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Samuel Palmer Boxhill
attributed to Samuel Palmer, 1805–1881
Boxhill
1868
Samuel Palmer Underriver Hills, near Sevenoaks, Kent, from the Grounds of J. Herries, Esq.
Samuel Palmer, 1805–1881
Underriver Hills, near Sevenoaks, Kent, from the Grounds of J. Herries, Esq
ca. 1840
Samuel Palmer The Rock Slip near Boscastle
Samuel Palmer, 1805–1881
The Rock Slip near Boscastle
undated
Samuel Palmer Italian Hill Town
Samuel Palmer, 1805–1881
Italian Hill Town
after 1838
John Constable Salisbury Cathedral From the Meadows
John Constable, 1776–1837
Salisbury Cathedral From the Meadows
1829
George Stubbs Tiger Body, Lateral view (Study of the muscles exposed at the third stage of dissection)
George Stubbs, 1724–1806
Tiger Body, Lateral view (Study of the muscles exposed at the third stage of dissection)
1795 to 1806
George Stubbs Tiger, Recumbent, Viewed Ventrally
George Stubbs, 1724–1806
Tiger, Recumbent, Viewed Ventrally
1795 to 1806
George Stubbs Leopard Body, Lateral View
George Stubbs, 1724–1806
Leopard Body, Lateral View
1795 to 1806
Joseph Mallord William Turner Near Grindelwald
Joseph Mallord William Turner, 1775–1851
Near Grindelwald
ca. 1796
Joseph Mallord William Turner Landscape with Barn
Joseph Mallord William Turner, 1775–1851
Landscape with Barn
ca. 1795
Joseph Mallord William Turner Marine Dabblers
Etched by Joseph Mallord William Turner, 1775–1851
Marine Dabblers
1811
Joseph Mallord William Turner London from Greenwich
Etched by Joseph Mallord William Turner, 1775–1851
London from Greenwich
1811
Joseph Mallord William Turner Inverary Pier, Loch Fyne, Morning
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Inverary Pier, Loch Fyne, Morning
1811
Joseph Mallord William Turner Stonehenge at Daybreak
Engraved by Joseph Mallord William Turner, 1775–1851
Stonehenge at Daybreak
1815 to 1819
Edward Lear Calder Bridge
Edward Lear, 1812–1888
Calder Bridge
1836
Edward Lear Rocky Valley of Mosta, Malta
Edward Lear, 1812–1888
Rocky Valley of Mosta, Malta
1866
Edward Lear Rocky Valley of Mosta, Malta, 1:30 p.m. (April 3, 1866)
Edward Lear, 1812–1888
Rocky Valley of Mosta, Malta, 1:30 p.m. (April 3, 1866)
1866
Edward Lear The Pontine Marshes above Terracina
Edward Lear, 1812–1888
The Pontine Marshes above Terracina
ca. 1880
Edward Lear Rocky Valley of Mosta, Malta, 2:15 p.m. (April 3, 1866)
Edward Lear, 1812–1888
Rocky Valley of Mosta, Malta, 2:15 p.m. (April 3, 1866)
1866
Edward Lear Albogasio
Edward Lear, 1812–1888
Albogasio
1837
Edward Lear Toske
Edward Lear, 1812–1888
Toske
1867
Edward Lear Gerf Hoseyn, 2:30 pm, 15 February 1867 (484)
Edward Lear, 1812–1888
Gerf Hoseyn, 2:30 pm, 15 February 1867 (484)
1867
Edward Lear Oasis Village
Edward Lear, 1812–1888
Oasis Village
1854
George Romney Seated Figure
George Romney, 1734–1802
Seated Figure
undated
William Blake Europe. A Prophecy, Plate 2, Title Page
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 2, Title Page
1794
William Blake Europe. A Prophecy, Plate 10, "Enitharmon slept . . . . " (Bentley 12)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 10, "Enitharmon slept . . . . " (Bentley 12)
1794
William Blake Europe. A Prophecy, Plate 11, "In thoughts perturb'd . . . ." (Bentley 13)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 11, "In thoughts perturb'd . . . ." (Bentley 13)
1794
William Blake Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
1794
William Blake pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
William Blake, 1757–1827
pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
1827
William Blake Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
William Blake, 1757–1827
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
William Blake America. A Prophecy, Plate 5, "A | Prophecy | The Guardian Prince of Albion...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 5, "A | Prophecy | The Guardian Prince of Albion...."
