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Print made by Samuel Palmer, 1805–1881

The Weary Ploughman

1858

Print made by Robert Polhill Bevan, 1865–1925

The Meet

1898-1899

Print made by William Say, 1768–1834

Cupid and Psyche

1816

Samuel Palmer, 1805–1881

Timber Wagon Crossing a Stream

undated

Print made by Samuel Palmer, 1805–1881

The Willow

1850

Print made by Samuel Palmer, 1805–1881

The Early Ploughman

begun before 1861

Print made by Samuel Palmer, 1805–1881

Opening the Fold

1880

Print made by Samuel Palmer, 1805–1881

The Rising Moon

1857

Samuel Palmer, 1805–1881

The Bright Cloud

undated

Samuel Palmer, 1805–1881

Sunset

ca. 1861

Print made by Samuel Palmer, 1805–1881

The Weary Ploughman

1858

Print made by Samuel Palmer, 1805–1881

The Rising Moon

1857

Print made by Samuel Palmer, 1805–1881

The Rising Moon

1857

Print made by Samuel Palmer, 1805–1881

The Rising Moon

1857

Print made by Samuel Palmer, 1805–1881

Opening the Fold

1880

Print made by Samuel Palmer, 1805–1881

The Rising Moon

1857

Print made by Samuel Palmer, 1805–1881

The Rising Moon

1857

Print made by Samuel Palmer, 1805–1881

The Weary Ploughman

1858

John Constable, 1776–1837

Stoke Poges Church

1834

attributed to John Constable, 1776–1837

Study for Cottage in Cornfield, East Bergholt

ca. 1833

William Hogarth, 1697–1764

Study for the Foundlings

ca. 1739

Joseph Mallord William Turner, 1775–1851

A Sea Piece - A Rough Sea with a Fishing Boat

1820 to 1830

Etched by Joseph Mallord William Turner, 1775–1851

Ships in a Breeze

1808

Etched by Joseph Mallord William Turner, 1775–1851

Flint Castle, Vessels Unloading

1807

Etched by Joseph Mallord William Turner, 1775–1851

The Fifth Plague of Egypt

1808

Etched by Joseph Mallord William Turner, 1775–1851

Original Sketch of a Picture for W. Leader, Esq

1809

Joseph Mallord William Turner, 1775–1851

Ingleborough from Chapel-Le-Dale

between 1810 and 1815

Joseph Mallord William Turner, 1775–1851

St. Augustine's Gate, Canterbury

between 1792 and 1793

Joseph Mallord William Turner, 1775–1851

Mer de Glace, in the Valley of Chamonix

ca. 1815 (formerly dated ca. 1803)

