Materials & Techniques: wove paper / Credit Line: Yale Center for British Art; Yale University Art Gallery Collection / Period: 18th century

after William Hogarth, 1697–1764

Satire on False Perspective

1799

after William Hogarth, 1697–1764

Industry and Idleness, Plate XI, The Idle 'Prentice Executed at Tyburn

1768

William Hogarth, 1697–1764

The Invasion, Plate I, France

1768

after William Hogarth, 1697–1764

Sketches from Pen and Ink Drawings, Character and Caricatura

1794

after William Hogarth, 1697–1764

Sketches from Pen and Ink Drawings, Character and Caricatura

1794

after William Hogarth, 1697–1764

Sketches from Pen and Ink Drawings, Character and Caricatura

1794

after William Hogarth, 1697–1764

Sketches from Pen and Ink Drawings, Character and Caricatura

1794

after William Hogarth, 1697–1764

Sketches from Pen and Ink Drawings, Character and Caricatura

1794

after William Hogarth, 1697–1764

Sketches from Pen and Ink Drawings, Character and Caricatura

1794

after William Hogarth, 1697–1764

Sketches from Pen and Ink Drawings, Character and Caricatura

1794

after William Hogarth, 1697–1764

Auction of Pictures, &c

1799

after William Hogarth, 1697–1764

Sketches from Pen and Ink Drawings, Character and Caricatura

1794

after William Hogarth, 1697–1764

Concert Ticket, Mary's Chappel

1799

after William Hogarth, 1697–1764

Concert Ticket, Mary's Chappel

1799

after William Hogarth, 1697–1764

Concert Ticket, Mary's Chappel

1799

after William Hogarth, 1697–1764

Concert Ticket, Mary's Chappel

1799

after William Hogarth, 1697–1764

Concert Ticket, Mary's Chappel

1799

after William Hogarth, 1697–1764

Concert Ticket, Mary's Chappel

1799

after William Hogarth, 1697–1764

Concert Ticket, Mary's Chappel

1799

after William Hogarth, 1697–1764

Satire on False Perspective

1799

after William Hogarth, 1697–1764

Auction of Pictures, &c

1799

Print made by A. M. Ireland, active before 1801

Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

1794

Print made by Thomas Ryder, 1746–1810

First Design for the Enraged Musician

1799

Print made by J. Barlow, active 1791

Analysis of Beauty, Plate II

1791

Print made by unknown artist

Boys Peeping at Nature

1799

Print made by Samuel Ireland, active 1760–died 1800

False Perspective Exemplified

1794

Print made by Charles Grignion, 1717–1810

Illustrations for 'Gil Blas', plate III

1781

Print made by unknown artist

Leeds Castle, Kent

undated

Print made by unknown artist

Sir John Evelyn's Plan for Rebuilding the City of London after the Great Fire in 1666

