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Collection Prints and Drawings
Remove constraint Collection: Prints and DrawingsCredit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionPeriod 18th century
Remove constraint Period: 18th centuryImage Use Free to Use
Remove constraint Image Use: Free to UseClassification Prints
Remove constraint Classification: PrintsWidth [cm] Unknown
Remove constraint Width [cm]: UnknownSearch Results
1
- The Four Stages of Cruelty: Cruelty in Perfection (The Murderer)
- 1751
2
- Painting of Pharoah's Daughter and Moses in the Foundling Hospital
- 1752
3
- Fair Scene
- 1733
4
- Prospectus print "Crown & Mitre"
- 1754
5
- William Hogarth
- 1764
6
- Plate 33 (page 72): 'And vapid; sense and reason shew the door'
- 1797
7
- Plate 8 (page 13): 'The present moment terminates our sight'
- 1797
8
- Plate 9 (page 15):' The longest night though longer far, would fail'
- 1797
9
- Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'
- 1797
10
- Plate 43 (page 95): 'The goddess bursts in thunder and in flame'
- 1797
11
- Plate 2 (page 1): 'Swift on his downy pinion flies from woe'
- 1797
12
- Plate 3 (page 4): 'What, though my soul fantastick measures trod'
- 1797
13
- Plate 6 (page 10): 'Disease invades the chastest temperence'
- 1797
14
- Plate 7 (page 12): 'Its favours here are trials, not rewards'
- 1797
15
- Plate 11 (page 17): 'NIGHT the SECOND/ ON/ TIME,/DEATH/ AND FRIENDSHIP'
- 1797
16
- Plate 12 (page 19): 'Emblem of that which shall awake the dead'
- 1797
17
- Plate 22 (page 40): ' Angels should paint it, angels ever there'
- 1797
18
- Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just'
- 1797
19
- Plate 26 (page 49): 'As if the sun could envy, check'd his beam'
- 1797
20
- Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'
- 1797
21
- Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'
- 1797
22
- Plate 37 (page 86): 'His hand the good man fastens on the skies'
- 1797
23
- Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'
- 1797
24
- Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'
- 1797
25
- May-Day in London
- 1784
![William Blake Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'](https://media.collections.yale.edu/thumbnail/ycba/5a919703-759e-494b-a892-d66a8288096b)
26
- Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'
- 1797
27
- Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge'
- 1797
28
- Plate 13 (page 23): 'We censure nature for a span too short'
- 1797
29
- Plate 15 (page 25): 'Behold him, when past by; what then is seen'
- 1797
30
- Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"
- 1797
31
- Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'
- 1797
32
- Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'
- 1797
33
- Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'
- 1797
34
- Plate 21 (page 37): 'Love, and love only, is the loan for love'
- 1797
35
- Plate 24 (page 43): 'NIGHT/ THE/ THIRD,/ NARCISSA'
- 1797
36
- Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'
- 1797
37
- Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'
- 1797
38
- Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'
- 1797
39
- Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'
- 1797
40
- Plate 32 (page 70): 'Till death, that mighty hunter, earths them all'
- 1797
41
- Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'
- 1797
42
- Plate 40 (page 90): 'That touch, with charm celestial heals the soul'
- 1797
43
- Plate 41 (page 92): 'When faith is virtue, reason makes it so'
- 1797
44
- "The Book of Thel William Blake Original Wrappers 1789"
- 1789
45
- Songs of Innocence and of Experience
- 1789-1794
46
- "Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young
- 1797
47
- "There is No Natural Religion", London, by William Blake
- ca. 1788
48
- The Mansion House
49
- The Mansion House
- 1750
50
- Lucan-House
- 1783
51
- No. 3 and 4 in the 8 stages of growth of the Surinam Frog
- 1796
52
- No. 5 and No. 6 in the 8 stages of growth of the Surinam Frog
- 1769
53
- No. 7 and No. 8 in the 8 stages of growth of the Surinam Frog
- 1796
54
- Pearls
- 1789
55
- Lynx
- 1789
56
- Rhinoceros of Africa
- 1789
57
- Jerboa
- 1789
58
- Fennec
- 1789
59
- Ashkoko
- 1789
60
- Tsaltsalya / El Adda
- 1789
61
- Abou Hannes
- 1789
62
- Rachamah
- 1790
63
- Section of the Canja
- 1789
64
- Obelisk at Axum
- 1789
65
- No.1 and No. 2 in the 8 stages of growth of the Surinam Frog
- 1796
66
- Hyoena
- 1790
67
- Binny
- 1790
68
- Nisser Tokoor
- 1789
69
- Abba Gumba
- 1789
70
- Nisser Werk
- 1789
71
- Self Portrait
- 1752
72
- Cerastes
- 1789
73
- Arab of Loheia, Tribe Beni Koreish
- 1789
74
- Bee Cuckoo
- 1790
75
- Painting in Fresco in the Sepulchres of Thebes
- 1789
76
- Arab Shekh, Tribe Beni Koreish
- 1789
77
- Painting in the Sepulchres of Thebes
- 1789
78
- Sheregrig
- 1789
79
- Canja Undersail
- 1789
80
- Statue of a Man
- ca. 1804
81
- No. 1 - A Table of Hieroglyphics found at Axum
- 1771-1789
82
- No. 2 A Table of Heiroglyphics found at Axum
- 1771-1789
83
- Mikeas
- 1789
84
- Plan of the First Battle of Serbraxos Fought 16 May 1772
85
- Examples of Ceremonial Dress of Soldiers
- 1789
86
- Tortoise
- 1789
87
- Heveningham Hall, in Suffolk, the Seat of Sir Gerard William Vanneck Bartholomew
- 1782
88
- Near Plymouth with the Ordinance Wharfe..
- 1756
89
- The Beggar and his Dog
90
- The Southwest view of Hertsmonceux Castle in the County of Sussex
91
- James Paine Architect, James Paine Junior
92
- Gervase Spencer
93
- Gervase Spencer
94
- Gervase Spencer
95
- Gervase Spencer
96
- A Plan of the Gardens & View of Ye Buildings of ye Right Honorable Henry Pelham, Esqr. at Echa in Ye County of Surrey
- 1737
97
- Gervase Spencer
98
- View of the Cast Iron Bridge near Coalbrookdale
- 1782
99
- The Storm
- 1788
100
- View of London Bridge
- ca. 1790