1793
William Blake America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."
1793
William Blake America. A Prophecy, Plate 12, "Thus Wept the Angel Voice...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 12, "Thus Wept the Angel Voice...."
1793
William Blake America. A Prophecy, Plate 11, "Sound! Sound! My Loud War-Trumpets...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 11, "Sound! Sound! My Loud War-Trumpets...."
1793
William Blake America. A Prophecy, Plate 13, "Fiery the Angels Rose...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 13, "Fiery the Angels Rose...."
1793
William Blake America. A Prophecy, Plate 14, "So Cried He...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 14, "So Cried He...."
1793
William Blake America. A Prophecy, Plate 15, "What Time the Thirteen Governors...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 15, "What Time the Thirteen Governors...."
1793
William Blake America. A Prophecy, Plate 16, "In the Flames Stood...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 16, "In the Flames Stood...."
1793
William Blake America. A Prophecy, Plate 17, "On Albions Angels...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 17, "On Albions Angels...."
1793
William Blake America. A Prophecy, Plate 18, "Over the Hills...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 18, "Over the Hills...."
1793
William Blake America. A Prophecy, Plate 7, "Albions Angel stood...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 7, "Albions Angel stood...."
1793
William Blake America. A Prophecy, Plate 8, "The Morning Comes...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 8, "The Morning Comes...."
1793
William Blake Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)
1794
William Blake America. A Prophecy, Plate 2, Title Page
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 2, Title Page
1793
William Blake Europe. A Prophecy, Plate 3, "Preludium"
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 3, "Preludium"
1794
William Blake Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)
1794
William Blake Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)
1794
William Blake Europe. A Prophecy, Plate 13 (Bentley 10)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 13 (Bentley 10)
1794
William Blake Europe. A Prophecy, Plate 14, "And the clouds & fires . . . . " (Bentley 15)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 14, "And the clouds & fires . . . . " (Bentley 15)
1794
William Blake Europe. A Prophecy, Plate 8 (Bentley 9)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 8 (Bentley 9)
1794
William Blake Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
William Blake, 1757–1827
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
William Blake America. A Prophecy, Plate 1, Frontispiece
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 1, Frontispiece
1793
William Blake America. A Prophecy, Plate 10, "The Terror Answered...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 10, "The Terror Answered...."
1793
William Blake Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
1794
William Blake Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
William Blake, 1757–1827
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
William Blake Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
William Blake, 1757–1827
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
William Blake The Death of Juliet
Print made by William Blake, 1757–1827
The Death of Juliet
1799
William Blake Europe. A Prophecy, Frontispiece Proof Impression
Print made by William Blake, 1757–1827
Europe. A Prophecy, Frontispiece Proof Impression
ca. 1820
William Blake Jerusalem, Plate 53, "Jerusalem / Chap. 3"
Print made by William Blake, 1757–1827
Jerusalem, Plate 53, "Jerusalem / Chap. 3"
1804 to 1820
Sir George Howland Beaumont seventh Baronet Tree Study
Sir George Howland Beaumont seventh Baronet, 1753–1827
Tree Study
1807
James Holland Barges on a Canal in Rotterdam
James Holland, 1799–1870
Barges on a Canal in Rotterdam
1845
Moses Griffith The Beautiful Vale and Mowddach River, Merionethshire
Moses Griffith, 1747–1819
The Beautiful Vale and Mowddach River, Merionethshire
