Thomas Girtin View of the Pantheon taken from the Arsenal
Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
Thomas Girtin View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
Thomas Girtin, 1775–1802
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
1802
Thomas Girtin View of St. Cloud and Mount Calvary taken from Pont de Seve
Thomas Girtin, 1775–1802
View of St. Cloud and Mount Calvary taken from Pont de Seve
1802
Thomas Girtin On the Banks of the Marne below the Bridge at Charenton
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
Thomas Girtin A View of Pont Neuf, the Mint, &c.
Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint, &c
1803
Thomas Girtin View of the City with the Louvre &c. taken from Pont Marie
Thomas Girtin, 1775–1802
View of the City with the Louvre &c. taken from Pont Marie
1802
Thomas Girtin View of the Palace and Village of Choisi on the Banks of the Seine
Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi on the Banks of the Seine
1803
Thomas Girtin View of the Village of Chaillot and &c., taken from Pont de la Concorde
Thomas Girtin, 1775–1802
View of the Village of Chaillot and &c., taken from Pont de la Concorde
1803
Thomas Girtin View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
Thomas Girtin, 1775–1802
View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
1803
Thomas Girtin The Water Mill above the Bridge at Charenton
Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton
1803
Thomas Girtin View of Thuilleries and Bridge taken from the Quay d'Orsai
Thomas Girtin, 1775–1802
View of Thuilleries and Bridge taken from the Quay d'Orsai
1802
J. Hill A Seventy-four in a Fresh Gale
J. Hill, active 19th century
A Seventy-four in a Fresh Gale
1811
Henry Papprill This View of the Capture of Amoy on the Coast of China, on the 26th August, 1841, by Her Majesty's Combined Forces, under Vice Admiral Sir William Parker K.C.B. and Lieut. General Sir Hugh Gough... Plate 1
Henry Papprill, 1816–d.after 1883
This View of the Capture of Amoy on the Coast of China, on the 26th August, 1841, by Her Majesty's Combined Forces, under Vice Admiral Sir William Parker K.C.B. and Lieut. General Sir Hugh Gough... Plate 1
1842
Richard Gilson Reeve View of the Port of Liverpool
Richard Gilson Reeve, 1803–1889
View of the Port of Liverpool
1836
Richard Gilson Reeve The Victoria Steam Ship at Hull
Richard Gilson Reeve, 1803–1889
The Victoria Steam Ship at Hull
ca. 1837
Frederick Christian Lewis the Elder View of Old Aberdeen, Including King's College and the Cathedral
Frederick Christian Lewis the Elder, 1779–1856
View of Old Aberdeen, Including King's College and the Cathedral
1808
James Gillray The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"
1806
James Gillray The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."
1806
James Gillray The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"
1806
James Gillray The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."
1806
James Gillray The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."
1806
Robert Havell Seran Raja's Palace
Print made by Robert Havell, 1769–1832
Seran Raja's Palace
1820
George Baxter The Healing of the Lame Man
after George Baxter, 1804–1867
The Healing of the Lame Man
after 1855
George Baxter St Paul Preaching in Athens
George Baxter, 1804–1867
St Paul Preaching in Athens
after 1855