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Print made by Samuel Palmer, 1805–1881

The Weary Ploughman

(1858)

• Materials & TechniquesEtching and drypoint, with plate tone on moderately thick, slightly textured, cream wove paper
• DimensionsSheet: 11 9/16 x 16 3/8 inches (29.4 x 41.6 cm), Plate: 7 5/8 x 10 1/4 inches (19.3 x 26.1 cm), Image: 5 3/16 x 7 7/8 inches (13.2 x 20 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

Print made by Joseph Mallord William Turner, 1775–1851

Ship in a Storm

(ca. 1826)

• Materials & TechniquesMezzotint on medium, slightly textured, cream wove paper
• DimensionsSheet: 10 3/4 × 16 1/4 inches (27.3 × 41.3 cm), Plate: 7 1/2 × 10 inches (19.1 × 25.4 cm), Image: 6 × 8 1/2 inches (15.2 × 21.6 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Joseph Mallord William Turner, 1775–1851

Gloucester Cathedral

(1820 to 1825)

• Materials & TechniquesMezzotint, with graphite and white chalk; touched engraver's proof (a)
• DimensionsPlate: 6 x 8 7/8in. (15.2 x 22.5cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Joseph Mallord William Turner, 1775–1851

St. Michael's Mount

(1820 to 1826)

• Materials & TechniquesMezzotint with white chalk; touched engraver's proof (b)
• DimensionsSheet: 8 7/16 x 10 15/16in. (21.4 x 27.8cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Joseph Mallord William Turner, 1775–1851

Paestum

(between 1820 and 1826)

• Materials & TechniquesMezzotint; artist's proof (d) on medium, slightly textured, cream laid paper
• DimensionsSheet: 8 1/2 × 12 5/8 inches (21.6 × 32 cm), Plate: 7 1/2 × 10 1/8 inches (19.1 × 25.7 cm), Image: 6 × 8 1/2 inches (15.2 × 21.6 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Fund

Francis Danby, 1793–1861

Oberon and Titania

(1837)

• Materials & TechniquesWatercolor and black ink with gum over graphite on moderately thick, slightly textured, cream wove paper
• DimensionsSheet: 6 × 8 1/4 inches (15.2 × 20.9 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Fund

Francis Danby, 1793–1861

Study for "The Golden Age"

(1827)

• Materials & TechniquesGraphite and gouache on medium, slightly textured, brown laid paper
• DimensionsSheet: 7 1/2 x 10 7/8in. (19.1 x 27.6cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Gift of Andrew Wyld in honor of Paul Mellon

Francis Danby, 1793–1861

The Haunted Wood

(undated)

• Materials & TechniquesBrown wash and brown ink with scratching out on moderately thick, slightly textured, cream wove paper
• DimensionsSheet: 6 1/4 x 4 7/8 inches (15.9 x 12.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Francis Danby, 1793–1861

The Launch of "La Sorcière" on the Lake of Geneva

(undated)

• Materials & TechniquesWatercolor and brown ink over graphite on moderately thick, slightly textured, cream wove paper
• DimensionsSheet: 7 5/8 × 11 3/8 inches (19.4 × 28.9 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Francis Danby, 1793–1861

Chepstow Castle on the Wye

(undated)

• Materials & TechniquesGraphite on moderately thick, slightly textured, cream wove paper
• DimensionsSheet: 8 1/4 x 17 5/8 inches (21 x 44.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Fund

Francis Danby, 1793–1861

The Ferry

(ca. 1840)

• Materials & TechniquesGraphite on moderately thick, moderately textured, cream laid paper
• DimensionsSheet: 4 1/8 × 7 3/8 inches (10.5 × 18.7 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

attributed to Francis Danby, 1793–1861

Subterranean Pool with Sculptural Torchere

(undated)

• Materials & TechniquesBrown wash, with scraping on medium, slightly textured, cream wove paper
• DimensionsSheet: 10 1/4 x 9 inches (26 x 22.9 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Francis Danby, 1793–1861

