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Collection

Prints and Drawings 114

Creator

Stubbs, George, 1724–1806 17
Palmer, Samuel, 1805–1881 16
Lear, Edward, 1812–1888 14
Sandby, Paul, 1731–1809 13
Hogarth, William, 1697–1764 8
Gainsborough, Thomas, 1727–1788 7
Van Dyck, Anthony, Sir, 1599–1641 5
Calvert, Edward, 1799–1883 4
Lewis, John Frederick, 1804–1876 4
Jones, Inigo, 1573–1652 3
Richmond, George, 1809–1896 3
Boydell, John, 1720–1804 2
Collins, John, ca. 1725–1758/59 2
Earlom, Richard, 1743–1822 2
Pontius, Paulus, 1603–1658 2
Ravenet, Simon François, 1706–1774 2
Rooker, Edward, 1724–1774 2
Rubens, Peter Paul, Sir, 1577–1640 2
Tatham, Frederick, 1805–1878 2
Thornhill, James, Sir, 1675–1734 2
Unknown artist 2
Zoffany, Johann, 1733–1810 2
Alma–Tadema, Lawrence, Sir, 1836–1912 1
Blake, William, 1757–1827 1
Constable, John, 1776–1837 1
Cooper, Richard the Younger, 1740–1814 1
Delatre, Jean Marie, 1746–1840 1
Dixon, John, ca. 1740–1811 1
Faithorne, William, ca. 1620–1691 1
Forster, Thomas, ca. 1677–after 1712 1

Date

From

To

On-site Access

Accessible in the Study Room 113
On view 1

Image Use

Free to Use 114

Image Available

available 114

Provenance

New Online Additions

Classification

Drawings & Watercolors 73
Prints 38
Drawings & Watercolors-Miniatures 2
Drawing & Watercolors-Architectural 1

Collective Title

A Comparative Anatomical Exposition of the Structure of the Human Body with that of a Tiger and a Common Fowl 12
The Four Stages of Cruelty 4
Cries of London 3
Icones Principum Virorum 2
William Hogarth 1

Period

19th century 47
18th century 37
18th century-19th century 16
17th century 9
17th century-18th century 3
20th century 2

Materials & Techniques

wove paper 64
graphite 59
laid paper 44
watercolor 39
brown ink 28
pen 22
etching (printing process) 19
gouache 16
black chalk 14
line engraving 14
white gouache 8
gray wash 7
white chalk 7
drypoint 6
black ink 5
red chalk 5
soft-ground etching 5
brown wash 4
mezzotint 4
plate tone 4
aquatint 3
scratching out 3
stipple engraving 3
wood engraving (process) 3
Asian paper 2
black wash 2
chine collé 2
engraving (printing process) 2
gray ink 2
ivory 2

Height [cm]

From

To

Width [cm]

From

To

Work Type

drawing 75
watercolor 47
intaglio print 35
relief print 3
miniature 2

Genre

landscape 41
genre subject 34
architectural subject 19
figure study 16
portrait 15
animal art 13
religious and mythological subject 6
historical subject 3
anatomical study 2
botanical subject 2
cityscape 2
marine art 2
literary theme 1

Subject Terms

landscape 41
genre subject 31
trees 27
men 25
man 22
river 20
architectural subject 19
figure study 19
portrait 15
women 13
animal art 12
water 12
anatomical study 11
anatomy 11
sheep 11
side 11
woman 11
nude 10
sky 10
desert 9
dog (animal) 9
horse (animal) 9
rocks (landforms) 9
sand 9
cattle 8
cows 8
hills 8
forest 7
lake 7
monument 7

