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Shows 1 - 100 from 4094 results
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Accessible in the Study Room
Francis Danby, 1793–1861
Oberon and Titania
1837
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Accessible in the Study Room
Robert Polhill Bevan, 1865–1925
A Harrow in the Orchard
ca. 1896
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Accessible in the Study Room
Robert Polhill Bevan, 1865–1925
Over the Bank, Exmoor
ca. 1895
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Accessible in the Study Room
Robert Polhill Bevan, 1865–1925
Huntsman and Hounds
ca. 1896
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Accessible in the Study Room
John Constable, 1776–1837
Brighton Beach Looking West
undated
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Accessible in the Study Room
Attributed to John Constable, 1776–1837
A View on the Orwell
undated
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Accessible in the Study Room
Samuel Palmer, 1805–1881
The Timber Wain
between 1833 and 1834
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Accessible in the Study Room
Samuel Palmer, 1805–1881
The Valley of Vision
undated
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Accessible in the Study Room
Samuel Palmer, 1805–1881
A Cow Lodge with a Mossy Roof
ca. 1829
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Accessible in the Study Room
Samuel Palmer, 1805–1881
Cornfield and Church by Moonlight
early 1830s
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Accessible in the Study Room
Samuel Palmer, 1805–1881
Underriver Hills, near Sevenoaks, Kent, from the Grounds of J. Herries, Esq
ca. 1840
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Accessible in the Study Room
Samuel Palmer, 1805–1881
An Ancient Barn at Shoreham
undated
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Accessible in the Study Room
Samuel Palmer, 1805–1881
A Cottage among Trees, Shoreham
undated
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Accessible in the Study Room
Samuel Palmer, 1805–1881
Opening the Fold: Early Morning
ca. 1880
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Accessible in the Study Room
after George Stubbs, 1724–1806
Horses Fighting
undated
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Accessible in the Study Room
attributed to William Hogarth, 1697–1764
Grotesque Female Head
undated
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Accessible in the Study Room
attributed to William Hogarth, 1697–1764
Grotesque Female Head
undated
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Accessible in the Study Room
attributed to William Hogarth, 1697–1764
Grotesque Male Head
undated
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Accessible in the Study Room
attributed to William Hogarth, 1697–1764
Grotesque Male Head
undated
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Accessible in the Study Room
attributed to William Hogarth, 1697–1764
Grotesque Female Head
undated
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Accessible in the Study Room
attributed to William Hogarth, 1697–1764
Grotesque Female Head
undated
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Accessible in the Study Room
attributed to William Hogarth, 1697–1764
Grotesque Male Head
undated
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Accessible in the Study Room
attributed to William Hogarth, 1697–1764
Grotesque Male Head
undated
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Accessible in the Study Room
attributed to William Hogarth, 1697–1764
Grotesque Male Head
undated
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Accessible in the Study Room
attributed to William Hogarth, 1697–1764
Grotesque Male Head
undated
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Accessible in the Study Room
attributed to William Hogarth, 1697–1764
Grotesque Male Head
undated
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Accessible in the Study Room
attributed to William Hogarth, 1697–1764
Grotesque Male Head
undated
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Accessible in the Study Room
attributed to William Hogarth, 1697–1764
Grotesque Male Head
undated
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Accessible in the Study Room
attributed to William Hogarth, 1697–1764
Grotesque Male Head
undated
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Accessible in the Study Room
attributed to William Hogarth, 1697–1764
Grotesque Female Head
undated
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Accessible in the Study Room
Joseph Mallord William Turner, 1775–1851
View of Hampton Court, Herefordshire, from the Northwest
ca. 1806
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Accessible in the Study Room
Joseph Mallord William Turner, 1775–1851
Lake Geneva and Mont Blanc
1802 to 1806
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Accessible in the Study Room
Joseph Mallord William Turner, 1775–1851
Rome from Monte Mario
ca. 1818
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Accessible in the Study Room