Sunset over a River Landscape

(early 1840s)

• Materials & TechniquesWatercolor with gouache over graphite on moderately thick, slightly textured, cream wove paper
• DimensionsSheet: 12 5/16 x 17 9/16 inches (31.2 x 44.6 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Francis Danby, 1793–1861

Hope near Bergen

(ca. 1840)

• Materials & TechniquesBrown ink on medium, slightly textured, cream laid paper
• DimensionsSheet: 4 1/2 × 7 1/4 inches (11.4 × 18.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Francis Danby, 1793–1861

A Lake in Norway

(ca. 1825)

• Materials & TechniquesBrown wash with gouache over graphite on moderately thick, slightly textured, cream wove paper
• DimensionsSheet: 12 3/16 x 16 5/16 inches (30.9 x 41.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Francis Danby, 1793–1861

The Avon Gorge, Looking toward Clifton

(ca. 1820)

• Materials & TechniquesWatercolor, gouache, and graphite with scraping out on medium, moderately textured, cream wove paper
• DimensionsSheet: 19 1/4 x 28 3/4 inches (48.9 x 73 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Francis Danby, 1793–1861

A Classical City

(undated)

• Materials & TechniquesGraphite and brown wash on medium, slightly textured, gray wove paper
• DimensionsSheet: 5 × 7 3/8 inches (12.7 × 18.7 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Fund

Robert Polhill Bevan, 1865–1925

A Sussex Barn

(undated)

• Materials & TechniquesWatercolor and black chalk on medium, smooth, cream wove paper mounted on card
• DimensionsSheet: 13 7/8 x 18 5/8 inches (35.2 x 47.3 cm), Mount: 14 5/8 x 19 1/8 inches (37.1 x 48.6 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

Robert Polhill Bevan, 1865–1925

A Sussex Barn

(1908)

• Materials & TechniquesWatercolor and black chalk on thick, smooth, cream card
• DimensionsSheet: 14 1/8 x 18 3/8 inches (35.9 x 46.7 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

Robert Polhill Bevan, 1865–1925

Family Gathered on a Porch, Opatow Kielecki, Poland

(ca. 1907)

• Materials & TechniquesBlack chalk and watercolor on medium, smooth, beige wove paper
• DimensionsSheet: 6 5/8 x 9 inches (16.8 x 22.9 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

Robert Polhill Bevan, 1865–1925

Sussex Landscape

(undated)

• Materials & TechniquesBlack chalk and watercolor on medium, smooth, cream wove paper
• DimensionsSheet: 13 1/2 x 17 3/4 inches (34.3 x 45.1 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

Robert Polhill Bevan, 1865–1925

A Village in the Sussex Downs

(undated)

• Materials & TechniquesGraphite and watercolor on medium, smooth, cream wove paper
• DimensionsSheet: 12 3/8 x 17 1/4 inches (31.4 x 43.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

Robert Polhill Bevan, 1865–1925

Study of a Woman Sewing

(undated)

• Materials & TechniquesWatercolor, gouache and black chalk on medium, slightly textured, beige laid paper
• DimensionsSheet: 13 11/16 × 17 inches (34.8 × 43.2 cm), Image: 12 5/16 × 10 inches (31.3 × 25.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

Robert Polhill Bevan, 1865–1925

The Kill

(undated)

• Materials & TechniquesBlack and red chalk on thin, smooth, brown wove paper
• DimensionsSheet: 10 3/4 x 17 5/8 inches (27.3 x 44.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

Robert Polhill Bevan, 1865–1925

Figures at Mass, Poland

(ca. 1904)

• Materials & TechniquesBlack chalk and watercolor on medium, smooth, cream laid paper
• DimensionsSheet: 10 1/2 x 16 1/2 inches (26.7 x 41.9 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

Robert Polhill Bevan, 1865–1925

Landscape with Three Trees

(undated)

