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Francis Danby, 1793–1861

The Ferry

ca. 1840

Robert Polhill Bevan, 1865–1925

Sale at Ward's Repository, No. 2

ca. 1918

Robert Polhill Bevan, 1865–1925

Timber Hauling

ca. 1917

Robert Polhill Bevan, 1865–1925

Ploughing the Hillside

ca. 1905

Robert Polhill Bevan, 1865–1925

A Morning at Tattersalls (with further sketches in left margin folded... [Read more]

undated

Robert Polhill Bevan, 1865–1925

Under the Hammer

between 1912 and 1913

Robert Polhill Bevan, 1865–1925

Crocks

ca. 1924

Robert Polhill Bevan, 1865–1925

The Bayhorse, Tattersall’s

1921

Robert Polhill Bevan, 1865–1925

Figures at Mass, Poland

ca. 1904

Print made by Robert Polhill Bevan, 1865–1925

The Meet

1898-1899

Robert Polhill Bevan, 1865–1925

Over the Bank, Exmoor

ca. 1895

Robert Polhill Bevan, 1865–1925

The Horse Mart (with further sketches in the margin)

ca. 1918

Print made by Robert Polhill Bevan, 1865–1925

Found!

1898-1899

Print made by Robert Polhill Bevan, 1865–1925

The Flying Pack

1898-1899

Print made by Robert Polhill Bevan, 1865–1925

Who-o-p!

1898-1899

Print made by Samuel Palmer, 1805–1881

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881

The Homeward Star

begun ca. 1880

Print made by Samuel Palmer, 1805–1881

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by George Stubbs, 1724–1806

Labourers

1789

George Stubbs, 1724–1806

Human Figure, Lateral View

1795 to 1806

Print made by William Hogarth, 1697–1764

The Second Stage of Cruelty: Coachman Beating a Fallen Horse

1751

Print made by William Hogarth, 1697–1764

The Fourth Stage of Cruelty: The Reward of Cruelty (Anatomy Theatre)

1751

Print made by William Hogarth, 1697–1764

The Third Stage of Cruelty: Cruelty in Perfection

1751

William Hogarth, 1697–1764

Gabriel Hunt

undated

Print made by William Hogarth, 1697–1764

Hudibras Vanquished by Trulla

undated

attributed to William Hogarth, 1697–1764

Grotesque Male Head

undated

attributed to William Hogarth, 1697–1764

Grotesque Male Head

undated

William Hogarth, 1697–1764

The First Stage of Cruelty

ca. 1750

attributed to William Hogarth, 1697–1764

Grotesque Male Head

undated

attributed to William Hogarth, 1697–1764

Grotesque Male Head

undated

attributed to William Hogarth, 1697–1764

Grotesque Male Head

undated

attributed to William Hogarth, 1697–1764

Grotesque Male Head

undated

attributed to William Hogarth, 1697–1764

Grotesque Male Head

undated

attributed to William Hogarth, 1697–1764

Grotesque Male Head

undated

attributed to William Hogarth, 1697–1764

Grotesque Male Head

undated

Joseph Mallord William Turner, 1775–1851

Folkestone Harbour and Coast to Dover

ca. 1829

Joseph Mallord William Turner, 1775–1851

Teignmouth, Devonshire

ca. 1813

Joseph Mallord William Turner, 1775–1851

Rome from Monte Mario

ca. 1818

Etched by Joseph Mallord William Turner, 1775–1851

Lake of Thun, Switzerland

1808

Etched by Joseph Mallord William Turner, 1775–1851

Christ and the Woman of Samaria

1819

Print made by Joseph Mallord William Turner, 1775–1851

The Deluge

between 1813 and 1823

Edward Lear, 1812–1888

Opposite Beni Hassan

1867

Edward Lear, 1812–1888

Near Suez, evening, 15 January 1849 (43)

1849

Edward Lear, 1812–1888

Howatke

1867

Edward Lear, 1812–1888

Val di Roppa, Corfu, 22 May 1868

1868

Edward Lear, 1812–1888

Seated Men

1867

Edward Lear, 1812–1888

Studies of Camels and Egyptian Men

1867

Edward Lear, 1812–1888

Silsilis

1854

Prints made by William Blake, 1757–1827

Songs of Innocence and of Experience: Shewing the Two Contrary States of... [Read more]

