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Prints and Drawings 94

Creator

Turner, J. M. W. (Joseph Mallord William), 1775–1851 17
Girtin, Thomas, 1775–1802 10
Varley, John, 1778–1842 5
Cozens, John Robert, 1752–1797 4
Sandby, Paul, 1731–1809 4
Smith, John, 1749–1831 4
Cotman, John Sell, 1782–1842 3
Cox, David, 1783–1859 3
DeWint, Peter, 1784–1849 3
Webber, John, 1752–1793 3
Daniell, William, 1769–1837 2
Dayes, Edward, 1763–1804 2
Fielding, Anthony Vandyke Copley, 1787–1855 2
Hearne, Thomas, 1744–1817 2
Nicholson, Francis, 1753–1844 2
Palmer, Samuel, 1805–1881 2
Prout, Samuel, 1783–1852 2
Rowlandson, Thomas, 1756–1827 2
Towne, Francis, 1740–1816 2
Unknown artist 2
Callcott, Augustus Wall, Sir, 1779–1844 1
Constable, John, 1776–1837 1
Cristall, Joshua, 1768–1847 1
Farington, Joseph, 1747–1821 1
Francia, François Louis Thomas, 1772–1839 1
Gendall, John, 1790–1865 1
Gore, Charles, 1729–1807 1
Jones, Thomas, 1742–1803 1
Malchair, John, 1730–1812 1
Monro, Thomas Dr., 1759–1833 1

Date

From

To

On-site Access

Accessible in the Study Room 94

Image Use

Free to Use 94

Image Available

available 94

Provenance

New Online Additions

Classification

Drawings & Watercolors 91
Drawing & Watercolors-Architectural 2
Prints 1

Collective Title

Rudiments of Landscape in Progressive Studies, in the Imitation of Chalk, Indian Ink, and Colours 1

Period

19th century 52
18th century 33
18th century-19th century 9

Materials & Techniques

watercolor 81
graphite 76
wove paper 62
laid paper 30
brown ink 17
scratching out 17
black ink 14
gouache 14
pen 13
scraping out 9
gray wash 6
gum 6
scraping 6
gray ink 5
white gouache 4
cartridge paper 3
gum arabic 2
black chalk 1
black wash 1
blue wash 1
board 1
card 1
charcoal 1
panel 1
pastel 1
stopping out 1

Height [cm]

From

To

Width [cm]

From

To

Work Type

drawing 92
watercolor 86
intaglio print 1

Genre

landscape 60
architectural subject 33
genre subject 20
cityscape 14
marine art 12
historical subject 1

Subject Terms

landscape 59
trees 36
architectural subject 32
river 21
genre subject 19
men 19
mountains 14
rocks (landforms) 14
clouds 13
ruins 13
figures 12
castle 11
cityscape 11
hills 11
Grand Tour 10
boats 10
marine art 10
cattle 9
buildings 8
horses (animals) 8
laborers 7
people 7
sheep 7
arches 6
bridge (built work) 6
cliffs 6
houses 6
road 6
sailboats 6
science 6

Subject Period

Associated Places

United Kingdom 54
England 44
Europe 44
Cymru 7
Italy 6
Kent 6
North Yorkshire 6
Wales 6
Rome 5
Colosseum 4
Devon 4
London 4
Scotland 4
Cumbria 3
Dorset 3
Northumberland 3
Thames 3
Yorkshire 3
Alps 2
Caernarfonshire and Merionethshire 2
Conway 2
France 2
Greater London 2
Lazio 2
Mer de Glace (glacier) 2
Monmouthshire 2
Mont Blanc 2
Norfolk 2
Ouse 2
Roma 2

Associated People

Charles I (1600–1649), king of England, Scotland, and Ireland 1
Charlotte (1744–1818), queen of the United Kingdom of Great Britain and Ireland, and queen of Hanover, consort of George III 1

