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Shows 1 - 99 from 99 results
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On view
William Blake, 1757–1827
Moses Receiving the Law
ca. 1780
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On view
William Blake, 1757–1827
Satan Approaching the Court of Chaos
1784 to 1785
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On view
William Blake, 1757–1827
Tiriel Supporting the Dying Myratana and Cursing His Sons
1786 to 1789
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On view
William Blake, 1757–1827
The Gambols of Ghosts According with Their Affections Previous to the Final Judgment
1805 to 1808
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On view
William Blake, 1757–1827
Socrates, a Visionary Head
ca. 1820
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On view
William Blake, 1757–1827
Albion Compelling the Four Zoas to Their Proper Tasks
1804 to 1810
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On view
William Blake, 1757–1827
Mary Magdalen at the Sepulchre
ca. 1805
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On view
William Blake, 1757–1827
An Angel with a Trumpet
between 1805 and 1808
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On view
William Blake, 1757–1827
The Laocoön, for Rees's Cyclopædia
1815
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On view
William Blake, 1757–1827
Study for a Destroying Deity
1820 to 1825
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On view
William Blake, 1757–1827
The Parable of the Wise and Foolish Virgins
ca. 1825
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On view
Prints made by William Blake, 1757–1827
For Children. The Gates of Paradise, London, by William Blake
1793
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On view
Prints made by William Blake, 1757–1827
Visions of the Daughters of Albion: The Eye Sees More than the Heart Knows
1793
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On view
Print made by William Blake, 1757–1827
Illustrations of The Book of Job
1826
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On view
Prints made by William Blake, 1757–1827
Songs of Innocence and of Experience: Shewing the Two Contrary States of... [Read more]
1789-1794
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On view
Print made by William Blake, 1757–1827
There is No Natural Religion
ca. 1788
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On view
Print made by William Blake, 1757–1827
Illustrations of The Book of Job
1826
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On view
Prints made by William Blake, 1757–1827
The First Book of Urizen
1794
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On view
Prints made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, London, 1826
1826
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On view
Print made by William Blake, 1757–1827
Europe. A Prophecy
1793, printed 1795
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On view
William Blake, 1757–1827
Sheet from the Blake-Varley Sketchbook of 1819, Pages 27 and 28
1819
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On view
Print made by William Blake, 1757–1827
Chaucer's Canterbury Pilgrims
1810 to 1820
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On view
Print made by William Blake, 1757–1827
The Little Boy Lost (Plate 20)
1789
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On view
Print made by William Blake, 1757–1827
"The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
1793
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On view
Print made by William Blake, 1757–1827
A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..."... [Read more]
1793
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On view
Print made by William Blake, 1757–1827
"Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
1793
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On view
Print made by William Blake, 1757–1827
"The morning comes, the night decays, the watchmen leave their stations..." (Plate... [Read more]
1793
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On view
Print made by William Blake, 1757–1827
"In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
1793
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On view
Print made by William Blake, 1757–1827
The Whirlwind of Lovers (Plate 1)
1827
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On view
Print made by William Blake, 1757–1827
"Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate... [Read more]
1793
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On view
William Blake, 1757–1827
"Malignant Fate sat by, and smil'd, The slipp'ry verge her feet beguil'd..."... [Read more]
between 1797 and 1798
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On view
William Blake, 1757–1827
"With screaming Horror's funeral cry, Despair, and fell Disease, and ghastly... [Read more]
between 1797 and 1798
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On view
William Blake, 1757–1827
"Cytherea's Day..." (Design 45)
between 1797 and 1798
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On view
William Blake, 1757–1827
The Fatal Sisters, An Ode; Title Page
between 1797 and 1798
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On view
Print made by William Blake, 1757–1827
"Then each an Arrow flaming from his Quiver..." (Plate 98)
1804 to 1820
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On view
Print made by William Blake, 1757–1827
"All Human Forms identified... The End of The Song of Jerusalem" Colophon... [Read more]
1804 to 1820
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On view
William Blake, 1757–1827
"To chase the rolling circle's speed..." (Design 17)
between 1797 and 1798
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On view
Print made by William Blake, 1757–1827
The Angel (Plate 40)
1794
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On view
Print made by William Blake, 1757–1827
Jerusalem, Frontispiece (Plate 1)
1804 to 1820
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On view
Print made by William Blake, 1757–1827
"One hair nor particle of dust..." (Plate 14)
1804 to 1820
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On view
Print made by William Blake, 1757–1827
The First Book of Urizen, Title Page (Plate 1)
1794
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On view
Print made by William Blake, 1757–1827
Urizen Swims through Dark Waters (Plate 5)
1794
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On view
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
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On view
Print made by William Blake, 1757–1827
Songs of Innocence, Title Page (Plate 2)
1789
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On view
Print made by William Blake, 1757–1827
Introduction (Plate 3)
1789
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On view
Print made by William Blake, 1757–1827
The Ecchoing Green (Plate 8)
1789
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On view
Print made by William Blake, 1757–1827
The Chimney Sweeper (Plate 10)
1789
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On view
Print made by William Blake, 1757–1827
Laughing Song (Plate 14)
1789
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On view
