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Collection

Prints and Drawings 186

Creator

Turner, J. M. W. (Joseph Mallord William), 1775–1851 29
Constable, John, 1776–1837 15
Girtin, Thomas, 1775–1802 13
Gainsborough, Thomas, 1727–1788 12
Palmer, Samuel, 1805–1881 11
Cozens, John Robert, 1752–1797 8
Wilson, Richard, 1713–1782 7
Cotman, John Sell, 1782–1842 5
Sandby, Paul, 1731–1809 5
Boys, Thomas Shotter, 1803–1874 4
Hearne, Thomas, 1744–1817 4
Linnell, John, 1729–1796 4
Bonington, Richard Parkes, 1801–1828 3
Cox, David, 1783–1859 3
Dayes, Edward, 1763–1804 3
Hollar, Wenceslaus, 1607–1677 3
Lucas, David, 1802–1881 3
Webber, John, 1752–1793 3
Canaletto, 1697–1768 2
Cooke, George, 1781–1834 2
Cozens, Alexander, 1717–1786 2
Daniell, Thomas, 1749–1840 2
Edridge, Henry, 1769–1821 2
Horsburgh, John, 1791–1869 2
Jones, Thomas, 1742–1803 2
Martin, John, 1789–1854 2
Rowlandson, Thomas, 1756–1827 2
Smith, John, 1749–1831 2
Towne, Francis, 1740–1816 2
Varley, Cornelius, 1781–1873 2

Date

From

To

On-site Access

Accessible in the Study Room 185
On view at the Yale University Art Gallery 1

Image Use

Free to Use 186

Image Available

available 186

Provenance

New Online Additions

Classification

Drawings & Watercolors 154
Prints 31
Drawings & Watercolors-Sketchbooks 1

Collective Title

Little Liber, or Sequels to the Liber Studiorum 4
English Landscape 3
Liber Studiorum 3
Picturesque Views in England and Wales 3
Selection of Twenty of the Most Picturesque Views of Paris and its Environs 3
Cooke's Picturesque Views of the Southern Coast of England 2
Liber Studiorum, 1838 2
Views in the South Seas 1776-1780 2
Beaumont Album 1
Drawings for Hindoostan Scenery 1
Italian Sketchbook 1
Views of Windsor Castle 1

Period

19th century 104
18th century 69
18th century-19th century 6
17th century 5
17th century-18th century 2

Materials & Techniques

graphite 113
wove paper 113
watercolor 101
laid paper 64
brown ink 31
gouache 29
pen 24
gray wash 22
black ink 19
black chalk 16
scratching out 16
etching (printing process) 13
white chalk 12
mezzotint 10
gray ink 9
soft-ground etching 9
scraping out 7
gum 6
brown wash 5
line engraving 5
aquatint 4
blue wash 4
white gouache 4
black wash 3
card 3
chine collé 3
stumping 3
ground (material) 2
oil paint 2
scraping 2

Height [cm]

From

To

Width [cm]

From

To

Work Type

drawing 152
watercolor 126
intaglio print 30
sketchbook 1

Genre

landscape 134
architectural subject 39
genre subject 30
cityscape 24
marine art 24
military art 3
figure study 2
botanical subject 1
portrait 1
still life 1

Subject Terms

landscape 116
trees 73
river 40
architectural subject 35
clouds 28
hills 27
buildings 25
genre subject 25
Grand Tour 23
mountains 21
boats 20
cityscape 19
figures 19
rocks (landforms) 17
marine art 16
men 16
bridge (built work) 14
ruins 14
cattle 13
science 13
church 12
sheep 12
sky 12
women 12
lake 11
castle 10
fields 10
houses 10
shepherd 10
grass 9