• Materials & TechniquesWatercolor on moderately thick, moderately textured, beige laid paper mounted on moderately thick, moderately textured, beige wove paper
• DimensionsSheet: 10 x 13 7/16 inches (25.4 x 34.1 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

Print made by Robert Polhill Bevan, 1865–1925

A London Church

(1924)

• Materials & TechniquesLithograph on medium, smooth, cream wove paper
• DimensionsSheet: 14 15/16 x 19 5/8 inches (38 x 49.8 cm), Image: 11 11/16 x 14 1/16 inches (29.7 x 35.7 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Gift of Patricia Cornwell

Robert Polhill Bevan, 1865–1925

Near Brimley Hill

(1915)

• Materials & TechniquesBlack chalk and watercolor on thin, smooth, cream wove paper
• DimensionsSheet: 10 x 11 3/4 inches (25.4 x 29.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

Robert Polhill Bevan, 1865–1925

Sketch of a Horse

(undated)

• Materials & TechniquesBlack chalk on thin, smooth, brown wove paper
• DimensionsSheet: 9 7/8 x 13 7/8 inches (25.1 x 35.2 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

Robert Polhill Bevan, 1865–1925

Farm Buildings and Well, Poland

(ca. 1908)

• Materials & TechniquesBlack chalk and watercolor on medium, smooth, cream wove paper
• DimensionsSheet: 9 3/4 x 13 3/4 inches (24.8 x 34.9 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

Robert Polhill Bevan, 1865–1925

Street Scene: Opatow Kelecki, Poland

(ca. 1907)

• Materials & TechniquesWatercolor and black chalk on medium, smooth, beige wove paper
• DimensionsSheet: 6 5/8 x 9 inches (16.8 x 22.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

Robert Polhill Bevan, 1865–1925

Farmhouse with Children

(undated)

• Materials & TechniquesGraphite and watercolor on thin, smooth gray wove paper mounted on board
• DimensionsSheet: 9 x 11 1/2 inches (22.9 x 29.2 cm), Mount: 9 x 11 1/2 inches (22.9 x 29.2 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

Robert Polhill Bevan, 1865–1925

A Cottage

(undated)

• Materials & TechniquesBlack chalk on medium, slightly textured, cream laid paper
• DimensionsSheet: 13 3/4 x 17 inches (34.9 x 43.2 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

Robert Polhill Bevan, 1865–1925

A London Church

(1924)

• Materials & TechniquesLithograph
• Dimensions
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Robert Polhill Bevan, 1865–1925

Huntsman and Hounds

(1898-1899)

• Materials & TechniquesLithograph on thick, smooth, gray wove card
• DimensionsSheet: 7 7/8 x 6 5/8 inches (20.1 x 16.8 cm), Plate: 7 11/16 x 5 7/8 inches (19.6 x 15 cm), Image: 7 1/8 x 5 3/16 inches (18 x 13.2 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Robert Polhill Bevan, 1865–1925

The Meet

(1898-1899)

• Materials & TechniquesLithograph on moderately thick, smooth, cream wove paper
• DimensionsSheet: 15 x 19 5/16 inches (38.1 x 49 cm), Image: 9 13/16 x 13 1/8 inches (25 x 33.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Robert Polhill Bevan, 1865–1925

Found!

(1898-1899)

• Materials & TechniquesLithograph on moderately thick, smooth, cream wove paper
• DimensionsSheet: 15 x 19 7/16 inches (38.1 x 49.3 cm), Image: 9 13/16 x 13 3/16 inches (25 x 33.5 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Robert Polhill Bevan, 1865–1925

Who-o-p!

