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Shows 1 - 100 from 1316 results
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Accessible in the Study Room
Robert Polhill Bevan, 1865–1925
Figures at Mass, Poland
ca. 1904
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Accessible in the Study Room
Print made by Robert Polhill Bevan, 1865–1925
A London Church
1924
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Accessible in the Study Room
Robert Polhill Bevan, 1865–1925
A Morning at Tattersalls (with further sketches in left margin folded... [Read more]
undated
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Accessible in the Study Room
attributed to William Hogarth, 1697–1764
Grotesque Female Head
undated
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Accessible in the Study Room
attributed to William Hogarth, 1697–1764
Grotesque Female Head
undated
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Accessible in the Study Room
attributed to William Hogarth, 1697–1764
Grotesque Female Head
undated
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Accessible in the Study Room
attributed to William Hogarth, 1697–1764
Grotesque Female Head
undated
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Accessible in the Study Room
attributed to William Hogarth, 1697–1764
Grotesque Female Head
undated
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Accessible in the Study Room
William Hogarth, 1697–1764
Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the... [Read more]
undated
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Accessible in the Study Room
Joseph Mallord William Turner, 1775–1851
Dartmoor: The Source of the Tamar and the Torridge
ca. 1813
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Accessible in the Study Room
Joseph Mallord William Turner, 1775–1851
Rome from Monte Mario
ca. 1818
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Accessible in the Study Room
Etched by Joseph Mallord William Turner, 1775–1851
The Woman and Tambourine
1807
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Accessible in the Study Room
Print made by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
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Accessible in the Study Room
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
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Accessible in the Study Room
Print made by Joseph Mallord William Turner, 1775–1851
The Deluge
between 1813 and 1823
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Accessible in the Study Room
Etched by Joseph Mallord William Turner, 1775–1851
The Drawing of the Clyde
1809
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Accessible in the Study Room
Etched by Joseph Mallord William Turner, 1775–1851
The Woman and Tambourine
1807
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Accessible in the Study Room
Edward Lear, 1812–1888
Val di Roppa, Corfu, 22 May 1868
1868
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Accessible in the Study Room
Edward Lear, 1812–1888
Opposite Beni Hassan
1867
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Accessible in the Study Room
Edward Lear, 1812–1888
Howatke
1867
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Accessible in the Study Room
Print made by William Blake, 1757–1827
Spring, from Songs of Innocence
ca. 1795
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Accessible in the Study Room
Print made by William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 16
1821
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On view
Prints made by William Blake, 1757–1827
Songs of Innocence and of Experience: Shewing the Two Contrary States of... [Read more]
1789-1794
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Accessible in the Study Room
Print made by William Blake, 1757–1827
The Little Black Boy (Plate 30)
1789
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Accessible in the Study Room
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
1797
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Accessible in the Study Room
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
1797
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Accessible in the Study Room
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
1797
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Accessible in the Study Room
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
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Accessible in the Study Room
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
1797
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Accessible in the Study Room
William Blake, 1757–1827
The plowman homeward plods his weary way, And leaves the world to darkness, and to... [Read more]
between 1797 and 1798
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Accessible in the Study Room
William Blake, 1757–1827
"Oft did the harvest to their sickle yield..." (Design 109)
between 1797 and 1798
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On view
William Blake, 1757–1827
"To chase the rolling circle's speed..." (Design 17)
between 1797 and 1798
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Accessible in the Study Room
William Blake, 1757–1827
"Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)
between 1797 and 1798
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On view
William Blake, 1757–1827
"At the chapel-door stand sentry... (Design 31)
between 1797 and 1798
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Accessible in the Study Room
William Blake, 1757–1827
"My Lade rose, and with a grace– She smil'd, and bid him come to dinner..."... [Read more]
between 1797 and 1798