Joseph Mallord William Turner, 1775–1851
Barnard Castle, Durham
ca. 1825
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Accessible in the Study Room
Joseph Mallord William Turner, 1775–1851
Andernach
1817
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Accessible in the Study Room
Joseph Mallord William Turner, 1775–1851
Villa d'Este
ca. 1796
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Accessible in the Study Room
Joseph Mallord William Turner, 1775–1851
Leeds
1816
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Accessible in the Study Room
Joseph Mallord William Turner, 1775–1851
Ship Aground, Brighton, with the Chain Pier Beyond
ca. 1827
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Accessible in the Study Room
Edward Lear, 1812–1888
Near Khan Yunas
1867
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Accessible in the Study Room
after Edward Lear, 1812–1888
Brown's Parakeet
1832
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Accessible in the Study Room
Edward Lear, 1812–1888
El Areesh (Torrens Ægypti)
1867
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Accessible in the Study Room
Edward Lear, 1812–1888
Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria... [Read more]
undated
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Accessible in the Study Room
Edward Lear, 1812–1888
Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon -... [Read more]
undated
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Accessible in the Study Room
Edward Lear, 1812–1888
Strongyli
May 4, 1864
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Accessible in the Study Room
Edward Lear, 1812–1888
River pass, between barren rock cliffs
1867
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Accessible in the Study Room
Edward Lear, 1812–1888
The Capo Sant' Angelo, Amalfi
ca. 1885
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Accessible in the Study Room
Edward Lear, 1812–1888
Bavella, Corsica
ca. 1868
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Accessible in the Study Room
Edward Lear, 1812–1888
Abu Simbel, 11-11:30 am, 8 February 1867 (374)
1867
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Accessible in the Study Room
Edward Lear, 1812–1888
Catania
1847
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Accessible in the Study Room
Edward Lear, 1812–1888
The Dead Sea, 16 and 17 April 1858
April 16 and 17, 1858
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Accessible in the Study Room
Edward Lear, 1812–1888
Near Daboad
1867
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Accessible in the Study Room
Edward Lear, 1812–1888
Negadeh
1867
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Accessible in the Study Room
Edward Lear, 1812–1888
Karnak, 10:00 pm, 22 January 1867 (213)
1867
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Accessible in the Study Room
Edward Lear, 1812–1888
Abu Seer
1867
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Accessible in the Study Room
Edward Lear, 1812–1888
Gebel Sheikh Eredi
1867
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Accessible in the Study Room
Edward Lear, 1812–1888
Shelaal, 2:30 am, 29 January 1867 (260)
1867
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Accessible in the Study Room
Edward Lear, 1812–1888
Shelaal, 5:30 am, 29 January 1867 (264)
1867
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Accessible in the Study Room
Edward Lear, 1812–1888
Tough; 8:45 A.M., 25 Feb. 1867 (551)
1867
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Accessible in the Study Room
Edward Lear, 1812–1888
Near Gezir Shendowiel
1867
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Accessible in the Study Room
Edward Lear, 1812–1888
Just above Ekhmim
1867
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Accessible in the Study Room
Edward Lear, 1812–1888
Abydos, 1:00 pm, 12 January 1867 (134)
1867
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Accessible in the Study Room
Edward Lear, 1812–1888
Karnak, 9:30 pm, 22 January 1867 (212)
1867
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Accessible in the Study Room
Edward Lear, 1812–1888
Near Aswan
1867
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Accessible in the Study Room
Edward Lear, 1812–1888
Abu Seer
1867
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Accessible in the Study Room
Edward Lear, 1812–1888
Abu Seer
1867
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Accessible in the Study Room
William Blake, 1757–1827
Abraham and Isaac
1799 to 1800
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Accessible in the Study Room
William Blake, 1757–1827
Christ Giving Sight to Bartimaeus
1799 to 1800
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On view
William Blake, 1757–1827
Moses Receiving the Law
ca. 1780
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On view
William Blake, 1757–1827
Tiriel Supporting the Dying Myratana and Cursing His Sons
1786 to 1789
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Accessible in the Study Room