(1898-1899)

• Materials & TechniquesLithograph on moderately thick, smooth, cream wove paper
• DimensionsSheet: 14 15/16 x 19 1/2 inches (38 x 49.5 cm), Plate: 11 3/16 x 14 inches (28.4 x 35.5 cm), Image: 9 13/16 x 13 1/8 inches (25 x 33.3 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Robert Polhill Bevan, 1865–1925

The Flying Pack

(1898-1899)

• Materials & TechniquesLithograph on moderately thick, smooth, cream wove paper
• DimensionsSheet: 15 1/16 x 19 1/2 inches (38.3 x 49.5 cm), Plate: 11 1/8 x 14 inches (28.3 x 35.5 cm), Image: 9 13/16 x 13 3/16 inches (25 x 33.5 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Robert Polhill Bevan, 1865–1925

Woman Ironing

(ca. 1895)

• Materials & TechniquesBlack chalk on medium, slightly textured, cream wove paper
• DimensionsSheet: 13 3/4 × 10 inches (34.9 × 25.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Bequest of Elizabeth S. Tower

Robert Polhill Bevan, 1865–1925

The Bayhorse, Tattersall’s

(1921)

• Materials & TechniquesWatercolor and charcoal on moderately thick, moderately textured, cream wove paper
• DimensionsSheet: 21 1/16 × 15 5/8 inches (53.5 × 39.7 cm), Image: 13 9/16 × 11 1/2 inches (34.4 × 29.2 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Robert Polhill Bevan, 1865–1925

Over the Bank, Exmoor

(ca. 1895)

• Materials & TechniquesWatercolor, pen and gray ink, and black ink on moderately thick, slightly textured, cream wove paper
• DimensionsSheet: 9 7/8 × 13 7/16 inches (25.1 × 34.1 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Robert Polhill Bevan, 1865–1925

A Harrow in the Orchard

(ca. 1896)

• Materials & TechniquesPen and black ink and gray wash; verso: graphite on medium, slightly textured, cream wove paper
• DimensionsSheet: 9 7/8 × 15 3/8 inches (25.1 × 39.1 cm), Image: 6 × 10 inches (15.2 × 25.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Robert Polhill Bevan, 1865–1925

Huntsman and Hounds

(ca. 1896)

• Materials & TechniquesPen and black ink and graphite on moderately thick, slightly textured, beige wove paper
• DimensionsSheet: 8 11/16 × 9 13/16 inches (22.1 × 24.9 cm), Image: 5 11/16 × 6 7/8 inches (14.4 × 17.5 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Robert Polhill Bevan, 1865–1925

The Horse Mart

(ca. 1917)

• Materials & TechniquesBlack chalk and charcoal on medium, slightly textured, cream laid paper
• DimensionsSheet: 13 3/4 × 17 1/16 inches (34.9 × 43.3 cm), Image: 9 3/8 × 13 1/16 inches (23.8 × 33.2 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Robert Polhill Bevan, 1865–1925

Sale at Ward's Repository, No. 2

(ca. 1918)

• Materials & TechniquesCrayon, graphite, and black chalk on medium, slightly textured, cream laid paper
• DimensionsSheet: 13 3/4 × 17 inches (34.9 × 43.2 cm), Image: 12 3/8 × 15 7/8 inches (31.4 × 40.3 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Robert Polhill Bevan, 1865–1925

Timber Hauling

(ca. 1917)

• Materials & TechniquesBlack chalk on medium, slightly textured, cream laid paper
• DimensionsSheet: 13 11/16 x 17 inches (34.8 x 43.2 cm), Image: 17 1/16 × 14 3/16 inches (43.3 × 36 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Robert Polhill Bevan, 1865–1925

The Ploughing Team

(1905 or 1906)

• Materials & TechniquesCharcoal on medium, smooth, cream wove paper
• DimensionsSheet: 14 1/2 × 18 1/4 inches (36.8 × 46.4 cm), Image: 8 3/4 × 11 inches (22.2 × 27.9 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Robert Polhill Bevan, 1865–1925

The Horse Mart (with further sketches in the margin)

(ca. 1918)