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Accessible in the Study Room
William Blake, 1757–1827
Ode to Adversity; Title Page
between 1797 and 1798
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Accessible in the Study Room
William Blake, 1757–1827
"And purple tyrants vainly groan..." (Design 37)
between 1797 and 1798
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On view
William Blake, 1757–1827
"With screaming Horror's funeral cry, Despair, and fell Disease, and ghastly... [Read more]
between 1797 and 1798
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Accessible in the Study Room
William Blake, 1757–1827
"To him the mighty mother did unveil Her awful face..." (Design 49)
between 1797 and 1798
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Accessible in the Study Room
William Blake, 1757–1827
The Bard Weaving Edwards Fate (Design 55)
between 1797 and 1798
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On view
William Blake, 1757–1827
The Fatal Sisters, An Ode; Title Page
between 1797 and 1798
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Accessible in the Study Room
William Blake, 1757–1827
"Iron sleet of arrowy shower Hurtles in the darkened air..." (Design 71)
between 1797 and 1798
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Accessible in the Study Room
William Blake, 1757–1827
"Hurry, hurry, to the field!" Design 75)
between 1797 and 1798
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On view
Print made by William Blake, 1757–1827
The Divine Image (Plate 12)
1789
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Accessible in the Study Room
Print made by William Blake, 1757–1827
Infant Joy (Plate 14)
1789
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Accessible in the Study Room
Print made by William Blake, 1757–1827
Night (Plate 16)
1789
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Accessible in the Study Room
Print made by William Blake, 1757–1827
Songs of Innocence, Title Page (Plate 2)
1789
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On view
Print made by William Blake, 1757–1827
The Little Boy Lost (Plate 20)
1789
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On view
Print made by William Blake, 1757–1827
"One hair nor particle of dust..." (Plate 14)
1804 to 1820
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Accessible in the Study Room
Print made by William Blake, 1757–1827
"His Children exil'd from his breast..." (Plate 19)
1804 to 1820
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On view
Print made by William Blake, 1757–1827
Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
1804 to 1820
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On view
Print made by William Blake, 1757–1827
"And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
1804 to 1820
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Accessible in the Study Room
Print made by William Blake, 1757–1827
"Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate... [Read more]
1804 to 1820
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Accessible in the Study Room
Print made by William Blake, 1757–1827
"Leaning against the pillars..." (Plate 32)
1804 to 1820
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Accessible in the Study Room
Print made by William Blake, 1757–1827
"And One stood forth from the Divine Family..." (Plate 37)
1804 to 1820
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Accessible in the Study Room
Print made by William Blake, 1757–1827
"His face and bosom with petrific hardness..." (Plate 38)
1804 to 1820
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On view
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
1804 to 1820
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Accessible in the Study Room
Print made by William Blake, 1757–1827
"Los shudder'd at beholding Albion..." (Plate 40)
1804 to 1820
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Accessible in the Study Room
Print made by William Blake, 1757–1827
"Bath who is Legions..." (Plate 41)
1804 to 1820
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Accessible in the Study Room
Print made by William Blake, 1757–1827
"Thus Albion sat, studious of others..." (Plate 42)
1804 to 1820
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Accessible in the Study Room
Print made by William Blake, 1757–1827
"From Camberwell to Highgate where the mighty Thames shudders along..."... [Read more]
1804 to 1820
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Accessible in the Study Room
Print made by William Blake, 1757–1827
"The banks of the Thames are clouded..." (Plate 5)
1804 to 1820
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On view
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)
1804 to 1820
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On view
Print made by William Blake, 1757–1827
"And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
1804 to 1820
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Accessible in the Study Room
Print made by William Blake, 1757–1827
"The clouds of Albions Druid Temples..." (Plate 60)
1804 to 1820
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Accessible in the Study Room
Print made by William Blake, 1757–1827
"Then all the Males conjoined into One Male..." (Plate 69)
1804 to 1820
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On view
Print made by William Blake, 1757–1827
"And this the form of mighty Hand..." (Plate 70)
1804 to 1820
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Accessible in the Study Room
Print made by William Blake, 1757–1827
"And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate... [Read more]
1804 to 1820