Subject Period

Associated Places

Europe 81
United Kingdom 81
England 61
Italy 19
France 11
Kent 10
Lazio 9
London 8
Roma 8
Wales 8
Paris 7
Rome 7
Seine 7
Île-de-France 7
Cymru 6
Devon 6
Scotland 6
Thames 6
Bassin de l'Arsenal 5
Campagna 5
Panthéon 5
Caernarfonshire and Merionethshire 4
Cumbria 4
English Channel 4
Suffolk 4
Switzerland 4
Albano, Lago 3
East Bergholt 3
Folkestone 3
Norfolk 3

Associated People

Elliot, Ann (1743–1769), courtesan and actress 2

Exhibition History

English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17) 186

Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29) 34
An American's Passion for British Art - Paul Mellon's Legacy (Royal Academy of Arts, 2007-10-20 - 2008-01-27) 28
An American's Passion for British Art - Paul Mellon's Legacy (Yale Center for British Art, 2007-04-18 - 2007-07-29) 28
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27) 22
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05) 20
J.M.W. Turner: Romance & Reality (Yale Center for British Art, 2025-03-29 - 2025-07-27) 17
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (The State Hermitage Museum, 2007-10-23 - 2008-01-13) 15
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Virginia Museum of Fine Arts, 2007-07-11 - 2007-09-30) 15
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Yale Center for British Art, 2008-06-09 - 2008-08-17) 15
Oil on Water - Oil Sketches by British Watercolorists (Yale Center for British Art, 1986-08-26 - 1986-11-09) 15
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05) 15
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25) 14
The Art of Alexander and John Robert Cozens (Yale Center for British Art, 1980-09-17 - 1980-11-16) 10
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29) 10
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30) 10
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04) 10
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20) 10
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19) 10
English Drawings and Watercolors from the collection of Mr. and Mrs. Paul Mellon (Yale University Art Gallery, 1965-04-15 - 1965-06-20) 8
The Art of Paul Sandby (Yale Center for British Art, 1985-04-10 - 1985-06-23) 8
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26) 8
Works of Splendor and Imagination - The Exhibition Watercolor 1770-1870 (Yale Center for British Art, 1981-09-16 - 1981-11-22) 8
British Painting and the European Continent (Haus der Kunst Munich, 1979-11-20 - 1980-01-27) 7
Classic Ground - British Artists and the Landscape of Italy, 1740-1830 (Yale Center for British Art, 1981-07-29 - 1981-09-20) 7
Papermaking and The Art of Watercolor in Eighteenth-Century Britain: Paul Sandby's "View of…Mr. Whatman's Turkey Mill" (Yale Center for British Art, 2006-02-22 - 2006-06-04) 7
John Constable (The Yomiuri Shimbun, 1986-01-30 - 1986-06-17) 6
Samuel Palmer 1805-1881 Vision and Landscape (British Museum, 2005-10-21 - 2006-01-22) 6
Richard Wilson and the Transformation of European Landscape Painting (Yale Center for British Art, 2014-03-06 - 2014-06-01) 5
The Creative Printmaker (Joseph and Margaret Muscarelle Museum of Art, 1986-03-05 - 1986-04-20) 5

Credit Line

Yale Center for British Art, Paul Mellon Collection 186

Language

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Place of baptism

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: male
Collection: Prints and Drawings
Image Available: available
Image Use: Free to Use
Exhibition History: English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
Per page: 100
Keywords: title_s asc, score desc
Keywords: masonry

All (186)
Objects (186)
Artists (0)

Shows 1 - 100 from 186 results

Grid

On view at the Yale University Art Gallery
Print made by Joseph Mallord William Turner, 1775–1851