William Blake, 1757–1827
Sealing the Stone and Setting a Watch
1800 to 1803
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Accessible in the Study Room
Print made by William Blake, 1757–1827
Pity
ca. 1795
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Accessible in the Study Room
Print made by William Blake, 1757–1827
Christ Appearing to the Apostles after the Resurrection
1795 to 1805
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Accessible in the Study Room
William Blake, 1757–1827
The Entrance Front of Hayley's House at Eartham
1801
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Accessible in the Study Room
William Blake, 1757–1827
Joseph and Potiphar's Wife
1803 to 1805
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On view
William Blake, 1757–1827
Mary Magdalen at the Sepulchre
ca. 1805
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On view
William Blake, 1757–1827
An Angel with a Trumpet
between 1805 and 1808
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On view
William Blake, 1757–1827
The Parable of the Wise and Foolish Virgins
ca. 1825
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Accessible in the Study Room
Print made by William Blake, 1757–1827
Spring, from Songs of Innocence
ca. 1795
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Accessible in the Study Room
Print made by William Blake, 1757–1827
The Shepherd, from Songs of Innocence
ca. 1795
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Accessible in the Study Room
Print made by William Blake, 1757–1827
The Little Black Boy (Plate 30)
1789
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Accessible in the Study Room
Print made by William Blake, 1757–1827
On Anothers Sorrow (Plate 24)
1789
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On view
Print made by William Blake, 1757–1827
"The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
1793
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Accessible in the Study Room
Print made by William Blake, 1757–1827
"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
1793
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Accessible in the Study Room
Print made by William Blake, 1757–1827
"Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)
1793
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Accessible in the Study Room
Print made by William Blake, 1757–1827
"Silent as despairing love, and strong as jealousy..." (Plate 4)
1793
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On view
Print made by William Blake, 1757–1827
A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..."... [Read more]
1793
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Accessible in the Study Room
Print made by William Blake, 1757–1827
"Appear to the Americans upon the cloudy night..." (Plate 6)
1793
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On view
Print made by William Blake, 1757–1827
"Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
1793
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On view
Print made by William Blake, 1757–1827
"The morning comes, the night decays, the watchmen leave their stations..." (Plate... [Read more]
1793
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On view
Print made by William Blake, 1757–1827
"In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
1793
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Accessible in the Study Room
Print made by William Blake, 1757–1827
"Albions Angel rose upon the Stone of Night..." (Plate 12)
1794
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Accessible in the Study Room
Print made by William Blake, 1757–1827
Plague (Plate 13)
1794
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Accessible in the Study Room
Print made by William Blake, 1757–1827
"And the clouds & fires pale rolld round in the night of Enitharmon"... (Plate... [Read more]
1794
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Accessible in the Study Room
Print made by William Blake, 1757–1827
"The red limb'd Angel siez'd in horror and torment..." (Plate 15)
1794
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Accessible in the Study Room
Print made by William Blake, 1757–1827
"Ethinthus queen of waters, how thou shinest in the sky..." (Plate 16)
1794
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Accessible in the Study Room
Print made by William Blake, 1757–1827
"Shot from the heights of Enitharmon..." (Plate 17)
1794
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Accessible in the Study Room
Print made by William Blake, 1757–1827
"The shrill winds wake!..." (Plate 6)
1794
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Accessible in the Study Room
Print made by William Blake, 1757–1827
"Now comes the night of Enitharmons joy!..." (Plate 7)
1794
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Accessible in the Study Room
Print made by William Blake, 1757–1827
"Arise 'O Rintrah eldest born..." (Plate 9)
1794
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Accessible in the Study Room
Print made by William Blake, 1757–1827
Famine (Plate 8)
1794