Cranmer Urging Edward VI to Consent to the Execution of Joan of Kent
1796
104
Print made by Isaac Taylor, 1759–1829
The Imposture of the Holy Maid of Kent
1796
105
Print made by Samuel Ireland, active 1760–died 1800
A Third Modern Military Punishment
1794
106
Print made by Samuel Ireland, active 1760–died 1800
A Third Modern Military Punishment
1794
107
Print made by Samuel Ireland, active 1760–died 1800
A Third Modern Military Punishment
1794
108
Print made by Samuel Ireland, active 1760–died 1800
A Third Modern Military Punishment
1794
109
Print made by Samuel Ireland, active 1760–died 1800
A Third Modern Military Punishment
1794
110
Print made by A. M. Ireland, active before 1801
Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
1794
111
Print made by Samuel Ireland, active 1760–died 1800
A Third Modern Military Punishment
1794
112
Print made by Samuel Ireland, active 1760–died 1800
A Third Modern Military Punishment
1794
113
Print made by A. M. Ireland, active before 1801
Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
1794
114
Print made by A. M. Ireland, active before 1801
Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
1794
115
Print made by A. M. Ireland, active before 1801
Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
1794
116
Print made by A. M. Ireland, active before 1801
Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
1794
117
Print made by A. M. Ireland, active before 1801
Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
1794
118
Print made by A. M. Ireland, active before 1801
Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery
1794
119
Print made by A. M. Ireland, active before 1801
Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery
1794
120
Print made by A. M. Ireland, active before 1801
Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery
1794
121
Print made by A. M. Ireland, active before 1801
The Right Hon. Gustavus Lord Viscount Boyne &c
before 1800
122
Print made by A. M. Ireland, active before 1801
Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
1794
123
Print made by Thomas Ryder, 1746–1810
First Design for the Enraged Musician
1799
124
Print made by Thomas Ryder, 1746–1810
First Design for the Enraged Musician
1799
125
Print made by Thomas Ryder, 1746–1810
Falstaff Examining His Recruits
1799
126
Print made by unknown artist
Boys Peeping at Nature
1799
127
Print made by unknown artist
Boys Peeping at Nature
1799
128
Print made by Thomas Ryder, 1746–1810
Female Curiosity
1799
129
Print made by Thomas Ryder, 1746–1810
Female Curiosity
1799
130
Print made by Samuel Ireland, active 1760–died 1800
False Perspective Exemplified
1794
131
Print made by Samuel Ireland, active 1760–died 1800
False Perspective Exemplified
1794
132
Print made by John Thomas Smith, 1766–1833
Clarendon House
1798
133
Print made by W. Lacey, active 1827–1838
The Transept of the Great Exhibition
1851
134
Print made by Robert Pollard, 1755–1838
View of Brest Harbour
1799
135
Print made by John Browne, 1741–1801
Africa
1775
136
Print made by Samuel Ireland, active 1760–died 1800
Head of Diana
1785
137
after Thomas Stothard, 1755–1834
Illustrations for 'Gil Blas', plate X
1781
138
Print made by James Heath, 1757–1834
Illustrations for 'Gil Blas', plate I
1781
139
Print made by Charles Grignion, 1717–1810
Illustrations for 'Gil Blas', plate III
1781
140
after Thomas Stothard, 1755–1834
Illustrations for 'Gil Blas', plate VI
1781
141
Print made by William Sharp, 1749–1824
Illustrations for 'Gil Blas', plate V
1781
142
Print made by James Heath, 1757–1834
Illustrations for 'Gil Blas', plate IV
1781
143
Print made by James Heath, 1757–1834
Illustrations for 'Gil Blas', plate VIII
1781
144
Print made by Charles Grignion, 1717–1810
Illustrations for 'Gil Blas', plate VII
1781
145
Print made by James Heath, 1757–1834
Illustrations for 'Gil Blas, plate iX
1781
146
Print made by John Keyse Sherwin, c.1751–1790
William Woollett, Engraver to His Majesty
1784
147
Print made by Cornelis Apostool, 1762–1844
Turris Magna or Tourmagne
1794
148
Print made by J. Barlow, active 1791
Conversation in the Manner of Van Dyck
1799
149
after William Hogarth, 1697–1764
False Perspective Exemplified
1799
150
Print made by William Nelson Gardiner, 1766–1814
January
1790
151
Print made by Jacobus Houbraken, 1698–1780
Francis Russell, Second Earl of Bedford
1740
152
Print made by Jacobus Houbraken, 1698–1780
Portrait of George Savile, Marquis of Hallifax
1740
153
Print made by George Townly Stubbs, 1748–1815
Josiah Wedgwood Efqr
1795
154
Print made by Jacobus Houbraken, 1698–1780
George Byng, first Viscount Torrington
1747
155
Print made by John Pine, 1690–1756
The tapestry hangings of the House of Lords: representing the several engagements between the English and Spanish fleets, in the ever memorable year MDLXXXVIII, Plate V
1739
156
Print made by William Walker, active 1782–1808
A Perspective View of the Royal Academy in the Strand, where Somerset House Formerly Stood