Subject Period

Associated Places

Europe 21
United Kingdom 21
England 20
Africa 17
Egypt 17
London 12
Nile 11
Lake Nasser 6
Nubia 6
Upper Egypt 6
Abu Simbel 5
Banqueting House 5
Greater London 4
Whitehall 4
As Said 3
City of Westminster 3
Luxor 3
Qina 3
As-Suways 2
Kent 2
Stonehenge 2
Suez 2
Thebes 2
Urban 2
Wiltshire 2
Abu Sunbul 1
Al Karnak 1
Aswan 1
Bridgnorth 1
Caernarfonshire and Merionethshire 1

Associated People

Jones, Inigo (1573–1652), architect and theatre designer 6
Palmer, Samuel (1805–1881), landscape painter and etcher 3
Barret, George (1732?–1784), landscape painter 2
Bartolozzi, Francesco (1728–1815), engraver 2
Burch, Edward (bap. 1730, d. 1814), gem-engraver 2
Carlini, Agostino (c.1718–1790), sculptor 2
Catton, Charles, the younger (1756–1819), landscape painter and book illustrator 2
Chamberlin, Mason (bap. 1722, d. 1787), portrait painter 2
Chambers, Sir William (1722–1796), architect 2
Charles I (1600–1649), king of England, Scotland, and Ireland 2
Cipriani, Giovanni Battista (1727–1785), decorative painter and draughtsman 2
Cosway, Richard (bap. 1742, d. 1821), artist and collector 2
Gwynn, John (bap. 1713, d. 1786), architect 2
Hayman, Francis (1707/8–1776), painter, engraver, and book illustrator 2
Hoare, William (1707/8–1792), portrait painter 2
Hone, Nathaniel (1718–1784), Irish painter 2
Hunter, William (1718–1783), physician, anatomist, and man-midwife 2
Kauffmann, Angelica (1741–1807), history and portrait painter 2
Meyer, Jeremiah (1735–1789), miniature painter 2
Milton, John (1608–1674), poet and polemicist 2
Moser [married name Lloyd], Mary (1744–1819), flower painter 2
Moser, George Michael (1706–1783) 2
Newton, Francis Milner (1720–1794), portrait painter 2
Nollekens, Joseph (1737–1823), sculptor 2
Penny, Edward (1714–1791), portrait, historical, and genre painter 2
Reynolds, Sir Joshua (1723–1792), portrait and history painter and art theorist 2
Richards, John Inigo (1730/31?–1810), landscape and scene-painter 2
Rubens, Sir Peter Paul (1577–1640), painter 2
Sandby, Paul (bap. 1731, d. 1809), painter and engraver 2
Sandby, Thomas (bap. 1723, d. 1798), architect and draughtsman 2