Gloucester Cathedral

1820 to 1825
Accessible in the Study Room
Samuel Palmer, 1805–1881

Cornfields with Barn, Shoreham

ca. 1829
Accessible in the Study Room
Samuel Palmer, 1805–1881

Underriver Hills, near Sevenoaks, Kent, from the Grounds of J. Herries, Esq

ca. 1840
Accessible in the Study Room
Samuel Palmer, 1805–1881

Pistil Mawddach, North Wales

between 1835 and 1836
Accessible in the Study Room
Samuel Palmer, 1805–1881

The Cypresses at the Villa d'Este, Tivoli

1838
Accessible in the Study Room
Samuel Palmer, 1805–1881

A Moonlit Scene with a Winding River

ca. 1827
Accessible in the Study Room
Samuel Palmer, 1805–1881

The Valley of Vision

undated
Accessible in the Study Room
Samuel Palmer, 1805–1881

A Cow Lodge with a Mossy Roof

ca. 1829
Accessible in the Study Room
Samuel Palmer, 1805–1881

A Shepherd and his Flock under the Moon and Stars

ca. 1827
Accessible in the Study Room
Samuel Palmer, 1805–1881

At Hailsham, Sussex: a Storm Approaching

1821
Accessible in the Study Room
Samuel Palmer, 1805–1881

Ancient Trees, Lullingstone Park

1828
Accessible in the Study Room
Samuel Palmer, 1805–1881

The Weald of Kent

between 1833 and 1834
Accessible in the Study Room
Print made by John Constable, 1776–1837

The Ruins of Netley Abbey

1826
Accessible in the Study Room
John Constable, 1776–1837

Fulham Church from across the River

1818
Accessible in the Study Room
John Constable, 1776–1837

Sky Study with Rainbow

1827
Accessible in the Study Room
John Constable, 1776–1837

Trees in a Meadow

ca. 1805
Accessible in the Study Room
John Constable, 1776–1837

Shipping on the Thames

ca. 1818
Accessible in the Study Room
John Constable, 1776–1837

Trees and Deer

1825
Accessible in the Study Room
John Constable, 1776–1837

Old Sarum at Noon

1829
Accessible in the Study Room
John Constable, 1776–1837

Two Studies of Dedham Church from the East

1806-1808
Accessible in the Study Room
John Constable, 1776–1837

Landscape at East Bergholt

ca. 1805
Accessible in the Study Room
John Constable, 1776–1837

Stoke Poges Church

1834
Accessible in the Study Room
John Constable, 1776–1837

Salisbury Plain from Old Sarum

1829
Accessible in the Study Room
John Constable, 1776–1837

Borrowdale: Evening after a Fine Day, 1 October 1806

1806
Accessible in the Study Room
Joseph Mallord William Turner, 1775–1851

Mer de Glace, in the Valley of Chamonix

ca. 1815 (formerly dated ca. 1803)
Accessible in the Study Room
Joseph Mallord William Turner, 1775–1851

Leeds

1816
Accessible in the Study Room
Joseph Mallord William Turner, 1775–1851

Tours, Looking Backwards

between 1826 and 1830
Accessible in the Study Room
Joseph Mallord William Turner, 1775–1851

A Ship Approaching Margate Harbour in a Stormy Sea

ca. 1840
Accessible in the Study Room
Print made by Joseph Mallord William Turner, 1775–1851

Paestum

ca. 1825
Accessible in the Study Room
Print made by Joseph Mallord William Turner, 1775–1851

Shields Lighthouse

1820 to 1826
Accessible in the Study Room
Print made by Joseph Mallord William Turner, 1775–1851

Shields Lighthouse

1820 to 1826
Accessible in the Study Room
Joseph Mallord William Turner, 1775–1851

Rome from Monte Mario

ca. 1818
Accessible in the Study Room
Joseph Mallord William Turner, 1775–1851

Newark-upon-Trent

ca. 1794
Accessible in the Study Room
Joseph Mallord William Turner, 1775–1851

On the Washburn (Study)

ca. 1809–15
Accessible in the Study Room
Joseph Mallord William Turner, 1775–1851

Vesuvius in Eruption

ca. 1818–20
Accessible in the Study Room
Joseph Mallord William Turner, 1775–1851

Venice, The Mouth of the Grand Canal

1832
Accessible in the Study Room
Joseph Mallord William Turner, 1775–1851

Dartmoor: The Source of the Tamar and the Torridge

ca. 1813
Accessible in the Study Room
Joseph Mallord William Turner, 1775–1851

On the Washburn

ca. 1809–15
Accessible in the Study Room
Joseph Mallord William Turner, 1775–1851