Joseph Mallord William Turner, 1775–1851

Rheinfels Looking to Katz and Goarhausen

1817

Joseph Mallord William Turner, 1775–1851

The Bridge over the River Rye at Helmsley, with the Castle Beyond

between 1798 and 1799

Joseph Mallord William Turner, 1775–1851

Villa in a Valley near Vietri sul Mare

ca. 1794

Joseph Mallord William Turner, 1775–1851

A River View near Grindelwald, Looking towards the Wetterhorn

ca. 1794–7

Joseph Mallord William Turner, 1775–1851

Chrichton Castle with a Rainbow; Color Study

ca. 1818

Joseph Mallord William Turner, 1775–1851

A Swiss Pass, probably the Pass of St. Gotthard near Faido

ca. 1847–50

Joseph Mallord William Turner, 1775–1851

Fishing Boats Becalmed off le Havre

undated

Joseph Mallord William Turner, 1775–1851

Monaco at Sunset from the Southwest

1838

Joseph Mallord William Turner, 1775–1851

View of Ely Cathedral

ca. 1796

Joseph Mallord William Turner, 1775–1851

Ship Aground, Brighton, with the Chain Pier Beyond

ca. 1827

Etched by Joseph Mallord William Turner, 1775–1851

Basle

1807

Etched by Joseph Mallord William Turner, 1775–1851

Ships in a Breeze

1808

Etched by Joseph Mallord William Turner, 1775–1851

Ships in a Breeze

1808

Etched by Joseph Mallord William Turner, 1775–1851

The Fifth Plague of Egypt

1808

Joseph Mallord William Turner, 1775–1851

Coast Scene with White Cliffs and Boats on Shore

undated

Joseph Mallord William Turner, 1775–1851

Christ Church Gate, Canterbury

ca. 1792–1794

Joseph Mallord William Turner, 1775–1851

Carlisle

ca. 1832

Joseph Mallord William Turner, 1775–1851

View of Hampton Court, Herefordshire, from the Northwest

ca. 1806

Joseph Mallord William Turner, 1775–1851

North East View of Grantham Church, Lincolnshire

ca. 1797

Joseph Mallord William Turner, 1775–1851

Andernach

1817

Joseph Mallord William Turner, 1775–1851

Windsor

ca. 1798

Joseph Mallord William Turner, 1775–1851

A Paddle-Steamer in a Storm on Lake Lucerne

ca. 1841

Joseph Mallord William Turner, 1775–1851

'Lost to All Hope': the Brig

1845

Joseph Mallord William Turner, 1775–1851

A Great Tree

ca. 1794

Joseph Mallord William Turner, 1775–1851

Landscape with Trees and Figures

ca. 1796

Edward Lear, 1812–1888

Maharraka Temple

February 14, 1867

Edward Lear, 1812–1888

Indian River Landscape

1874

Edward Lear, 1812–1888

Near Beer El Abt

1867

Edward Lear, 1812–1888

Near Beer El Abt, 4:30 pm, 28 March 1867 (23)

1867

Edward Lear, 1812–1888

Genezzano, 17 May 1838

1838

Edward Lear, 1812–1888

Corpo di Cava, 28 June 1838

1838

Edward Lear, 1812–1888

Balgrate. 14. October. 1837

1837

Edward Lear, 1812–1888

St. Giulio, Orta, 26 September 1837

1837

Print made by William Blake, 1757–1827

America, A Prophecy; Title Page (Plate 2)

1793

Print made by William Blake, 1757–1827

Chapter V, "Two Nostrils bent down to the deep..." (Plate 16)

1794

Print made by William Blake, 1757–1827

"Help! Help!" (Plate 12)

1826

Print made by William Blake, 1757–1827

"At length for hatching ripe he breaks the shell" (Plate 8)

1826

William Blake, 1757–1827

A Genius Driving Away "Comus & his midnight-crew..." (Design 95)

between 1797 and 1798

William Blake, 1757–1827

"Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)

between 1797 and 1798

Print made by William Blake, 1757–1827

The Lamb (Plate 8)

1789

Print made by William Blake, 1757–1827

"Appear to the Americans upon the cloudy night..." (Plate 6)

1793

Print made by William Blake, 1757–1827

"Unwilling I look up to heaven! unwilling count the stars!..." (Plate 4)

1794

Print made by William Blake, 1757–1827

"Albions Angel rose upon the Stone of Night..." (Plate 12)

1794

Print made by William Blake, 1757–1827

Air (Plate 6)

1826

William Blake, 1757–1827

Elizabeth. "Girt with many a Baron bold..." (Design 63)

between 1797 and 1798

William Blake, 1757–1827

"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to... [Read more]

between 1797 and 1798

Print made by William Blake, 1757–1827

Albion's Angel; Frontispiece (Plate 1)

1793

Print made by William Blake, 1757–1827

"The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)

1793

Print made by William Blake, 1757–1827

"The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece... [Read more]

1804 to 1820

William Blake, 1757–1827

"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..."... [Read more]

between 1797 and 1798

Print made by William Blake, 1757–1827

Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)

1793

Print made by William Blake, 1757–1827

"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)

1793

Print made by William Blake, 1757–1827

"The morning comes, the night decays, the watchmen leave their stations..." (Plate... [Read more]

1793

Print made by William Blake, 1757–1827

"The shrill winds wake!..." (Plate 6)

1794

Print made by William Blake, 1757–1827

"Arise 'O Rintrah eldest born..." (Plate 9)

1794

Print made by William Blake, 1757–1827

The Man Sweeping the Interpreter's Parlour

ca. 1822

William Blake, 1757–1827

Abraham and Isaac

1799 to 1800

William Blake, 1757–1827

Christ Giving Sight to Bartimaeus

1799 to 1800

William Blake, 1757–1827

Satan Approaching the Court of Chaos

1784 to 1785

William Blake, 1757–1827

Moses Receiving the Law

ca. 1780

attributed to William Blake, 1757–1827

Thomas Alphonso Hayley, Half-Length Drawing

ca. 1800

William Blake, 1757–1827

The Gambols of Ghosts According with Their Affections Previous to the Final Judgment

1805 to 1808

William Blake, 1757–1827

The Parable of the Wise and Foolish Virgins

ca. 1825

Print made by William Blake, 1757–1827

"To the Christians..." (Plate 77)

1804 to 1820

Print made by William Blake, 1757–1827

"Rose up against me thundering..." (Plate 8)

1804 to 1820

Print made by William Blake, 1757–1827

"I have heard Jerusalems groans..." (Plate 82)

1804 to 1820

Print made by William Blake, 1757–1827

"Corruptability appears upon thy limbs..." (Plate 83)

1804 to 1820

Print made by William Blake, 1757–1827

"What do I see! The Briton Saxon Roman Norman..." (Plate 92)

1804 to 1820

Print made by William Blake, 1757–1827

'Swift on his downy pinion flies from woe' (Page 1)

1797

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

1797

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

1797