• Materials & TechniquesChalk on medium, slightly textured, cream laid paper
• DimensionsSheet: 13 5/8 × 15 inches (34.6 × 38.1 cm), Image: 8 1/8 × 10 inches (20.6 × 25.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Robert Polhill Bevan, 1865–1925

Swiss Cottage, Hampstead

(between 1912 and 1913)

• Materials & TechniquesColored chalk, graphite, and black chalk, squared for transfer on medium, slightly textured, beige wove paper mounted to board
• DimensionsSheet: 18 1/2 × 14 11/16 inches (47 × 37.3 cm), Image: 8 1/4 × 11 inches (21 × 27.9 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Robert Polhill Bevan, 1865–1925

Ploughing the Hillside

(ca. 1905)

• Materials & TechniquesBlack chalk on medium, smooth, beige wove paper
• DimensionsSheet: 14 1/2 × 18 1/4 inches (36.8 × 46.4 cm), Image: 9 × 12 1/2 inches (22.9 × 31.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Robert Polhill Bevan, 1865–1925

Study for Mare and Foal, Lytchetts, Clayhidon

(1917)

• Materials & TechniquesBlack chalk on moderately thick, slightly textured, cream laid paper
• DimensionsSheet: 13 9/16 × 17 inches (34.4 × 43.2 cm), Image: 9 3/8 × 10 15/16 inches (23.8 × 27.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Robert Polhill Bevan, 1865–1925

A Morning at Tattersalls (with further sketches in left margin folded... [Read more]

(undated)

• Materials & TechniquesBlack chalk and colored washes on moderately thick, slightly textured, cream laid paper
• DimensionsSheet: 13 3/8 × 17 inches (34 × 43.2 cm), Image: 8 1/4 × 9 5/16 inches (21 × 23.7 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Robert Polhill Bevan, 1865–1925

Crocks

(ca. 1924)

• Materials & TechniquesCrayon
• DimensionsSheet: 11 x 13 1/2 inches (27.9 x 34.3 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Robert Polhill Bevan, 1865–1925

The White House (Gould's Farm Luppitt)

(ca. 1920)

• Materials & TechniquesBlack Chalk, white chalk, and graphite on moderately thick, slightly textured, beige laid paper
• DimensionsSheet: 13 1/4 × 14 3/4 inches (33.7 × 37.5 cm), Image: 7 13/16 × 9 inches (19.8 × 22.9 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Robert Polhill Bevan, 1865–1925

Sussex Farm Wagon

(ca. 1906)

• Materials & TechniquesCrayon and watercolor on medium, smooth, beige wove paper
• DimensionsSheet: 14 7/16 × 18 5/16 inches (36.7 × 46.5 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Robert Polhill Bevan, 1865–1925

Under the Hammer

(between 1912 and 1913)

• Materials & TechniquesBlack chalk and watercolor on medium, slightly textured, beige wove paper
• DimensionsSheet: 10 3/16 × 12 5/16 inches (25.9 × 31.3 cm), Image: 4 1/8 × 6 1/16 inches (10.5 × 15.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Robert Polhill Bevan, 1865–1925

Swiss Cottage, Hampstead

(between 1912 and 1913)

• Materials & TechniquesBlack chalk, graphite, and watercolor, squared for transfer on medium, slightly textured, cream wove paper
• DimensionsSheet: 10 3/16 × 13 1/2 inches (25.9 × 34.3 cm), Image: 8 3/16 × 11 inches (20.8 × 27.9 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Philip Dawe, ca.1750–ca.1790

The Oyster Woman

(1769)

• Materials & TechniquesMezzotint on moderately thick, slightly textured, cream wove paper
• DimensionsSheet: 14 1/2 × 9 15/16 inches (36.9 × 25.2 cm), Image: 12 3/4 × 9 13/16 inches (32.4 × 24.9 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by John Martin, 1789–1854

The Deluge

(1828)