Exhibition History

Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27) 94

English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17) 22
J.M.W. Turner: Romance & Reality (Yale Center for British Art, 2025-03-29 - 2025-07-27) 14
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29) 11
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30) 11
Works of Splendor and Imagination - The Exhibition Watercolor 1770-1870 (Yale Center for British Art, 1981-09-16 - 1981-11-22) 11
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25) 10
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05) 10
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (The State Hermitage Museum, 2007-10-23 - 2008-01-13) 9
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Virginia Museum of Fine Arts, 2007-07-11 - 2007-09-30) 9
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Yale Center for British Art, 2008-06-09 - 2008-08-17) 9
An American's Passion for British Art - Paul Mellon's Legacy (Royal Academy of Arts, 2007-10-20 - 2008-01-27) 8
An American's Passion for British Art - Paul Mellon's Legacy (Yale Center for British Art, 2007-04-18 - 2007-07-29) 8
Thomas Girtin and the Art of Watercolour (Tate Britain, 2002-07-04 - 2002-09-29) 8
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05) 6
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26) 5
The Art of Alexander and John Robert Cozens (Yale Center for British Art, 1980-09-17 - 1980-11-16) 4
The Great Age of British Watercolors c.1750 - 1880 (National Gallery of Art, 1993-05-02 - 1993-07-25) 4
The Great Age of British Watercolors c.1750 - 1880 (Royal Academy of Arts, 1993-01-15 - 1993-07-25) 4
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04) 4
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20) 4
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19) 4
Classic Ground - British Artists and the Landscape of Italy, 1740-1830 (Yale Center for British Art, 1981-07-29 - 1981-09-20) 3
Edward Lear and the Art of Travel (Yale Center for British Art, 2000-09-20 - 2001-01-14) 3
English Drawings and Watercolors from the collection of Mr. and Mrs. Paul Mellon (Yale University Art Gallery, 1965-04-15 - 1965-06-20) 3
John Webber, R. A. (1752-1793) (Kunstmuseum Bern, 1996-03-26 - 1996-05-27) 3
John Webber, R. A. (1752-1793) (Whitworth Art Gallery, 1996-07-04 - 1996-09-15) 3
Masters of the Sea - British Marine Watercolors (National Maritime Museum, 2005-08-25 - 2005-10-25) 3
Masters of the Sea - British Marine Watercolors (Yale Center for British Art, 1987-06-10 - 1987-08-02) 3
Oil on Water - Oil Sketches by British Watercolorists (Yale Center for British Art, 1986-08-26 - 1986-11-09) 3

Credit Line

Yale Center for British Art, Paul Mellon Collection 94

Language

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: male
Collection: Prints and Drawings
Image Available: available
Image Use: Free to Use
Exhibition History: Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
Per page: 100
Keywords: title_s asc, score desc
Keywords: masonry

All (94)
Objects (94)
Artists (0)

Shows 1 - 94 from 94 results

Grid

Accessible in the Study Room
John Constable, 1776–1837

Old Sarum at Noon

1829
Accessible in the Study Room
Samuel Palmer, 1805–1881

The Valley of Vision

undated
Accessible in the Study Room
Samuel Palmer, 1805–1881

Ancient Trees, Lullingstone Park

1828
Accessible in the Study Room
Joseph Mallord William Turner, 1775–1851

Lulworth Castle, Dorset

ca. 1820
Accessible in the Study Room
Joseph Mallord William Turner, 1775–1851

Margate

ca. 1822
Accessible in the Study Room
Joseph Mallord William Turner, 1775–1851

St. Augustine's Gate, Canterbury

ca. 1793
Accessible in the Study Room
Joseph Mallord William Turner, 1775–1851

Mer de Glace, in the Valley of Chamonix

ca. 1815 (formerly dated ca. 1803)
Accessible in the Study Room
Joseph Mallord William Turner, 1775–1851

On the Washburn

ca. 1809–15
Accessible in the Study Room
Joseph Mallord William Turner, 1775–1851

Dartmoor: The Source of the Tamar and the Torridge

ca. 1813
Accessible in the Study Room
Joseph Mallord William Turner, 1775–1851

Folkestone Harbour and Coast to Dover

ca. 1829
Accessible in the Study Room
Joseph Mallord William Turner, 1775–1851

Teignmouth, Devonshire

ca. 1813
Accessible in the Study Room
Joseph Mallord William Turner, 1775–1851

Weymouth

ca. 1811
Accessible in the Study Room
Joseph Mallord William Turner, 1775–1851

High Street, Edinburgh

ca. 1818
Accessible in the Study Room
Joseph Mallord William Turner, 1775–1851

Lake Geneva and Mont Blanc

1802 to 1806
Accessible in the Study Room
Joseph Mallord William Turner, 1775–1851

Ingleborough from Chapel-Le-Dale

between 1810 and 1815
Accessible in the Study Room
Joseph Mallord William Turner, 1775–1851

Newark-upon-Trent

ca. 1794
Accessible in the Study Room
Joseph Mallord William Turner, 1775–1851

On the Washburn (Study)

ca. 1809–15
Accessible in the Study Room
Joseph Mallord William Turner, 1775–1851