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Accessible in the Study Room
Print made by William Blake, 1757–1827
"The Four Zoa's clouded rage..." (Plate 74)
1804 to 1820
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Accessible in the Study Room
Print made by William Blake, 1757–1827
"Encompass'd by the frozen Net..." (Plate 80)
1804 to 1820
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Accessible in the Study Room
Print made by William Blake, 1757–1827
"I have mock'd those who refused cruelty..." (Plate 81)
1804 to 1820
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Accessible in the Study Room
Print made by William Blake, 1757–1827
"Became a Space & an Allegory..." (Plate 85)
1804 to 1820
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Accessible in the Study Room
Print made by William Blake, 1757–1827
"What do I see! The Briton Saxon Roman Norman..." (Plate 92)
1804 to 1820
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Accessible in the Study Room
Print made by William Blake, 1757–1827
"Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)
1804 to 1820
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Accessible in the Study Room
Print made by William Blake, 1757–1827
"Albion cold lays on his Rock..." (Plate 94)
1804 to 1820
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Accessible in the Study Room
Print made by William Blake, 1757–1827
II. "Man by his reasoning power can only compare..." (Plate 4)
ca. 1788
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Accessible in the Study Room
Print made by William Blake, 1757–1827
"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
1793
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Accessible in the Study Room
Print made by William Blake, 1757–1827
"On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)
1793
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On view
Print made by William Blake, 1757–1827
America, A Prophecy; Title Page (Plate 2)
1793
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Accessible in the Study Room
Print made by William Blake, 1757–1827
Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
1793
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On view
Print made by William Blake, 1757–1827
A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..."... [Read more]
1793
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Accessible in the Study Room
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
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Accessible in the Study Room
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
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Accessible in the Study Room
Print made by William Blake, 1757–1827
A Prophecy. "The deep of winter came..." (Plate 5)
1794
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Accessible in the Study Room
Print made by William Blake, 1757–1827
Plague (Plate 13)
1794
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Accessible in the Study Room
Print made by William Blake, 1757–1827
"Shot from the heights of Enitharmon..." (Plate 17)
1794
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Accessible in the Study Room
Print made by William Blake, 1757–1827
Chapter V, "Two Nostrils bent down to the deep..." (Plate 16)
1794
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Accessible in the Study Room
Print made by William Blake, 1757–1827
Los with the child Orc and Enitharmon (Plate 18)
1794
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Accessible in the Study Room
Print made by William Blake, 1757–1827
Albion's Angel; Frontispiece (Plate 1)
1793
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Accessible in the Study Room
Print made by William Blake, 1757–1827
"The Ox in the slaughter house moans..." (Plate 26)
1794
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On view
William Blake, 1757–1827
"Malignant Fate sat by, and smil'd, The slipp'ry verge her feet beguil'd..."... [Read more]
between 1797 and 1798
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Accessible in the Study Room
William Blake, 1757–1827
"Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields... [Read more]
between 1797 and 1798
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Accessible in the Study Room
William Blake, 1757–1827
"Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain... [Read more]
between 1797 and 1798
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Accessible in the Study Room
William Blake, 1757–1827
A Shepherd Reading the Epitaph (Design 115)
between 1797 and 1798
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Accessible in the Study Room
William Blake, 1757–1827
"An ancient pile of building stands... there Employed the power of Fairy hands"... [Read more]
between 1797 and 1798
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Accessible in the Study Room
William Blake, 1757–1827
"A brace of warriors... rustling in their silks and tissues..."(Design... [Read more]
between 1797 and 1798
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Accessible in the Study Room
William Blake, 1757–1827
"Up stairs in a whirlwind rattle..." (Design 29)
between 1797 and 1798
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Accessible in the Study Room
William Blake, 1757–1827
Ode on the Spring; Title Page
between 1797 and 1798
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Accessible in the Study Room
William Blake, 1757–1827
The Progress of Poesy, A Pindaric Ode; Title Page
between 1797 and 1798
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Accessible in the Study Room
William Blake, 1757–1827
"The laughing flowers, that round them blow, Drink life and fragrance as they... [Read more]
between 1797 and 1798