• Materials & TechniquesMezzotint and etching; engraver's proof on moderately thick, moderately textured, cream wove paper
• DimensionsSheet: 25 9/16 × 33 3/16 inches (64.9 × 84.3 cm), Plate: 23 7/16 × 31 11/16 inches (59.5 × 80.5 cm), Image: 18 11/16 × 27 13/16 inches (47.5 × 70.6 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by William Say, 1768–1834

Cupid and Psyche

(1816)

• Materials & TechniquesMezzotint (second state) on thick, moderately textured, cream laid paper
• DimensionsSheet: 19 5/8 × 21 1/4 inches (49.8 × 54 cm), Image: 16 3/8 × 19 1/4 inches (41.6 × 48.9 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Fund

Print made by Philip Dawe, ca.1750–ca.1790

The Pretty Ballad Singer

(1769)

• Materials & TechniquesMezzotint on moderately thick, slightly textured, cream laid paper, laid in mount
• DimensionsSheet: 16 3/4 x 11 1/2 inches (42.6 x 29.2 cm), Plate: 13 7/8 x 9 7/8 inches (35.2 x 25.1 cm), Image: 12 5/8 x 9 7/8 inches (32 x 25.1 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Fund

John Constable, 1776–1837

Fulham Church from across the River

(1818)

• Materials & TechniquesGraphite on medium, slightly textured, beige wove paper
• DimensionsSheet: 11 5/8 x 17 3/8 inches (29.5 x 44.1 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

attributed to John Constable, 1776–1837

Pollarded Willows

(undated, after 1804)

• Materials & TechniquesGraphite on medium, moderately textured, cream wove paper
• DimensionsSheet: 9 7/8 x 8 inches (25.1 x 20.3 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Gift of Renée and Geoffrey Hartman, Yale PhD 1953

John Constable, 1776–1837

Male Nude

(1808)

• Materials & TechniquesGraphite and white gouache on medium, slightly textured, beige laid paper
• DimensionsSheet: 21 3/4 x 17 1/2 inches (55.2 x 44.5 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Fund

John Constable, 1776–1837

Salisbury Cathedral from the Meadows

(1829)

• Materials & TechniquesGraphite on medium, moderately textured, cream wove paper mounted on card
• DimensionsMount: 11 5/8 × 16 5/8 inches (29.5 × 42.2 cm), Sheet: 9 5/16 × 13 3/8 inches (23.7 × 34 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

John Constable, 1776–1837

Suffolk Landscape

(undated)

• Materials & TechniquesWatercolor and graphite on moderately thick, moderately textured, cream wove paper
• DimensionsSheet: 5 x 6 7/8 inches (12.7 x 17.5 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Attributed to John Constable, 1776–1837

A View on the Orwell

(undated)

• Materials & TechniquesWatercolor, pen and black ink, and graphite on moderately thick, slightly textured, cream wove paper
• DimensionsSheet: 5 × 6 15/16 inches (12.7 × 17.6 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by John Constable, 1776–1837

The Ruins of Netley Abbey

(1826)

• Materials & TechniquesEtching and drypoint on moderately thick, slightly textured, cream wove paper
• DimensionsSheet: 12 1/16 x 17 5/16 inches (30.7 x 44 cm), Plate: 5 1/4 x 7 7/16 inches (13.3 x 18.9 cm), Image: 5 1/16 x 7 5/16 inches (12.8 x 18.6 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

John Constable, 1776–1837

Brighton Beach Looking West

(undated)

• Materials & TechniquesGraphite, pen and black ink and watercolor on medium, slightly textured, cream wove paper
• DimensionsSheet: 4 1/2 x 7 1/8 inches (11.4 x 18.1 cm), Contemporary drawn border: 5 1/2 × 8 1/8 inches (14 × 20.6 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

John Constable, 1776–1837

Sky Study with Rainbow

(1827)

• Materials & TechniquesWatercolor on medium, smooth, cream wove paper
• DimensionsSheet: 8 7/8 x 7 1/4 inches (22.5 x 18.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