Exhibition History

Connections (Yale Center for British Art, 2011-05-26 - 2011-09-11) 114

Edward Lear and the Art of Travel (Yale Center for British Art, 2000-09-20 - 2001-01-14) 17
George Stubbs in the Collection of Paul Mellon: a Memorial Exhibition (Yale Center for British Art, 1999-04-30 - 1999-09-05) 13
George Stubbs (1724-1806) Tate Gallery (Tate Britain, 1984-10-17 - 1985-01-06) 10
George Stubbs (1724-1806) Tate Gallery (Yale Center for British Art, 1985-02-13 - 1985-04-07) 10
George Stubbs in the Collection of Paul Mellon: a Memorial Exhibition (Virginia Museum of Fine Arts, 2000-02-14 - 2000-05-15) 10
The Art of Paul Sandby (Yale Center for British Art, 1985-04-10 - 1985-06-23) 8
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26) 7
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29) 7
William Hunter and the Anatomy of the Modern Museum (Yale Center for British Art, 2019-02-14 - 2019-05-20) 7
Edward Lear, Moment to Moment (IKON Gallery, 2022-09-09 - 2022-11-13) 6
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29) 6
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09) 6
An Introduction to George Stubbs (MK Gallery, 2019-10-11 - 2020-01-26) 5
An Introduction to George Stubbs (National Horse Racing Museum, 2019-06-27 - 2019-09-29) 5
Samuel Palmer 1805-1881 Vision and Landscape (British Museum, 2005-10-21 - 2006-01-22) 5
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05) 5
Art in Focus : Blue (Yale Center for British Art, 2019-04-05 - 2019-08-11) 4
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17) 4
Fearful of Symmetry: The Art of George Stubbs, painter of the Enlightenment (Hall & Knight Ltd., 2000-01-20 - 2000-02-28) 4
Works of Splendor and Imagination - The Exhibition Watercolor 1770-1870 (Yale Center for British Art, 1981-09-16 - 1981-11-22) 4
An American's Passion for British Art - Paul Mellon's Legacy (Royal Academy of Arts, 2007-10-20 - 2008-01-27) 3
An American's Passion for British Art - Paul Mellon's Legacy (Yale Center for British Art, 2007-04-18 - 2007-07-29) 3
English Portrait Drawings & Miniatures (Yale Center for British Art, 1979-12-05 - 1980-02-17) 3
Fierce Friends - Artists & Animals in the Industrial Era, 1750-1920 (Carnegie Museum of Art, 2006-03-25 - 2006-08-27) 3
Painters and Engraving - The Reproductive Print from Hogarth to Wilkie (Yale Center for British Art, 1980-03-26 - 1980-06-22) 3
Samuel Palmer 1805-1881 Vision and Landscape (The Metropolitan Museum of Art, 2006-03-07 - 2006-05-28) 3
Samuel Palmer and "The Ancients" (The Fitzwilliam Museum, 1984-10-09 - 1984-12-16) 3
The Creative Printmaker (Joseph and Margaret Muscarelle Museum of Art, 1986-03-05 - 1986-04-20) 3
The Creative Printmaker (Yale Center for British Art, 1985-07-09 - 1985-09-01) 3

Credit Line

Yale Center for British Art, Paul Mellon Collection 81
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939 13
Yale Center for British Art, Paul Mellon Fund 10
Yale Center for British Art, Gift of Patricia Cornwell 4
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery 4
Yale Center for British Art, Gift of Edward B. Greene, transfer from the Yale University Art Gallery 1
Yale Center for British Art, Paul Mellon Fund and Iola S. Haverstick Fund 1

Language

Archival Collections

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Place of baptism

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: male
Collection: Prints and Drawings
Image Available: available
Image Use: Free to Use
Exhibition History: Connections (Yale Center for British Art, 2011-05-26 - 2011-09-11)
Per page: 100
Keywords: title_s asc, score desc
Keywords: masonry

All (114)
Objects (114)
Artists (0)

Shows 1 - 100 from 114 results

Grid

Accessible in the Study Room
John Constable, 1776–1837

Male Nude

1808
Accessible in the Study Room
Print made by Samuel Palmer, 1805–1881

The Bellman

1879
Accessible in the Study Room
Print made by Samuel Palmer, 1805–1881

The Lonely Tower

1879
Accessible in the Study Room
Samuel Palmer, 1805–1881

View from Rook's Hill, Kent

1843
Accessible in the Study Room
Samuel Palmer, 1805–1881

Foxgloves

undated
Accessible in the Study Room
Samuel Palmer, 1805–1881

Brambles

undated
Accessible in the Study Room
Print made by Samuel Palmer, 1805–1881

The Herdsman's Cottage

1850
Accessible in the Study Room
Print made by Samuel Palmer, 1805–1881

The Weary Ploughman

1858
Accessible in the Study Room
Samuel Palmer, 1805–1881

At Hailsham, Sussex: a Storm Approaching

1821
Accessible in the Study Room
Samuel Palmer, 1805–1881

The Lonely Tower

1868
Accessible in the Study Room
Samuel Palmer, 1805–1881

A Barn with a Mossy Roof, Shoreham

undated
Accessible in the Study Room
Samuel Palmer, 1805–1881

Sunset

ca. 1861
Accessible in the Study Room
Samuel Palmer, 1805–1881

Cornfield and Church by Moonlight

early 1830s
Accessible in the Study Room
Samuel Palmer, 1805–1881

Old Cedar Tree in Botanic Garden, Chelsea

1854
Accessible in the Study Room
Samuel Palmer, 1805–1881

Pistil Mawddach, North Wales

between 1835 and 1836
Accessible in the Study Room
Print made by Samuel Palmer, 1805–1881