1789-1794

William Blake, 1757–1827

Sheet from the Blake-Varley Sketchbook of 1819, Pages 37 and 38

1819

Print made by William Blake, 1757–1827

The Shepherd, from Songs of Innocence

ca. 1795

William Blake, 1757–1827

Tiriel Supporting the Dying Myratana and Cursing His Sons

1786 to 1789

William Blake, 1757–1827

Sealing the Stone and Setting a Watch

1800 to 1803

William Blake, 1757–1827

Joseph and Potiphar's Wife

1803 to 1805

William Blake, 1757–1827

Albion Compelling the Four Zoas to Their Proper Tasks

1804 to 1810

William Blake, 1757–1827

Satan Approaching the Court of Chaos

1784 to 1785

William Blake, 1757–1827

Mary Magdalen at the Sepulchre

ca. 1805

William Blake, 1757–1827

The Laocoön, for Rees's Cyclopædia

1815

Print made by William Blake, 1757–1827

I. "Mans perceptions are not bounded by organs of perception..." (Plate... [Read more]

ca. 1788

Print made by William Blake, 1757–1827

VI. "The desires & perceptions of man untaught..." (Plate 8)

ca. 1788

Print made by William Blake, 1757–1827

"Therefore God becomes as we are..." (Plate 9)

ca. 1788

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 15 (Bentley 14)

1794

Print made by William Blake, 1757–1827

Chapter IV, "Ages on ages roll'd over him..." (Plate 13)

1794

Print made by William Blake, 1757–1827

"They call'd her Pity, and fled..." (Plate 19)

1794

Print made by William Blake, 1757–1827

Chapter V, "Thus the Eternal Prophet was divided..." (Plate 20)

1794

Print made by William Blake, 1757–1827

Los Falls through Fire (Plate 21)

1794

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 23 (Bentley 9)

1794

Print made by William Blake, 1757–1827

Chapter IX, "They lived a period of years..." (Plate 27)

1794

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 4 (Bentley 24)

1794

Print made by William Blake, 1757–1827

"In living creations appear'd..." (Plate 8)

1794

Print made by William Blake, 1757–1827

"My son! my Son!" (Plate 10)

1826

Print made by William Blake, 1757–1827

Aged Ignorance (Plate 13)

1826

Print made by William Blake, 1757–1827

"Fear & hope are -- Vision" (Plate 15)

1826

Print made by William Blake, 1757–1827

Water (Plate 4)

1826

Print made by William Blake, 1757–1827

Fire (Plate 7)

1826

Print made by William Blake, 1757–1827

"Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)

1793

Print made by William Blake, 1757–1827

Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)

1793

Print made by William Blake, 1757–1827

"So cried he, rending off his robe & throwing down his scepter..." (Plate... [Read more]

1793

Print made by William Blake, 1757–1827

"What time the thirteen Governors that England sent convene..." (Plate... [Read more]

1793

Print made by William Blake, 1757–1827

America, A Prophecy; Title Page (Plate 2)

1793

Print made by William Blake, 1757–1827

Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)

1793

Print made by William Blake, 1757–1827

A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..."... [Read more]

1793

Print made by William Blake, 1757–1827

"Albions Angel stood beside the Stone of night, and saw..." (Plate 7)

1793

Print made by William Blake, 1757–1827

"In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)

1793

Print made by William Blake, 1757–1827

The Book of Thel; Title Page (Plate 2)

1789

Print made by William Blake, 1757–1827

"Enitharmon slept. ..." (Plate 10)

1794

Print made by William Blake, 1757–1827

"Albions Angel rose upon the Stone of Night..." (Plate 12)

1794

Print made by William Blake, 1757–1827

Plague (Plate 13)

1794

Print made by William Blake, 1757–1827

"Shot from the heights of Enitharmon..." (Plate 17)

1794

Print made by William Blake, 1757–1827

"The shrill winds wake!..." (Plate 6)

1794

Print made by William Blake, 1757–1827

"Los howld in a dismal stupor..." (Plate 10)

1794

Print made by William Blake, 1757–1827

Chapter IV, "From the caverns of his jointed spine..." (Plate 14)

1794

Print made by William Blake, 1757–1827

Chapter V, "The globe of life blood trembled..." (Plate 17)

1794

Print made by William Blake, 1757–1827

Los with the child Orc and Enitharmon (Plate 18)

1794

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 28 (Bentley 27)

1794

Print made by William Blake, 1757–1827

Fettered Urizen Weeping (Plate 3)

1794

Print made by William Blake, 1757–1827

Chapter II, "Muster around the bleak desarts..." (Plate 6)

1794

Print made by William Blake, 1757–1827

Chapter I, "Lo, a shadow of horror is risen..." (Plate 5)

1794

Print made by William Blake, 1757–1827

Urizen Swims through Dark Waters (Plate 7)

1794

Print made by William Blake, 1757–1827

Chapter III, "As the stars are apart from the earth..." (Plate 9)

1794