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Shows 1 - 100 from 1339 results
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Accessible in the Study Room
Francis Danby, 1793–1861
Study for "The Golden Age"
1827
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On view at the Yale University Art Gallery
Print made by William Say, 1768–1834
Cupid and Psyche
1816
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On view at the Yale University Art Gallery
Print made by John Martin, 1789–1854
The Deluge
1828
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Accessible in the Study Room
Print made by Samuel Palmer, 1805–1881
The Vine
1852
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Accessible in the Study Room
Print made by Samuel Palmer, 1805–1881
The Vine
1852
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Accessible in the Study Room
Print made by Samuel Palmer, 1805–1881
The Morning of Life
1860-1861
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Accessible in the Study Room
Print made by Samuel Palmer, 1805–1881
The Vine
1852
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Accessible in the Study Room
Print made by Samuel Palmer, 1805–1881
The Vine
1852
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Accessible in the Study Room
William Hogarth, 1697–1764
Hymen
ca. 1748
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Accessible in the Study Room
William Hogarth, 1697–1764
George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock
ca. 1750
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Accessible in the Study Room
William Hogarth, 1697–1764
George Taylor's Epitaph: George Taylor Breaking the Ribs of Death
ca. 1750
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Accessible in the Study Room
Etched by Joseph Mallord William Turner, 1775–1851
Jason
1807
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Accessible in the Study Room
Etched by Joseph Mallord William Turner, 1775–1851
The Fifth Plague of Egypt
1808
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Accessible in the Study Room
Print made by Joseph Mallord William Turner, 1775–1851
Procris and Cephalus
1812
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Accessible in the Study Room
Etched by Joseph Mallord William Turner, 1775–1851
Procris and Cephalus
1812
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Accessible in the Study Room
Etched by Joseph Mallord William Turner, 1775–1851
Rispah: 2nd Book of Samuel, Chap. 21
1812
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Accessible in the Study Room
Etched by Joseph Mallord William Turner, 1775–1851
Rispah: 2nd Book of Samuel, Chap. 21
1812
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Accessible in the Study Room
Etched by Joseph Mallord William Turner, 1775–1851
Jason
1807
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Accessible in the Study Room
Etched by Joseph Mallord William Turner, 1775–1851
Rispah: 2nd Book of Samuel, Chap. 21
1812
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Accessible in the Study Room
Etched by Joseph Mallord William Turner, 1775–1851
Procris and Cephalus
1812
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Accessible in the Study Room
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
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Accessible in the Study Room
Print made by Joseph Mallord William Turner, 1775–1851
Aesacus and Hesperie
1819
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Accessible in the Study Room
Etched by Joseph Mallord William Turner, 1775–1851
Christ and the Woman of Samaria
1819
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Accessible in the Study Room
Etched by Joseph Mallord William Turner, 1775–1851
Tenth Plague of Egypt
1816
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Accessible in the Study Room
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
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Accessible in the Study Room
Etched by Joseph Mallord William Turner, 1775–1851
Glaucus and Scylla
1813 to 1823
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Accessible in the Study Room
Print made by Joseph Mallord William Turner, 1775–1851
The Deluge
between 1813 and 1823
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Accessible in the Study Room
Etched by Joseph Mallord William Turner, 1775–1851
Christ and the Woman of Samaria
1819
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Accessible in the Study Room
Etched by Joseph Mallord William Turner, 1775–1851
Glaucus and Scylla
between 1813 and 1823
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Accessible in the Study Room
Print made by Joseph Mallord William Turner, 1775–1851
The Deluge
between 1813 and 1823
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Accessible in the Study Room
Etched by Joseph Mallord William Turner, 1775–1851
Tenth Plague of Egypt
1816
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Accessible in the Study Room
Print made by William Blake, 1757–1827
Job's Comforters
1826
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On view
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
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Accessible in the Study Room
Print made by William Blake, 1757–1827
Cupid & Psyche
1794
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Accessible in the Study Room
Print made by William Blake, 1757–1827
"Her voice pierc'd Albions clay cold ear..." (Plate 95)
1804 to 1820
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On view
Prints made by William Blake, 1757–1827
Songs of Innocence and of Experience: Shewing the Two Contrary States of... [Read more]