Barnard Castle, Durham

ca. 1825
Accessible in the Study Room
Joseph Mallord William Turner, 1775–1851

Upper Fall of the Reichenbach: Rainbow

1810
Accessible in the Study Room
Joseph Mallord William Turner, 1775–1851

Leeds

1816
Accessible in the Study Room
Thomas Girtin, 1775–1802

Lyme Regis, Dorset

ca. 1797
Accessible in the Study Room
Thomas Girtin, 1775–1802

Valley of the Conway

ca. 1800
Accessible in the Study Room
Thomas Girtin, 1775–1802

Estuary on the River Taw, Devon

ca. 1797
Accessible in the Study Room
Thomas Rowlandson, 1756–1827

Entrance to Festiniog, Wales

1797
Accessible in the Study Room
Peter DeWint, 1784–1849

Harvesters in Landscape in Sussex

ca. 1820
Accessible in the Study Room
Thomas Rowlandson, 1756–1827

A Water-Wheel Driving a Transporter

undated
Accessible in the Study Room
Thomas Girtin, 1775–1802

Warkworth Castle, Northumberland

ca. 1796
Accessible in the Study Room
Thomas Girtin, 1775–1802

Saint Cuthbert's Holy Island

1797
Accessible in the Study Room
Thomas Girtin, 1775–1802

The Abbey Mill, Knaresborough

1801
Accessible in the Study Room
Thomas Girtin, 1775–1802

Warkworth Castle, Northumberland

ca. 1798
Accessible in the Study Room
Thomas Girtin, 1775–1802

Ouse Bridge, York

1800
Accessible in the Study Room
Thomas Girtin, 1775–1802

Sandsend, Yorkshire

1802
Accessible in the Study Room
John Robert Cozens, 1752–1797

The Thames from Richmond Hill Looking Southwest

ca. 1791
Accessible in the Study Room
John Robert Cozens, 1752–1797

London from Greenwich Hill

ca. 1791
Accessible in the Study Room
William Daniell, 1769–1837

View of London Bridge and St. Paul's Cathedral

ca. 1804
Accessible in the Study Room
William Daniell, 1769–1837

Loch Scavaig, Isle of Skye

ca. 1819
Accessible in the Study Room
John Warwick Smith, 1749–1831

The Val d'Aosta, Piedmont

1784
Accessible in the Study Room
Edward Dayes, 1763–1804

Buildwas Abbey, Shropshire

ca. 1790
Accessible in the Study Room
John White Abbott, 1763–1851

Slate Quarry at Widecombe, Devon

1792
Accessible in the Study Room
Anthony Vandyke Copley Fielding, 1787–1855

Coast Scene with a Beached Boat

between 1819 and 1822
Accessible in the Study Room
Anthony Vandyke Copley Fielding, 1787–1855