1805
James Holland The Tower of the Clergy, Oporto
James Holland, 1799–1870
The Tower of the Clergy, Oporto
undated
Samuel Howitt African Civet
Samuel Howitt, 1756–1822
African Civet
ca. 1817
Samuel Howitt A Bulldog
Samuel Howitt, 1756–1822
A Bulldog
after 1815
Samuel Howitt Two Huskies
Samuel Howitt, 1756–1822
Two Huskies
ca. 1817
George Jones Fire on the Thames
George Jones, 1786–1869
Fire on the Thames
ca. 1808
James Ward An Outhouse Wall
James Ward, 1769–1859
An Outhouse Wall
undated
James Ward An Old Oak Tree
James Ward, 1769–1859
An Old Oak Tree
undated
unknown artist Crossing the Bridge
unknown artist
Crossing the Bridge
early 19th century
Dr. Thomas Monro The Edge of the Lake
Dr. Thomas Monro, 1759–1833
The Edge of the Lake
undated
William Burgess Interior of a Stable, with Tow Horses Feeding
William Burgess, 1749–1812
Interior of a Stable, with Tow Horses Feeding
undated
unknown artist Portrait of a Man
unknown artist
Portrait of a Man
undated
George Bryant Campion Grand Field Day at Chobham Camp
George Bryant Campion, 1796–1870
Grand Field Day at Chobham Camp
undated
George Bryant Campion Troops Returning to the Camp at Chobham
George Bryant Campion, 1796–1870
Troops Returning to the Camp at Chobham
undated
George Johann Scharf Reigate Heath
George Johann Scharf, 1788–1860
Reigate Heath
1837
John Thirtle Richmond Castle, Yorkshire
follower of John Thirtle, 1777–1839
Richmond Castle, Yorkshire
undated
John Thirtle Shore Scene with Sailing Ship at Quay
John Thirtle, 1777–1839
Shore Scene with Sailing Ship at Quay
undated
Thomas Barker Man in a Blue Cloak
attributed to Thomas Barker, 1769–1847
Man in a Blue Cloak
undated
Richard Parkes Bonington Trees and a Cottage by a River
Richard Parkes Bonington, 1802–1828
Trees and a Cottage by a River
1827
Edward Francis Burney John Gilpin in the Uxbridge Passage Boat
Edward Francis Burney, 1760–1848
John Gilpin in the Uxbridge Passage Boat
1820s
Edward Francis Burney Paddington Canal: The Junction at Wormwood Scrubbs, with a Passenger Hailing the Uxbridge Passage Boat
Edward Francis Burney, 1760–1848
Paddington Canal: The Junction at Wormwood Scrubbs, with a Passenger Hailing the Uxbridge Passage Boat
undated
unknown artist Dr. Mum
unknown artist
Dr. Mum
undated
Thomas Girtin View of the Pantheon, Paris
Thomas Girtin, 1775–1802
View of the Pantheon, Paris
1802
David Hall McKewan Mountain Rocks
David Hall McKewan, 1816–1875
Mountain Rocks
undated
unknown artist Bombie Mill, Bombie, Tongue of Bombie
unknown artist
Bombie Mill, Bombie, Tongue of Bombie
undated
Octavius Oakley A Gypsy Encampment
Octavius Oakley, 1800–1867
A Gypsy Encampment
undated
J. Pearson Near Goudhurst, Kent
Attributed to J. Pearson, active 1860
Near Goudhurst, Kent
1860
unknown artist Tree and Pond
unknown artist
Tree and Pond
undated
James Malton Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats
1802
Amelia Long On the Cam . . . back of St. John's College, Cambridge
Amelia Long, 1762–1837
On the Cam . . . back of St. John's College, Cambridge
undated
Giles F. Phillips Fishmarket on the Beach
Giles F. Phillips, 1780–1867
Fishmarket on the Beach
undated
T. E. Jeffers Barnes Common, June 1836
T. E. Jeffers, active 1836
Barnes Common, June 1836
1836
John Thomas Serres View of Castle Cornet, Guernsey, Channel Islands, with Shipping
John Thomas Serres, 1759–1825
View of Castle Cornet, Guernsey, Channel Islands, with Shipping
ca. 1800
Godfrey Thomas Vigne Oruro, Bolivia
Godfrey Thomas Vigne, 1801–1863
Oruro, Bolivia
1855
John Claude Nattes A Room at Great Grove House, Kensington, Mrs. Bavizzetti's Seminary
John Claude Nattes, 1765–1822
A Room at Great Grove House, Kensington, Mrs. Bavizzetti's Seminary
1812
Francis Nicholson Staithes, Yorkshire
Francis Nicholson, 1753–1844
Staithes, Yorkshire
undated
John Chessell Buckler Costessy Hall, Norfolk
John Chessell Buckler, 1793–1894
Costessy Hall, Norfolk
1831
George Edmund Street Design for Polychromatic Decoration of a Church
George Edmund Street, 1824–1881
Design for Polychromatic Decoration of a Church
undated
Humphry Repton Sarsden House and Gardens, Oxfordshire: Bird's-eye View
Humphry Repton, 1752–1818
Sarsden House and Gardens, Oxfordshire: Bird's-eye View
ca. 1795