1789-1794
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Accessible in the Study Room
William Blake, 1757–1827
"Fell thirst and famine scowl A baleful smile upon their baffled... [Read more]
between 1797 and 1798
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Accessible in the Study Room
William Blake, 1757–1827
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to... [Read more]
between 1797 and 1798
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On view
William Blake, 1757–1827
The Fatal Sisters, An Ode; Title Page
between 1797 and 1798
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Accessible in the Study Room
William Blake, 1757–1827
Sigtryg with the Silken Beard (Design 69)
between 1797 and 1798
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Accessible in the Study Room
William Blake, 1757–1827
The Prophetess Rising from Her Grave (Design 81)
between 1797 and 1798
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Accessible in the Study Room
William Blake, 1757–1827
"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..."... [Read more]
between 1797 and 1798
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Accessible in the Study Room
William Blake, 1757–1827
"Hie thee hence, and boast at home..." (Design 85)
between 1797 and 1798
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Accessible in the Study Room
William Blake, 1757–1827
The Bard Singing Owen's Praise (Design 89)
between 1797 and 1798
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Accessible in the Study Room
William Blake, 1757–1827
A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
between 1797 and 1798
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Accessible in the Study Room
William Blake, 1757–1827
"Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus... [Read more]
between 1797 and 1798
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Accessible in the Study Room
Print made by William Blake, 1757–1827
Infant Joy (Plate 14)
1789
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Accessible in the Study Room
Print made by William Blake, 1757–1827
Spring (Plate 26)
1789
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Accessible in the Study Room
William Blake, 1757–1827
Elizabeth. "Girt with many a Baron bold..." (Design 63)
between 1797 and 1798
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On view
William Blake, 1757–1827
Ode on the Death of a Favourite Cat, Drowned in a Tub of Gold Fishes; Title... [Read more]
between 1797 and 1798
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Accessible in the Study Room
William Blake, 1757–1827
"Iron sleet of arrowy shower Hurtles in the darkened air..." (Design 71)
between 1797 and 1798
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Accessible in the Study Room
William Blake, 1757–1827
"We the reins to slaughter give..." (Design 73)
between 1797 and 1798
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Accessible in the Study Room
William Blake, 1757–1827
"Hurry, hurry, to the field!" Design 75)
between 1797 and 1798
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On view
William Blake, 1757–1827
The Descent of Odin, An Ode; Title Page
between 1797 and 1798
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Accessible in the Study Room
William Blake, 1757–1827
"Him the dog of darkness spied..." (Design 79)
between 1797 and 1798
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Accessible in the Study Room
William Blake, 1757–1827
Ode for Music, Performed in the Senate-House; Title Page
between 1797 and 1798
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Accessible in the Study Room
William Blake, 1757–1827
"Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
between 1797 and 1798
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Accessible in the Study Room
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
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On view
Print made by William Blake, 1757–1827
The Divine Image (Plate 12)
1789
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On view
Print made by William Blake, 1757–1827
The Little Boy Lost (Plate 20)
1789
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Accessible in the Study Room
Print made by William Blake, 1757–1827
III. "From a perception of only 3 senses..." (Plate 5)
ca. 1788
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Accessible in the Study Room
Print made by William Blake, 1757–1827
Albion's Angel; Frontispiece (Plate 1)
1793
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On view
Print made by William Blake, 1757–1827
"The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
1793
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On view
Print made by William Blake, 1757–1827
"Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate... [Read more]
1793
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Accessible in the Study Room
Print made by William Blake, 1757–1827
Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)
1793
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Accessible in the Study Room
Print made by William Blake, 1757–1827
"What time the thirteen Governors that England sent convene..." (Plate... [Read more]
1793
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Accessible in the Study Room
Print made by William Blake, 1757–1827
"On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)
1793
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Accessible in the Study Room
Print made by William Blake, 1757–1827
Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
1793