Print made by William Blake, 1757–1827
The Lamb (Plate 18)
1789
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On view
Print made by William Blake, 1757–1827
Infant Joy (Plate 28)
1789
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On view
Print made by William Blake, 1757–1827
A Cradle Song (Plate 26)
1789
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On view
Print made by William Blake, 1757–1827
Songs of Experience, Title Page (Plate 33)
1794
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On view
Print made by William Blake, 1757–1827
Holy Thursday (Plate 38)
1794
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On view
Print made by William Blake, 1757–1827
London (Plate 39)
1794
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On view
Print made by William Blake, 1757–1827
A Poison Tree (Plate 41)
1794
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On view
Print made by William Blake, 1757–1827
The Chimney Sweeper (Plate 45)
1794
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On view
Print made by William Blake, 1757–1827
The Human Abstract (Plate 46)
1794
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On view
Print made by William Blake, 1757–1827
The Fly (Plate 48)
1794
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On view
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
1804 to 1820
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On view
Print made by William Blake, 1757–1827
"To the Public. After my three years slumber..." (Plate 3)
1804 to 1820
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On view
Print made by William Blake, 1757–1827
"Bath, mild Physician of Eternity..." (Plate 46)
1804 to 1820
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On view
Print made by William Blake, 1757–1827
Chapter 3 Frontispiece (Plate 51)
1804 to 1820
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On view
Print made by William Blake, 1757–1827
"Repose on me till the morning of the Grave..." (Plate 62)
1804 to 1820
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On view
Print made by William Blake, 1757–1827
"And this the form of mighty Hand..." (Plate 70)
1804 to 1820
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On view
Print made by William Blake, 1757–1827
Chapter 4 Frontispiece (Plate 76)
1804 to 1820
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On view
Print made by William Blake, 1757–1827
Preludium to the First Book of Urizen, "Of the primeval Priests assum'd... [Read more]
1794
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On view
Print made by William Blake, 1757–1827
Praying Child and Howling Dog (Plate 24)
1794
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On view
Print made by William Blake, 1757–1827
The Little Boy Lost (Plate 16)
1789
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On view
Print made by William Blake, 1757–1827
The Little Girl Lost (Plate 20)
1789
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On view
Print made by William Blake, 1757–1827
The Divine Image (Plate 24)
1789
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On view
Print made by William Blake, 1757–1827
Nurses Song (Plate 37)
1794
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On view
Print made by William Blake, 1757–1827
Songs of Experience, Frontispiece (Plate 32)
1794
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On view
Print made by William Blake, 1757–1827
Introduction (Plate 34)
1794
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On view
Print made by William Blake, 1757–1827
The Tyger (Plate 42)
1794
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On view
Print made by William Blake, 1757–1827
A Little Girl Lost (Plate 44)
1794
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On view
Print made by William Blake, 1757–1827
"In living creations appear'd..." (Plate 6)
1794
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On view
Print made by William Blake, 1757–1827
Preludium to the First Book of Urizen, "Of the primeval Priests assum'd... [Read more]
1794
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On view
Print made by William Blake, 1757–1827
America, A Prophecy; Title Page (Plate 2)
1793
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On view
William Blake, 1757–1827
"At the chapel-door stand sentry... (Design 31)
between 1797 and 1798
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On view
William Blake, 1757–1827
Ode on the Death of a Favourite Cat, Drowned in a Tub of Gold Fishes; Title... [Read more]
between 1797 and 1798
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On view
William Blake, 1757–1827
The Descent of Odin, An Ode; Title Page
between 1797 and 1798
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On view
William Blake, 1757–1827
"The Pensive Selima, Her ears of jet, and emerald eyes, She saw; and purr'd... [Read more]
between 1797 and 1798
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On view
Print made by William Blake, 1757–1827
Jerusalem, Plate 28 Proof Impression
ca. 1820
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On view
Print made by William Blake, 1757–1827
Europe. A Prophecy; Frontispiece
ca. 1820
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On view
Print made by William Blake, 1757–1827
Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
1804 to 1820
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On view
Print made by William Blake, 1757–1827
"And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
1804 to 1820
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On view
Print made by William Blake, 1757–1827
"Then the Divine hand found the Two Limits..." (Plate 35)
1804 to 1820
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On view
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
1804 to 1820
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On view
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)
1804 to 1820
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On view
Print made by William Blake, 1757–1827
"And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
1804 to 1820
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On view
Print made by William Blake, 1757–1827
"Rose up against me thundering..." (Plate 8)
1804 to 1820
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On view
Print made by William Blake, 1757–1827
The Ecchoing Green (Plate 10)
1789
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On view
Print made by William Blake, 1757–1827
The Divine Image (Plate 12)
1789
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On view
Print made by Luigi Schiavonetti, 1765–1810
The Reunion of the Soul & the Body
1808
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On view
Print made by Luigi Schiavonetti, 1765–1810
The Day of Judgment
1808
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On view
Print made by Luigi Schiavonetti, 1765–1810
Robert Blair, The Grave, Title Page
1808
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On view
Print made by Luigi Schiavonetti, 1765–1810
Death's Door
1808
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On view
Print made by Luigi Schiavonetti, 1765–1810
William Blake, Frontispiece
1808
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On view
Print made by Luigi Schiavonetti, 1765–1810
The Soul Exploring the Recesses of the Grave
1808
