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Francis Danby, 1793–1861

Oberon and Titania

1837

Print made by Samuel Palmer, 1805–1881

The Bellman

1879

Print made by Samuel Palmer, 1805–1881

The Bellman

1879

Print made by Samuel Palmer, 1805–1881

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881

The Homeward Star

begun ca. 1880

Print made by Samuel Palmer, 1805–1881

Moeris and Galatea

plate etched between 1880 and 1883; impression printed in 1924

Print made by Samuel Palmer, 1805–1881

The Lonely Tower

1879

Print made by Samuel Palmer, 1805–1881

The Vine

1852

Print made by Samuel Palmer, 1805–1881

The Lonely Tower

1879

Print made by Samuel Palmer, 1805–1881

The Sepulchre

between 1880 and 1883

Print made by Samuel Palmer, 1805–1881

Moeris and Galatea

1880-1883

Print made by Samuel Palmer, 1805–1881

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881

The Sleeping Shepherd

1857

Print made by Samuel Palmer, 1805–1881

Opening the Fold

1880

George Stubbs, 1724–1806

The Farmer's Wife and the Raven

1788

Print made by William Hogarth, 1697–1764

Mr. Garrick in the Character of Richard III

1746

Print made by William Hogarth, 1697–1764

Hudibras Sallying Forth (no. 2)

1726

Print made by William Hogarth, 1697–1764

Hudibras Vanquish'd by Trulla (no. 5)

1726

Print made by William Hogarth, 1697–1764

Hudibras Encounters the Skimmington (no. 7)

1726

Print made by William Hogarth, 1697–1764

Hudibras Triumphant (no. 4)

1726

Print made by William Hogarth, 1697–1764

Hudibras's First Adventure (no. 3)

1726

Print made by William Hogarth, 1697–1764

Hudibras in Tribulation (no. 6)

1726

Print made by William Hogarth, 1697–1764

Hudibras Catechiz'd (no. 9)

1726

Print made by William Hogarth, 1697–1764

Hudibras and the Lawyer (no. 12)

1726

Print made by William Hogarth, 1697–1764

Burning ye Rumps at Temple-Barr (no. 11)

1726

Print made by William Hogarth, 1697–1764

Hudibras Encounters the Skimmington (no. 7)

undated

Print made by William Hogarth, 1697–1764

Hudibras Vanquished by Trulla

undated

Print made by William Hogarth, 1697–1764

Mr. Garrick in the Character of Richard III

1746

Print made by Joseph Mallord William Turner, 1775–1851

Aesacus and Hesperie

1819

Etched by Joseph Mallord William Turner, 1775–1851

Apuleia in Search of Apuleius

between 1813 and 1823

Etched by Joseph Mallord William Turner, 1775–1851

The Fifth Plague of Egypt

1808

Print made by Joseph Mallord William Turner, 1775–1851

Aesacus and Hesperie

1819

Etched by Joseph Mallord William Turner, 1775–1851

From Spenser's Fairy Queen

1811

Etched by Joseph Mallord William Turner, 1775–1851

Procris and Cephalus

1812

after Joseph Mallord William Turner, 1775–1851

Aeneas Relating His Adventures to Dido

Print made by Joseph Mallord William Turner, 1775–1851

The Deluge

between 1813 and 1823

Etched by Joseph Mallord William Turner, 1775–1851

Apuleia in Search of Apuleius

between 1813 and 1823

Etched by Joseph Mallord William Turner, 1775–1851

From Spenser's Fairy Queen

1811

Joseph Mallord William Turner, 1775–1851

Design for an Illustration for Walter Scott's "Lady of the Lake", Loch... [Read more]

ca. 1832

Print made by William Blake, 1757–1827

'The thunder, if in that the Almighty dwells' (Page 80)

1797

Print made by William Blake, 1757–1827

'His hand the good man fastens on the skies' (Page 86)

1797

Print made by William Blake, 1757–1827

'But for the blessing wrestle not with heaven' (Page 88)

1797

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

1797

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

1797

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

1797

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

1797

Print made by William Blake, 1757–1827

'Death! great proprietor of all! 'tis thine' (Page 8)