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Accessible in the Study Room
Print made by William Blake, 1757–1827
"Silent as despairing love, and strong as jealousy..." (Plate 4)
1793
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Accessible in the Study Room
Print made by William Blake, 1757–1827
"Appear to the Americans upon the cloudy night..." (Plate 6)
1793
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Accessible in the Study Room
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
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Accessible in the Study Room
Print made by William Blake, 1757–1827
Europe a Prophecy; Title Page (Plate 2)
1794
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Accessible in the Study Room
Print made by William Blake, 1757–1827
Preludium, "The nameless shadowy female rose from out the breast of Orc..."... [Read more]
1794
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Accessible in the Study Room
Print made by William Blake, 1757–1827
"Unwilling I look up to heaven! unwilling count the stars!..." (Plate 4)
1794
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Accessible in the Study Room
Print made by William Blake, 1757–1827
"Enitharmon slept. ..." (Plate 10)
1794
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Accessible in the Study Room
Print made by William Blake, 1757–1827
"Ethinthus queen of waters, how thou shinest in the sky..." (Plate 16)
1794
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Accessible in the Study Room
Print made by William Blake, 1757–1827
Chapter IV, "Los smitten with astonishment..." (Plate 12)
1794
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Accessible in the Study Room
Print made by William Blake, 1757–1827
Chapter IV, "Ages on ages roll'd over him..." (Plate 13)
1794
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Accessible in the Study Room
Print made by William Blake, 1757–1827
Chapter V, "Two Nostrils bent down to the deep..." (Plate 16)
1794
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Accessible in the Study Room
Print made by William Blake, 1757–1827
Chapter V, "The globe of life blood trembled..." (Plate 17)
1794
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Accessible in the Study Room
Print made by William Blake, 1757–1827
Los with the child Orc and Enitharmon (Plate 18)
1794
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Accessible in the Study Room
Print made by William Blake, 1757–1827
"They call'd her Pity, and fled..." (Plate 19)
1794
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Accessible in the Study Room
Print made by William Blake, 1757–1827
Preludium to the First Book of Urizen, "Of the primeval Priests assum'd... [Read more]
1794
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Accessible in the Study Room
Print made by William Blake, 1757–1827
Los Falls through Fire (Plate 21)
1794
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Accessible in the Study Room
Print made by William Blake, 1757–1827
"In living creations appear'd..." (Plate 8)
1794
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Accessible in the Study Room
Print made by William Blake, 1757–1827
Chapter III, "As the stars are apart from the earth..." (Plate 9)
1794
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Accessible in the Study Room
Print made by William Blake, 1757–1827
"The Traveller hasteth in the Evening" (Plate 16)
1826
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Accessible in the Study Room
Print made by William Blake, 1757–1827
"I have said to the Worm: Thou art my mother & my sister" (Plate 18)
1826
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Accessible in the Study Room
Print made by William Blake, 1757–1827
"To The Accuser who is The God of This World..." (Plate 19)
1826
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Accessible in the Study Room
Print made by William Blake, 1757–1827
"What is Man!"; Frontispiece (Plate 2)
1826
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Accessible in the Study Room
Print made by William Blake, 1757–1827
Water (Plate 4)
1826
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Accessible in the Study Room
Print made by William Blake, 1757–1827
Air (Plate 6)
1826
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Accessible in the Study Room
Print made by William Blake, 1757–1827
Fire (Plate 7)
1826
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Accessible in the Study Room
Print made by William Blake, 1757–1827
"Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)
1793
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Accessible in the Study Room
Print made by William Blake, 1757–1827
"So cried he, rending off his robe & throwing down his scepter..." (Plate... [Read more]
1793
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Accessible in the Study Room
Print made by William Blake, 1757–1827
"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
1793
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Accessible in the Study Room
Print made by William Blake, 1757–1827
"Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)
1793
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On view
Print made by William Blake, 1757–1827
America, A Prophecy; Title Page (Plate 2)
1793
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On view
Print made by William Blake, 1757–1827
A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..."... [Read more]
1793
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On view
Print made by William Blake, 1757–1827
"The morning comes, the night decays, the watchmen leave their stations..." (Plate... [Read more]
1793