Landscape with Limekiln

1809
Accessible in the Study Room
Joseph Farington, 1747–1821

View of Skiddaw and Derwentwater

ca. 1780
Accessible in the Study Room
John Sell Cotman, 1782–1842

Yarmouth Sands, Norfolk

1820 to 1830
Accessible in the Study Room
John Robert Cozens, 1752–1797

Monte della Madonna, near Argua

1783
Accessible in the Study Room
John Robert Cozens, 1752–1797

The Pays de Valais

between 1780 and 1785
Accessible in the Study Room
Joshua Cristall, 1768–1847

Mountainous Landscape with Clouds

ca. 1803
Accessible in the Study Room
Peter DeWint, 1784–1849

Harvest Time

undated
Accessible in the Study Room
Peter DeWint, 1784–1849

Harvest Time: Cumberland

undated
Accessible in the Study Room
Thomas Girtin, 1775–1802

Trees and Pond near Bromley, Kent

ca. 1798
Accessible in the Study Room
François Louis Thomas Francia, 1772–1839

Mousehold Heath, Norwich

1808
Accessible in the Study Room
Paul Sandby, 1731–1809

Ipswich from the Grounds of Christchurch Mansion

undated
Accessible in the Study Room
Samuel Prout, 1783–1852

The Monnow Bridge, Monmouthshire

before 1814
Accessible in the Study Room
Samuel Prout, 1783–1852

Coast Scene near Plymouth

undated
Accessible in the Study Room
John Webber, 1752–1793

Pont-y-Pair on the River Llugwy near Betws-y-Coed, Denbigh

1791
Accessible in the Study Room
John Varley, 1778–1842

Boat Building

1806
Accessible in the Study Room
Paul Sandby Munn, 1773–1845

View of Side Farm, Patterdale

ca. 1802
Accessible in the Study Room
William Pars, 1742–1782

Temple of Venus and Rome from the Colosseum

1781
Accessible in the Study Room
John Webber, 1752–1793

Goodrich Castle on the Wye, Hertfordshire

1788
Accessible in the Study Room
Thomas Webster, 1800–1886

Watergate Street, Chester

1807
Accessible in the Study Room
Charles John Smith, 1803–1838

Herstmonceux Castle for the history and description of the Sussex Coast

undated
Accessible in the Study Room
Paul Sandby, 1731–1809

Conway Castle

1789
Accessible in the Study Room
Sir Augustus Wall Callcott, 1779–1844

Dead Calm: Boats off Cowes Castle

undated
Accessible in the Study Room
Michael "Angelo" Rooker, 1746–1801

Kenilworth Castle, with Figures on the Hillside

undated
Accessible in the Study Room
George Fennell Robson, 1788–1833

Loch Coruisk, Isle of Skye, Dawn

between 1826 and 1832
Accessible in the Study Room
Paul Sandby, 1731–1809

Bothwell Castle, from the South

ca. 1777
Accessible in the Study Room
John Sell Cotman, 1782–1842

Aberystwyth Castle

1796 to 1806
Accessible in the Study Room
John Varley, 1778–1842

Harlech Castle and Twgwyn Ferry

1804
Accessible in the Study Room
John Varley, 1778–1842

Under the Ouse Bridge, Bathing

between 1803 and 1804
Accessible in the Study Room
John Varley, 1778–1842

View of Chepstow Castle, Monmouthshire, from Under the Bridge

1802
Accessible in the Study Room
John Webber, 1752–1793

Thurshouse Tor from the river Manifold, Derbyshire

undated
Accessible in the Study Room
Francis Nicholson, 1753–1844

Scarborough: Shipwreck at the Foot of the Castle Cliff

ca. 1808
Accessible in the Study Room
Dr. Thomas Monro, 1759–1833

Composition: Marshland Landscape

undated
Accessible in the Study Room
John Malchair, 1730–1812

Broad Street, Oxford

ca. 1790
Accessible in the Study Room
Francis Nicholson, 1753–1844

View of Edinburgh from Calton Hill

1811
Accessible in the Study Room
William Pearson, 1772–1849

From Boxley Hill near Maidstone

1801
Accessible in the Study Room
John Inigo Richards, 1730/31?–1810

York Watergate and Westminster Bridge

1796
Accessible in the Study Room
Paul Sandby, 1731–1809

A Distant View of Maidstone, from Lower Bell Inn, Boxley Hill

1802
Accessible in the Study Room
unknown artist

King Charles's Statue, Whitehall

ca. 1815
Accessible in the Study Room
Thomas Jones, 1742–1803

The Claudian Aqueduct and Colosseum

1778
Accessible in the Study Room
John Gendall, 1790–1865

View of Westminster Hall and Abbey from the Bridge

1818
Accessible in the Study Room
Charles Gore, 1729–1807

Chamonix, Mer de Glace

between 1778 and 1779
Accessible in the Study Room
Thomas Hearne, 1744–1817

Gundulf's Tower, Rochester Cathedral, Kent

undated
Accessible in the Study Room
Thomas Hearne, 1744–1817

Unloading Pit Props at Coalbrookdale

after 1790
Accessible in the Study Room
John Thirtle, 1777–1839

Castle Acre Priory

undated
Accessible in the Study Room
Francis Towne, 1740–1816

View of Lake Coniston, Lancashire

1786
Accessible in the Study Room
Francis Towne, 1740–1816

The Claudian Aquaduct, Rome

1785
Accessible in the Study Room
Edward Dayes, 1763–1804

Queen Square, London

1786
Accessible in the Study Room
John Varley, 1778–1842

Llanberis Lake, with Castle Dolbadern

ca. 1805
Accessible in the Study Room
John Warwick Smith, 1749–1831

Bay Scene in Moonlight

1787
Accessible in the Study Room
John Warwick Smith, 1749–1831

The Colosseum, Rome

1802
Accessible in the Study Room
John Warwick Smith, 1749–1831

An Interior View of the Colosseum, Rome

undated
Accessible in the Study Room
David Cox, 1783–1859

Millbank

ca. 1810
Accessible in the Study Room
David Cox, 1783–1859

Haymaking

ca. 1808
Accessible in the Study Room
John Sell Cotman, 1782–1842

East End of Howden Church, Yorkshire

ca. 1803

1080 Chapel Street
New Haven, Connecticut

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