1775

Print made by Jacobus Houbraken, 1698–1780

Thomas Otway

1741

Print made by George Vertue, 1684–1756

Edmond Waller Esquire

1727

Published by John Sewell, active 1735–1802

View of Annecy, in Savoy

1796

Print made by William Thomas, active 1783– died 1800

The House of the Cevaliere D'eon at Tonnerrel

1791

Print made by J. Pass, active 1796–1800

An Exact Representation of the Boarding and Taking the Cleopatra French Frigate

undated

Print made by unknown artist

View of Cape Diamond

1798

Print made by Jacobus Houbraken, 1698–1780

Robert Carr, Earl of Somerset

1749

Print made by George Vertue, 1684–1756

Francis Earl of Bedford

1737

Print made by Jacobus Houbraken, 1698–1780

William, Duke of Gloucester

1745

Print made by unknown artist

View of Montmedy

1794

Print made by William Thomas, active 1783– died 1800

Gallion near Vernon the Palace of the Archbishop of Rouen

1793

Print made by unknown artist

National Assembly, Paris

1795

Print made by James Heath, 1757–1834

Illustrations for 'Gil Blas', plate IV

1781

after Thomas Stothard, 1755–1834

Illustrations for 'Gil Blas', plate VI

1781

Print made by James Heath, 1757–1834

Illustrations for 'Gil Blas', plate I

1781

Print made by Charles Grignion, 1717–1810

Illustrations for 'Gil Blas', plate VII

1781

Print made by James Heath, 1757–1834

Illustrations for 'Gil Blas, plate iX

1781

Print made by William Sharp, 1749–1824

Illustrations for 'Gil Blas', plate V

1781

after Thomas Stothard, 1755–1834

Illustrations for 'Gil Blas', plate X

1781

Print made by John Thomas Smith, 1766–1833

Savoy Prison

1793

Print made by Thomas Holloway, 1748–1827

The Daughter of Herodias

1798

Print made by John R. Jackson, 1819–1877

Henry William Paget, first Marquess of Anglesey

1845

Print made by John Godfrey

Library at Strawberry Hill

1784

Print made by unknown artist

Regatta at Windsor, August 12, 1793, in Honor of the Prince of Wales's Birth Day

1793

Print made by unknown artist

View of the Rock Bridge

1798

Print made by unknown artist

Elevation of the New East India House now Building in Leadenhall Street

1798

Print made by Samuel Ireland, active 1760–died 1800

A Third Modern Military Punishment

1794

Print made by Samuel Ireland, active 1760–died 1800

A Third Modern Military Punishment

1794

Print made by A. M. Ireland, active before 1801

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

1794

Print made by A. M. Ireland, active before 1801

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

1794

Print made by A. M. Ireland, active before 1801

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

1794

Print made by A. M. Ireland, active before 1801

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

1794

Print made by A. M. Ireland, active before 1801

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

1794

Print made by A. M. Ireland, active before 1801

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

1794

Print made by A. M. Ireland, active before 1801

Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

1794

Print made by A. M. Ireland, active before 1801

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

1794

Print made by A. M. Ireland, active before 1801

Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

1794

Print made by A. M. Ireland, active before 1801

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

1794

Print made by A. M. Ireland, active before 1801

Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

1794

Print made by A. M. Ireland, active before 1801

Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

1794

Print made by A. M. Ireland, active before 1801

Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

1794

Print made by A. M. Ireland, active before 1801

Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

1794

Print made by Thomas Ryder, 1746–1810

First Design for the Enraged Musician

1799

Print made by Thomas Ryder, 1746–1810

First Design for the Enraged Musician

1799

Print made by Thomas Ryder, 1746–1810

First Design for the Enraged Musician

1799

Print made by Thomas Ryder, 1746–1810

First Design for the Enraged Musician

1799

Print made by Thomas Ryder, 1746–1810

First Design for the Enraged Musician

1799

Print made by Thomas Ryder, 1746–1810

First Design for the Enraged Musician

1799

Print made by Thomas Ryder, 1746–1810

Falstaff Examining His Recruits

1799

Print made by J. Barlow, active 1791

Analysis of Beauty, Plate I

1791

Print made by J. Barlow, active 1791

Analysis of Beauty, Plate I

1791

Print made by J. Barlow, active 1791

Analysis of Beauty, Plate I

1791

Print made by Samuel Ireland, active 1760–died 1800

Head of a Female Moor

1785

Print made by Samuel Ireland, active 1760–died 1800

Head of a Female Moor

1785

Print made by Samuel Ireland, active 1760–died 1800

Head of Diana

1785

Print made by Samuel Ireland, active 1760–died 1800

Head of Diana

1785

Print made by Samuel Ireland, active 1760–died 1800

Head of Diana

1785

Print made by Samuel Ireland, active 1760–died 1800

Head of Diana

1785

Print made by unknown artist

Boys Peeping at Nature

1799

Print made by unknown artist

Boys Peeping at Nature

1799

Print made by J. Barlow, active 1791

Conversation in the Manner of Van Dyck

1799

Print made by Cornelis Apostool, 1762–1844

Turris Magna or Tourmagne

1794

Print made by J. Barlow, active 1791

Conversation in the Manner of Van Dyck

1799

Print made by John Keyse Sherwin, c.1751–1790

William Woollett, Engraver to His Majesty

1784

Published by John Sewell, active 1735–1802

View of St. Malo in Britanny

1794

Print made by J. Barlow, active 1791

Scene at a Banking House in 1745

1799

Print made by Samuel Ireland, active 1760–died 1800

Pershore, Worcestershire

1795

Print made by John Jones, ca. 1745–1797

Maria Theresa Charlotte, Daughter of Louis the Sixteenth

1794

Print made by Samuel Ireland, active 1760–died 1800

A Third Modern Military Punishment

1794

Print made by Samuel Ireland, active 1760–died 1800

A Third Modern Military Punishment

1794

Print made by Samuel Ireland, active 1760–died 1800

A Third Modern Military Punishment

1794

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Materials & Techniques wove paper

Credit Line Yale Center for British Art; Yale University Art Gallery Collection

Period 18th century

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Materials & Techniques wove paper

Credit Line Yale Center for British Art; Yale University Art Gallery Collection

Period 18th century

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