1797

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

1797

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

1797

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

1797

William Blake, 1757–1827

Elegy Written in a Country Church-Yard; Title Page

between 1797 and 1798

William Blake, 1757–1827

The plowman homeward plods his weary way, And leaves the world to darkness, and to... [Read more]

between 1797 and 1798

William Blake, 1757–1827

Ode on a Distant Prospect of Eton College; Title Page

between 1797 and 1798

William Blake, 1757–1827

"Her Henry's holy shade..." (Design 15)

between 1797 and 1798

William Blake, 1757–1827

"Where ignorance is bliss, 'Tis folly to be wise." (Design 21)

between 1797 and 1798

William Blake, 1757–1827

"My Lade rose, and with a grace– She smil'd, and bid him come to dinner..."... [Read more]

between 1797 and 1798

William Blake, 1757–1827

Ode to Adversity; Title Page

between 1797 and 1798

William Blake, 1757–1827

"Where shaggy forms o'er ice-built mountains roam..." (Design 47)

between 1797 and 1798

William Blake, 1757–1827

"To him the mighty mother did unveil Her awful face..." (Design 49)

between 1797 and 1798

William Blake, 1757–1827

"Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)

between 1797 and 1798

William Blake, 1757–1827

"Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..."... [Read more]

between 1797 and 1798

William Blake, 1757–1827

The Bard Weaving Edwards Fate (Design 55)

between 1797 and 1798

William Blake, 1757–1827

"Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful... [Read more]

between 1797 and 1798

William Blake, 1757–1827

"O'er thy country hangs The scourge of Heav'n..." (Design 59)

between 1797 and 1798

William Blake, 1757–1827

"Fell thirst and famine scowl A baleful smile upon their baffled... [Read more]

between 1797 and 1798

William Blake, 1757–1827

The Fatal Sisters, An Ode; Title Page

between 1797 and 1798

William Blake, 1757–1827

"Iron sleet of arrowy shower Hurtles in the darkened air..." (Design 71)

between 1797 and 1798

William Blake, 1757–1827

"Hurry, hurry, to the field!" Design 75)

between 1797 and 1798

William Blake, 1757–1827

"Him the dog of darkness spied..." (Design 79)

between 1797 and 1798

William Blake, 1757–1827

The Prophetess Rising from Her Grave (Design 81)

between 1797 and 1798

William Blake, 1757–1827

"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..."... [Read more]

between 1797 and 1798

William Blake, 1757–1827

The Triumphs of Owen, A Fragment; Title Page

between 1797 and 1798

William Blake, 1757–1827

The Bard Singing Owen's Praise (Design 89)

between 1797 and 1798

William Blake, 1757–1827

"The Pensive Selima, Her ears of jet, and emerald eyes, She saw; and purr'd... [Read more]

between 1797 and 1798

William Blake, 1757–1827

"Fear to stop, and shame to fly..." (Design 91)

between 1797 and 1798

William Blake, 1757–1827

Ode for Music, Performed in the Senate-House; Title Page

between 1797 and 1798

William Blake, 1757–1827

A Genius Driving Away "Comus & his midnight-crew..." (Design 95)

between 1797 and 1798

William Blake, 1757–1827

"Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus... [Read more]

between 1797 and 1798

William Blake, 1757–1827

"Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)

between 1797 and 1798

Print made by William Blake, 1757–1827

Songs of Innocence, Frontispiece (Plate 1)

1789

Print made by William Blake, 1757–1827

Infant Joy (Plate 14)

1789

Print made by William Blake, 1757–1827

Night (Plate 16)

1789

Print made by William Blake, 1757–1827

On Anothers Sorrow (Plate 24)

1789

Print made by William Blake, 1757–1827

A Dream (Plate 4)

1789

Print made by William Blake, 1757–1827

Water (Plate 4)

1826

Print made by William Blake, 1757–1827

Earth (Plate 5)

1826

Print made by William Blake, 1757–1827

Fire (Plate 7)

1826

Print made by William Blake, 1757–1827

Beggar's Opera, Act III

1790

Print made by William Blake, 1757–1827

The Whirlwind of Lovers (Plate 1)

1827

Print made by William Blake, 1757–1827

The Serpent Attacking Buoso Donati (Plate 5)

1827

Print made by William Blake, 1757–1827

I. "Mans perceptions are not bounded by organs of perception..." (Plate... [Read more]

ca. 1788

Print made by William Blake, 1757–1827

II. "Reason or the ratio of all we have already known..." (Plate 11)

ca. 1788

Print made by William Blake, 1757–1827

The Argument. "Man has no notion of moral fitness..." (Plate 2"

ca. 1788

Print made by William Blake, 1757–1827

I. "Man cannot naturally Percieve..."(Plate 3)

ca. 1788

Print made by William Blake, 1757–1827

IV. "None could have other than natural or organic thoughts..." (Plate 6)

ca. 1788

Print made by William Blake, 1757–1827

V. "Mans desires are limited by his perceptions..." (Plate 7)

ca. 1788

Print made by William Blake, 1757–1827

VI. "The desires & perceptions of man untaught..." (Plate 8)

ca. 1788

Print made by William Blake, 1757–1827

I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)

1789

Print made by William Blake, 1757–1827

IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)

1789

Print made by William Blake, 1757–1827

"Now comes the night of Enitharmons joy!..." (Plate 7)

1794