Folkestone Harbour and Coast to Dover

ca. 1829
Accessible in the Study Room
Joseph Mallord William Turner, 1775–1851

Upper Fall of the Reichenbach: Rainbow

1810
Accessible in the Study Room
Joseph Mallord William Turner, 1775–1851

Fluelen: Morning (Looking towards the Lake)

1845
Accessible in the Study Room
Joseph Mallord William Turner, 1775–1851

Teignmouth, Devonshire

ca. 1813
Accessible in the Study Room
Joseph Mallord William Turner, 1775–1851

A Paddle-Steamer in a Storm on Lake Lucerne

ca. 1841
Accessible in the Study Room
Etched by Joseph Mallord William Turner, 1775–1851

The Drawing of the Clyde

1809
Accessible in the Study Room
Print made by Joseph Mallord William Turner, 1775–1851

The Drawing of the Clyde

1809
Accessible in the Study Room
Print made by Joseph Mallord William Turner, 1775–1851

Junction of Severn and Wye

1811
Accessible in the Study Room
Print made by Joseph Mallord William Turner, 1775–1851

Junction of Severn and Wye

1811
Accessible in the Study Room
attributed to John Linnell, 1792–1882

Tree Study (Autumn Foliage)

ca. 1828
Accessible in the Study Room
Print made by John Sell Cotman, 1782–1842

Tan-y-Bwlch, Merionethshire, North Wales

between 1810 and 1817
Accessible in the Study Room
Print made by John Sell Cotman, 1782–1842

Cader Idris

between 1824 and 1830
Accessible in the Study Room
Print made by John Crome, 1768–1821

Back of the New Mills, Norwich

1812
Accessible in the Study Room
Print made by Thomas Gainsborough, 1727–1788

Wooded Landscape with Herdsman and Cows

between 1785 and 1788
Accessible in the Study Room
Print made by Thomas Gainsborough, 1727–1788

Wooded Landscape with Herdsman and Cows

1797
Accessible in the Study Room
Wenceslaus Hollar, 1607–1677

bey Alburye in Surrey

1645
Accessible in the Study Room
Print made by Joseph Stannard, 1797–1830

Boats at Breydon

1825
Accessible in the Study Room
Thomas Girtin, 1775–1802

View of the Pantheon, taken from the Arsenal

1803
Accessible in the Study Room
Francis Towne, 1740–1816

Entrance to the Grotto at Posilippo, Naples

1781
Accessible in the Study Room
Francis Towne, 1740–1816

Lake Windermere

1786
Accessible in the Study Room
Thomas Girtin, 1775–1802

View of the Pantheon taken from the Arsenal

1802
Accessible in the Study Room
Thomas Hearne, 1744–1817

View from Skiddaw over Derwentwater

between 1772 and 1782
Accessible in the Study Room
John Linnell, 1792–1882

Landscape in North Wales

1813
Accessible in the Study Room
John Martin, 1789–1854

Moonlit Landscape with a Ruined Castle

between 1820 and 1830
Accessible in the Study Room
John Martin, 1789–1854

A Tropical Coast, Sunset

between 1840 and 1850
Accessible in the Study Room
attributed to James Barry, 1741–1806

The Cave of the Cumean Sybil on the Shore of the Lake Avernus

between 1740 and 1759
Accessible in the Study Room
Wenceslaus Hollar, 1607–1677

View of the East Part of Southwark, Looking Towards Greenwich

ca. 1638
Accessible in the Study Room
John Glover, 1767–1849

Hilly Landscape with River and Cattle

ca. 1810
Accessible in the Study Room
John Linnell, 1792–1882

Millbank

1806
Accessible in the Study Room
Canaletto, 1697–1768

The City of Westminster from Near the York Water Gate

between 1746 and 1747
Accessible in the Study Room
Paul Sandby, 1731–1809

North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire

1767
Accessible in the Study Room
Richard Wilson, ca. 1712–1782

Temple of Minerva Medica, Rome

1754
Accessible in the Study Room
attributed to Francis Place, 1647–1728

Dunbar Castle and the Bass Rock

undated
Accessible in the Study Room
Richard Wilson, ca. 1712–1782

The Arbra Sacra on the Banks of Lake Nemi

between 1754 and 1756
Accessible in the Study Room
Richard Parkes Bonington, 1802–1828