Harvest under a Crescent Moon

ca. 1826
Accessible in the Study Room
Print made by Samuel Palmer, 1805–1881

Opening the Fold

1880
Accessible in the Study Room
George Stubbs, 1724–1806

Human Figure, Lateral View (Finished study for an unpublished table, representing... [Read more]

between 1795 and 1806
Accessible in the Study Room
George Stubbs, 1724–1806

Tiger, Lateral View (Outline Study of the Surface Blood Supply, Prepared for the Key... [Read more]

between 1795 and 1806
Accessible in the Study Room
George Stubbs, 1724–1806

Tiger Body, Lateral View (Study for an unpublished table; shows a late stage in... [Read more]

between 1795 and 1806
Accessible in the Study Room
George Stubbs, 1724–1806

Fowl Body, Lateral View (Highly Finished Study for an Unpublished Table;... [Read more]

between 1795 and 1806
Accessible in the Study Room
Print made by George Stubbs, 1724–1806

Labourers

1789
Accessible in the Study Room
Print made by George Stubbs, 1724–1806

A Tiger and a Sleeping Leopard

1788
Accessible in the Study Room
George Stubbs, 1724–1806

Human Skeleton, Lateral View (Close to the Final Study for Table III But... [Read more]

Between 1795 and 1806
Accessible in the Study Room
Print made by George Stubbs, 1724–1806

A Sleeping Leopard

1791
Accessible in the Study Room
George Stubbs, 1724–1806

Tiger Skeleton, Lateral View (Finished Study for Table IV)

between 1795 and 1806
Accessible in the Study Room
George Stubbs, 1724–1806

Human Figure, Lateral View, Undissected (Finished Study for Table VIII)

between 1795 and 1806
Accessible in the Study Room
George Stubbs, 1724–1806

Fowl Skeleton, Lateral View (Finished Study for Table V)

between 1795 and 1806
Accessible in the Study Room
George Stubbs, 1724–1806

Fowl, Lateral View with Most Feathers Removed (Finished Study for Table X)

between 1795 and 1806
Accessible in the Study Room
George Stubbs, 1724–1806

Tiger, Lateral View, with Skin and Tissue Removed (Finished Study for Table IX)

between 1795 and 1806
Accessible in the Study Room
George Stubbs, 1724–1806

Human Figure, Lateral View, after Removal of the Skin and the Underlying Fascial... [Read more]

between 1795 and 1806
Accessible in the Study Room
George Stubbs, 1724–1806

Fowl, Lateral View, with Skin and Underlying Fascial Layers Removed... [Read more]

between 1795 and 1806
Accessible in the Study Room
Print made by William Hogarth, 1697–1764

The Second Stage of Cruelty: Coachman Beating a Fallen Horse

1751
Accessible in the Study Room
Print made by William Hogarth, 1697–1764

The Fourth Stage of Cruelty: The Reward of Cruelty (Anatomy Theatre)

1751
Accessible in the Study Room
Print made by William Hogarth, 1697–1764

The First Stage of Cruelty: Children Torturing Animals

1751
Accessible in the Study Room
Print made by William Hogarth, 1697–1764

The Third Stage of Cruelty: Cruelty in Perfection

1751
Accessible in the Study Room
Print made by William Hogarth, 1697–1764

Hogarth Painting the Comic Muse

1764
Accessible in the Study Room
William Hogarth, 1697–1764

Study of a Female Nude

undated
Accessible in the Study Room
Edward Lear, 1812–1888

Dendera, 9:00 am, 15 January 1867 (156)

1867
Accessible in the Study Room
Edward Lear, 1812–1888

Luxor, 7:00 am, 20 January 1867 (198)

1867
Accessible in the Study Room
Edward Lear, 1812–1888

Near Suez, 1 pm, 16 January 1849 (48)

1849
Accessible in the Study Room
Edward Lear, 1812–1888

Abu Simbel, 9:00 am, 8 February 1867 (372A)

1867
Accessible in the Study Room
Edward Lear, 1812–1888

Abu Simbel, 4:30 pm, 8 February 1867 (379)

1867
Accessible in the Study Room
Edward Lear, 1812–1888

Abu Simbel, 10:30 am, 9 February 1867 (383)

1867
Accessible in the Study Room
Edward Lear, 1812–1888

Abu Simbel, 1:00 pm, 9 February 1867 (384)

1867
Accessible in the Study Room
Edward Lear, 1812–1888

Abu Simbel, 11-11:30 am, 8 February 1867 (374)

1867
Accessible in the Study Room
Edward Lear, 1812–1888

Dendera, 15 January 1867 (155)

1867
Accessible in the Study Room
Edward Lear, 1812–1888

Dendera, 9:15 am, 15 January 1867 (157)

1867
Accessible in the Study Room
Edward Lear, 1812–1888

Dendera, 15 January 1867 (158)

1867
Accessible in the Study Room
Edward Lear, 1812–1888

Luxor, 7:30 am, 20 January 1867 (199)

1867
Accessible in the Study Room
Edward Lear, 1812–1888

Abu Simbel, 1:10 pm, 9 February 1867 (385)

1867
Accessible in the Study Room
Edward Lear, 1812–1888

Outside the Walls of Suez, 8:30 a.m., 17 January 1849 (54)

1849
On view
William Blake, 1757–1827

An Angel with a Trumpet

between 1805 and 1808
Accessible in the Study Room
Sir Lawrence Alma-Tadema, 1836–1912

Study for Thermaie Antoniniane

1899
Accessible in the Study Room
Attributed to Inigo Jones, 1573–1652

A Plumed Saddle-Horse

ca. 1640
Accessible in the Study Room
John Hamilton Mortimer, 1740–1779

An Academy

ca. 1773
Accessible in the Study Room
Frederick Tatham, 1805–1878

William William's Second Wife

ca. 1830
Accessible in the Study Room
David Roberts, 1796–1864

The Great Temple of Amon Karnak, The Hypostyle Hall

1838
Accessible in the Study Room
Thomas Gainsborough, 1727–1788

A Moonlit Landscape with Cattle by a Pool

ca. 1780
Accessible in the Study Room
Bernard Lens III, 1682–1740

Victorious Hero Takes Occasion to Conclude Peace

1720
Accessible in the Study Room
Wenceslaus Hollar, 1607–1677

Palatium Regis Prope Londinum, Vulgo Whitehall

ca. 1647
Accessible in the Study Room
Print made by Richard Earlom, 1743–1822

Life School at the Royal Academy

1773
Accessible in the Study Room
Print made by Simon François Ravenet, 1706–1774

The Pool of Bethesda

1772
Accessible in the Study Room
Print made by Simon François Ravenet, 1706–1774

The Good Samaritan

1772
Accessible in the Study Room
Thomas Gainsborough, 1727–1788

Wooded Landscape with Herdsmen and Cattle, Buildings on a Hill, and Rustic Lovers

ca. 1770
Accessible in the Study Room
Print made by unknown artist

Key to Life School at the Royal Academy

1794
Accessible in the Study Room
Frederick Tatham, 1805–1878

Mr. William Williams

ca. 1830
Accessible in the Study Room
Thomas Forster, ca. 1677–after 1712

Banqueting House, Whitehall: Front Elevation

undated
Accessible in the Study Room
Thomas Gainsborough, 1727–1788

Wooded Landscape with Country Cart and Figures

between 1785 and 1788
Accessible in the Study Room
Thomas Gainsborough, 1727–1788

Mountain Landscape with Figures, Sheep and Fountain

between 1785 and 1788
Accessible in the Study Room
Thomas Gainsborough, 1727–1788

Open Landscape with Figures, Cows and Cottage

between 1785 and 1788
Accessible in the Study Room
Sir James Thornhill, 1675–1734

A Design for a Ceiling

undated
Accessible in the Study Room
Paul Sandby, 1731–1809

Lady in a Bonnet

between 1760 and 1765
Accessible in the Study Room
Paul Sandby, 1731–1809

London Cries: A Muffin Man

ca. 1759
Accessible in the Study Room
Print made by Paulus Pontius, 1603–1658

Petrus Paulus Rubbens

ca. 1635
Accessible in the Study Room
Paul Nash, 1889–1946

Worth Matravers, Dorset

1936
Accessible in the Study Room
Print made by Edward Calvert, 1799–1883

The Bride

1828
Accessible in the Study Room
Print made by Edward Calvert, 1799–1883

The Return Home

1830
Accessible in the Study Room
Print made by Edward Calvert, 1799–1883

The Ploughman

1827
Accessible in the Study Room
Print made by Edward Calvert, 1799–1883

The Sheep of His Pasture

ca. 1828
Accessible in the Study Room
Edward Rooker, 1724–1774

The Magicians Marching off After the Success of their Incantations

ca. 1763
Accessible in the Study Room
Edward Rooker, 1724–1774

A Morning Scene of the Forest with Rinaldo on the Bank of the Enchanted... [Read more]

ca. 1763
Accessible in the Study Room
Print made by Robert van Voerst, 1597–1636

Inigo Iones

ca. 1635
Accessible in the Study Room
Print made by William Faithorne, ca. 1620–1691

Charles I

1658
Accessible in the Study Room
Print made by Frederick Landseer Maur Griggs, 1876–1938

Maur's Farm

1913
Accessible in the Study Room
Print made by Paulus Pontius, 1603–1658

Antonius Van Dyck Eques and Peter Paul Rubens Eques

between 1618 and 1658
Accessible in the Study Room
George Richmond, 1809–1896

Portrait of Samuel Palmer, Head and Shoulders

1830
Accessible in the Study Room
Thomas Sandby, 1721–1798

Whitehall Showing Holbein's Gate and Banqueting Hall

ca. 1760
Accessible in the Study Room
Paul Sandby, 1731–1809

Bridgenorth, Shropshire

ca. 1801
Accessible in the Study Room
John Dixon, ca. 1740–1811

A Tigress

1773
Accessible in the Study Room
Richard Earlom, 1743–1822

Labourers

1790
Accessible in the Study Room
Print made by Bernard Lens II, 1659–1725

Cupid and Psyche

between 1690 and 1699
Accessible in the Study Room
Paul Sandby, 1731–1809

The Queen Elizabeth Gate

1767
Accessible in the Study Room
Paul Sandby, 1731–1809

Two Women holding a Basket

ca. 1759
Accessible in the Study Room
George Richmond, 1809–1896

Portrait of Samuel Palmer, February 5, 1828

1828
Accessible in the Study Room
Paul Sandby, 1731–1809

Two Men, One Holding a Whip

ca. 1754
Accessible in the Study Room
Paul Sandby, 1731–1809

Lady Maynard

ca. 1757
Accessible in the Study Room
George Richmond, 1809–1896

Samuel Palmer

1830
Accessible in the Study Room
Sir James Thornhill, 1675–1734

Design for Ceiling Walls and Staircase

between 1712 and 1713
Accessible in the Study Room
Paul Sandby, 1731–1809

The Gunpowder Magazine, Hyde Park

ca. 1793

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