John Constable, 1776–1837

Trees in a Meadow

(ca. 1805)

• Materials & TechniquesWatercolor, graphite, and black chalk on medium, slightly textured, cream wove paper
• DimensionsSheet: 11 5/8 x 9 7/8 inches (29.5 x 25.1 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

John Constable, 1776–1837

A Recollection of the New R.A

(1837)

• Materials & TechniquesPen and brown ink on medium, smooth, cream wove paper
• DimensionsSheet: 13 3/8 x 10 inches (34 x 25.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

John Constable, 1776–1837

Flowers in a Pitcher

(undated)

• Materials & TechniquesGraphite on medium, slightly textured, cream wove paper
• DimensionsSheet: 11 1/4 x 8 3/8 inches (28.6 x 21.3 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

John Constable, 1776–1837

Dedham Vale from Langham

(ca. 1813)

• Materials & TechniquesGraphite on medium, rough, beige laid paper
• DimensionsSheet: 7 1/8 x 11 3/8 inches (18.1 x 28.9 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

John Constable, 1776–1837

Shipping on the Thames

(ca. 1818)

• Materials & TechniquesGraphite on medium, slightly textured, cream wove paper
• DimensionsSheet: 3 7/8 x 5 1/8 inches (9.8 x 13 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

John Constable, 1776–1837

Two Ships at Anchor

(1803)

• Materials & TechniquesGraphite on medium, slightly textured, cream laid paper
• DimensionsSheet: 7 7/8 x 9 7/8 inches (20 x 25.1 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

John Constable, 1776–1837

Four East Indiamen at Archor

(1803)

• Materials & TechniquesGraphite on medium, slightly textured, cream laid paper
• DimensionsSheet: 7 5/8 x 12 3/4 inches (19.4 x 32.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

John Constable, 1776–1837

Landscape at East Bergholt

(ca. 1805)

• Materials & TechniquesWatercolor and graphite on medium, moderately textured, cream laid paper
• DimensionsSheet: 7 x 8 1/2 inches (17.8 x 21.6 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

John Constable, 1776–1837

Stoke Poges Church

(1834)

• Materials & TechniquesWatercolor, pen and brown ink, and scratching out on medium, smooth, cream wove paper
• DimensionsSheet: 8 1/2 x 7 1/8 inches (21.6 x 18.1 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

John Constable, 1776–1837

Cottage among Trees

(ca. 1795)

• Materials & TechniquesGraphite and gray wash; verso: graphite on medium, slightly textured, cream laid paper
• DimensionsSheet: 11 3/8 x 14 3/8 inches (28.9 x 36.5 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

attributed to John Constable, 1776–1837

Landscape with Windmill

(between 1825 and 1830)

• Materials & TechniquesGraphite on medium, slightly textured, cream wove paper laid to card
• DimensionsSheet: 4 1/4 x 7 7/8 inches (10.8 x 20 cm), Mount: 5 1/8 × 8 inches (13 × 20.3 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

attributed to John Constable, 1776–1837

Study for Cottage in Cornfield, East Bergholt

(ca. 1833)

• Materials & TechniquesGraphite and brown wash on medium, smooth, beige wove paper mounted to card
• DimensionsSheet: 3 1/2 x 2 1/2 inches (8.9 x 6.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

John Constable, 1776–1837

Ruin of St. Botolph's Priory, Colchester

(ca. 1809)

• Materials & TechniquesBlack and brown chalk over graphite with stumping on medium, slightly textured, cream wove paper
• DimensionsSheet: 17 1/8 x 14 7/8 inches (43.5 x 37.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

John Constable, 1776–1837

View near Arundel

(between 1834 and 1835)

• Materials & TechniquesGraphite on medium, slightly textured, cream wove paper
• DimensionsSheet: 5 x 8 1/4 inches (12.7 x 21 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

attributed to John Constable, 1776–1837

Wormingford Church

(between 1813 and 1815)