Trees and a Cottage by a River

1827
Accessible in the Study Room
Richard Wilson, ca. 1712–1782

The Via Nomentana

1754
Accessible in the Study Room
Cornelius Varley, 1781–1873

Muckross Abbey, Killarney

1808
Accessible in the Study Room
Thomas Shotter Boys, 1803–1874

A Storm on the Coast

between 1840 and 1850
Accessible in the Study Room
Michael "Angelo" Rooker, 1746–1801

The Chapel of the Greyfriars Monastery, Winchester

between 1790 and 1795
Accessible in the Study Room
William Alexander, 1767–1816

City of Lin Tsin, Shantung, with a View of the Grand Canal

1795
Accessible in the Study Room
William Turner of Oxford, 1789–1862

Donati's Comet

between 1858 and 1859
Accessible in the Study Room
Paul Sandby Munn, 1773–1845

The Sluice Gate near Slough

1811
Accessible in the Study Room
William James Muller, 1812–1845

Pines on Hampstead Heath

1842
Accessible in the Study Room
Cornelius Varley, 1781–1873

View near Tal-y-Llyn

ca. 1805
Accessible in the Study Room
Paul Sandby, 1731–1809

Roslin Castle, Midlothian

ca. 1780
Accessible in the Study Room
Thomas Anburey, 1759–1840

Northern Entrance of Gundecotta Pass

ca. 1792
Accessible in the Study Room
Peter Tillemans, 1684–1734

From Hampstead

1730
Accessible in the Study Room
Print made by George Cooke, 1781–1834

Teignmouth, Devon

1815
Accessible in the Study Room
Print made by George Cooke, 1781–1834

Teignmouth, Devon

1814
Accessible in the Study Room
Print made by W. R. Smith, active 1819–1851

Saltash, Cornwall

ca. 1827
Accessible in the Study Room
Print made by John Horsburgh, 1791–1869

Folkestone Harbour and Coast to Dover

1831
Accessible in the Study Room
Print made by John Horsburgh, 1791–1869

Folkestone Harbour and Coast to Dover

1831
Accessible in the Study Room
John Varley, 1778–1842

Harlech Castle and Twgwyn Ferry

1804
Accessible in the Study Room
John Webber, 1752–1793

The Resolution Beating through the Ice, with the Discovery in the most... [Read more]

1792
Accessible in the Study Room
Richard Parkes Bonington, 1802–1828

Shipping in an Estuary, Probably near Quilleboeuf

1825 to 1826
Accessible in the Study Room
Canaletto, 1697–1768

Old Walton Bridge seen from the Middlesex Shore

1755
Accessible in the Study Room
Print made by Thomas Girtin, 1775–1802

Views of the Pantheon, taken from the Arsenal

1803
Accessible in the Study Room
John Webber, 1752–1793

The Resolution Beating through the Ice, with the Discovery in the most... [Read more]

1792
Accessible in the Study Room
Thomas Shotter Boys, 1803–1874

Cumberland Terrace, Regent's Park: A View Looking Toward Gloucester Gate, a... [Read more]

ca. 1840
Accessible in the Study Room
Print made by Thomas Gainsborough, 1727–1788

Wooded Landscape with Peasant Reading Tombstone, Rustic Lovers and Ruined... [Read more]

1779 to 1780
Accessible in the Study Room
Thomas Gainsborough, 1727–1788

Wooded Landscape with Two Country Carts and Figures

1779 to 1780
Accessible in the Study Room
Thomas Wyck, 1616–1677

View of the Waterhouse and Old St. Paul's, London

ca. 1663

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