• Materials & TechniquesGraphite on medium, smooth, cream wove paper
• DimensionsSheet: 7 1/4 x 4 3/8 inches (18.4 x 11.1 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

John Constable, 1776–1837

Leatherhead Church, Near Epsom, from the Northeast

(1806)

• Materials & TechniquesGraphite on medium, slightly textured, cream wove paper
• DimensionsSheet: 6 7/8 x 4 1/4 inches (17.5 x 10.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

John Constable, 1776–1837

Coombe Wood

(1812)

• Materials & TechniquesGraphite on medium, slightly textured, cream wove paper
• DimensionsSheet: 3 3/8 x 5 1/8 inches (8.6 x 13 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

John Constable, 1776–1837

Borrowdale: Evening after a Fine Day, 1 October 1806

(1806)

• Materials & TechniquesWatercolor and graphite with scratching out on medium, slightly textured, beige wove paper
• DimensionsSheet: 7 × 10 1/2 inches (17.8 × 26.7 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

John Constable, 1776–1837

Helmingham: The Silent Pool

(ca. 1800)

• Materials & TechniquesGraphite and gray wash on medium, slightly textured, cream laid paper
• DimensionsSheet: 7 1/8 x 11 7/8 inches (18.1 x 30.2 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

John Constable, 1776–1837

A Country Girl in the Lake District

(1806)

• Materials & TechniquesWatercolor and graphite on medium, slightly textured, cream wove paper
• DimensionsSheet: 6 3/4 x 2 3/4 inches (17.1 x 7 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

John Constable, 1776–1837

Two Figures by a River

(between 1807 and 1809)

• Materials & TechniquesGraphite on medium, slightly textured, cream laid paper
• DimensionsSheet: 3 1/2 x 4 7/8 inches (8.9 x 12.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

John Constable, 1776–1837

Hampstead Heath

(1820)

• Materials & TechniquesGraphite on medium, smooth, beige wove paper
• DimensionsSheet: 3 1/4 x 4 7/8 inches (8.3 x 12.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

John Constable, 1776–1837

Dedham Vale from Langham

(between 1830 and 1831)

• Materials & TechniquesGraphite on medium, slightly textured, cream wove paper
• DimensionsSheet: 3 3/4 x 4 1/2 inches (9.5 x 11.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

John Constable, 1776–1837

East Bergholt Church, Looking Out the South Archway of the Ruined Tower

(1806)

• Materials & TechniquesWatercolor over graphite on medium, slightly textured, cream wove paper
• DimensionsSheet: 7 3/8 x 5 3/8 inches (18.7 x 13.7 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

John Constable, 1776–1837

Wooded Slope with a Receding Road

(ca. 1805)

• Materials & TechniquesBlack chalk with white chalk on medium, rough, beige laid paper
• DimensionsSheet: 13 5/8 x 20 1/8 inches (34.6 x 51.1 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

John Constable, 1776–1837

Old Sarum at Noon

(1829)

• Materials & TechniquesGraphite on medium, slightly textured, white wove paper
• DimensionsSheet: 9 1/8 x 13 1/4 inches (23.2 x 33.7 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

John Constable, 1776–1837

Two Studies of Dedham Church from the East

(1806-1808)

• Materials & TechniquesGraphite and white gouache on medium, slightly textured, beige wove paper
• DimensionsSheet: 6 3/4 x 8 inches (17.1 x 20.3 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

John Constable, 1776–1837

Dawn

(1831-1832)

• Materials & TechniquesPen and brown ink and brown wash on thin, smooth, cream wove paper
• DimensionsSheet: 2 1/4 x 4 3/8 inches (5.7 x 11.1 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

John Constable, 1776–1837

Mr. Hobson of Markfield and Family

(ca. 1806)

• Materials & TechniquesGraphite, gray wash, and watercolor on medium, slightly textured, gray laid paper
• DimensionsSheet: 4 1/4 x 6 7/8 inches (10.8 x 17.5 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection