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1. Kensington Church

Kensington Church
Creator:
William Dorset Fellows, 1807–1878
Date:
1824
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. The King seated in St. Edward's Chair, Crowned by the Archbishop of Canterbury, 19th July 1821

The King seated in St. Edward's Chair, Crowned by the Archbishop of Canterbury, 19th July 1821
Creator:
Frederick Christian Lewis the Elder, 1779–1856
Date:
1824
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. The Royal Banquet, the Bringing Up of the First Course, 19th July 1821

The Royal Banquet, the Bringing Up of the First Course, 19th July 1821
Creator:
Robert Havell II, 1793–1878
Date:
1824
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Advertisement for 'List of New Prints and Engraved Works published by W.B. Cooke 9 Soho Square'

Advertisement for 'List of New Prints and Engraved Works published by W.B. Cooke 9 Soho Square'
Creator:
Print made by unknown artist
Date:
1824 to 1825
Materials & Techniques:
Letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. The Royal Banquet - 19th July 1821

The Royal Banquet - 19th July 1821
Creator:
William James Bennett, 1787–1844
Date:
1824
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Set of Seven: Shakespeare's Seven Ages of Man

Set of Seven: Shakespeare's Seven Ages of Man
Creator:
Henry Thomas Alken, 1785–1851
Date:
1824
Materials & Techniques:
Soft-ground etching, 1 leaf of letterpress and the original wrappers
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Fulham Church (Middlesex)

Fulham Church (Middlesex)
Creator:
unknown artist
Date:
1824
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. General View of Kemp Town now Erecting on the Estate of Thomas Read Kemp, on the East Cliff, Brighton after Wilds and Busby

General View of Kemp Town now Erecting on the Estate of Thomas Read Kemp, on the East Cliff, Brighton after Wilds and Busby
Creator:
Matthew Dubourg, active 1786–1838
Date:
1824
Materials & Techniques:
Colored aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. May Day

May Day
Creator:
unknown artist
Date:
1824
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Gravesend

Gravesend
Creator:
Thomas Abiel Prior, 1809–1886
Date:
undated
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. London from Greenwich Park

London from Greenwich Park
Creator:
Thomas Abiel Prior, 1809–1886
Date:
undated
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Basin at Blackwell

Basin at Blackwell
Creator:
Henry Moses, ca. 1782–1870
Date:
1824
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. North West View of Wrexham Church

North West View of Wrexham Church
Creator:
unknown artist
Date:
1824
Materials & Techniques:
Etching and aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

14. W. Sharp

W. Sharp
Creator:
Print made by James Thompson, 1790–1850
Date:
1824
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. A set of four: Meeting at Cover. London, pub. by Thos. McLean, 1824

A set of four: Meeting at Cover. London, pub. by Thos. McLean, 1824
Creator:
Thomas Sutherland, ca. 1785–1838
Date:
1824
Materials & Techniques:
Aquatint, colored by hand
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. A set of four: Full Cry. London, pub. by Thos. McLean, 1824

A set of four: Full Cry. London, pub. by Thos. McLean, 1824
Creator:
Thomas Sutherland, ca. 1785–1838
Date:
1824
Materials & Techniques:
Aquatint, colored by hand
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. A set of four: The Death. London, pub. by Thos. McLean, 1824

A set of four: The Death. London, pub. by Thos. McLean, 1824
Creator:
Thomas Sutherland, ca. 1785–1838
Date:
1824
Materials & Techniques:
Aquatint, colored by hand
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. A set of four: Breaking Cover. London, pub. by Thos. McLean, 1824

A set of four: Breaking Cover. London, pub. by Thos. McLean, 1824
Creator:
Thomas Sutherland, ca. 1785–1838
Date:
1824
Materials & Techniques:
Aquatint, colored by hand
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. An Irish Tilting Match, or the Poissardes against the Poignards

An Irish Tilting Match, or the Poissardes against the Poignards
Creator:
Henry Heath, active 1824–1835
Date:
1824
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Martin Archer Shee

Martin Archer Shee
Creator:
Henry Thomson, 1773–1843
Date:
1824
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Shakspeare's Desk

Shakspeare's Desk
Creator:
James Fahey, 1804–1885
Date:
1824
Materials & Techniques:
Print
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

22. Wash proofs to accompany Westmacott's "The English Spy": A Frolic in High Life, or a Visit to Billingsgate

Wash proofs to accompany Westmacott's "The English Spy": A Frolic in High Life, or a Visit to Billingsgate
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Wash proofs to accompany Westmacott's "The English Spy": The Maiden Brief, Dick Gradus's first appearance among the Worthies of Westminster Hall

Wash proofs to accompany Westmacott's "The English Spy": The Maiden Brief, Dick Gradus's first appearance among the Worthies of Westminster Hall
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Wash proofs to accompany Westmacott's "The English Spy": [Portraits from Life by J. R. Cruikshank] pub. as Bernard Blackmantle reading his Play in the Green Room of Covent Garden Theatre

Wash proofs to accompany Westmacott's "The English Spy": [Portraits from Life by J. R. Cruikshank] pub. as Bernard Blackmantle reading his Play in the Green Room of Covent Garden Theatre
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Wash proofs to accompany Westmacott's "The English Spy": [The House of Lords in High Debate. The Duke of York, making his speech upon the Catholic Question] pub. as The House of Lords

Wash proofs to accompany Westmacott's "The English Spy": [The House of Lords in High Debate. The Duke of York, making his speech upon the Catholic Question] pub. as The House of Lords
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. H. Bone, Esqr., R.A.

H. Bone, Esqr., R.A.
Creator:
Frederick Christian Lewis the Elder, 1779–1856
Date:
1824
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Wash proofs to accompany Westmacott's "The English Spy": First Bow to Alma Mater or Bernard Blackmantle's introduction to the Big Wig

Wash proofs to accompany Westmacott's "The English Spy": First Bow to Alma Mater or Bernard Blackmantle's introduction to the Big Wig
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Wash proofs to accompany Westmacott's "The English Spy": The Oppidan's Museum or Eton Court of Claims at the Christopher

Wash proofs to accompany Westmacott's "The English Spy": The Oppidan's Museum or Eton Court of Claims at the Christopher
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Wash proofs to accompany Westmacott's "The English Spy": Flooring of Mercury or Burning the Oaks, a Scene in Tom Quadrangle

Wash proofs to accompany Westmacott's "The English Spy": Flooring of Mercury or Burning the Oaks, a Scene in Tom Quadrangle
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Wash proofs to accompany Westmacott's "The English Spy": College Comforts, A Freshman taking possession of his Rooms

Wash proofs to accompany Westmacott's "The English Spy": College Comforts, A Freshman taking possession of his Rooms
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Wash proofs to accompany Westmacott's "The English Spy": [The Vice Chancellor in the Divinity School - Golgotha or the Place of Skulls - Sentance of Rustication]

Wash proofs to accompany Westmacott's "The English Spy": [The Vice Chancellor in the Divinity School - Golgotha or the Place of Skulls - Sentance of Rustication]
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Wash proofs to accompany Westmacott's "The English Spy": Oxford Transports or Albanians doing Penance for Past Offences

Wash proofs to accompany Westmacott's "The English Spy": Oxford Transports or Albanians doing Penance for Past Offences
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Wash proofs to accompany Westmacott's "The English Spy": Town and Gown or the Battle of the Togate and the Town Raff in the High Street Oxford

Wash proofs to accompany Westmacott's "The English Spy": Town and Gown or the Battle of the Togate and the Town Raff in the High Street Oxford
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Wash proofs to accompany Westmacott's "The English Spy": The Opera Green Room, or Noble Amateurs viewing Foreign Curiosities

Wash proofs to accompany Westmacott's "The English Spy": The Opera Green Room, or Noble Amateurs viewing Foreign Curiosities
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Wash proofs to accompany Westmacott's "The English Spy": The Royal Saloon Piccadilly

Wash proofs to accompany Westmacott's "The English Spy": The Royal Saloon Piccadilly
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Wash proofs to accompany Westmacott's "The English Spy": Tom Echo laid up with the Headington fever or an Oxonion very near the Wall

Wash proofs to accompany Westmacott's "The English Spy": Tom Echo laid up with the Headington fever or an Oxonion very near the Wall
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Wash proofs to accompany Westmacott's "The English Spy": Black Matins, or the Effect of Late Drinking upon Early Risers

Wash proofs to accompany Westmacott's "The English Spy": Black Matins, or the Effect of Late Drinking upon Early Risers
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Wash proofs to accompany Westmacott's "The English Spy": The Daffy Club, or a Musical Muster of the Fancy

Wash proofs to accompany Westmacott's "The English Spy": The Daffy Club, or a Musical Muster of the Fancy
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Wash proofs to accompany Westmacott's "The English Spy":: Bernard Blackmantle reading his Farce in the Green Room of the Theatre Royal Drury Lane

Wash proofs to accompany Westmacott's "The English Spy":: Bernard Blackmantle reading his Farce in the Green Room of the Theatre Royal Drury Lane
Creator:
J. W. Wageman, active 1824
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Wash proofs to accompany Westmacott's "The English Spy": The Great Subscription Room at Brooks's or Opposition Members engaged upon Hazardous Points

Wash proofs to accompany Westmacott's "The English Spy": The Great Subscription Room at Brooks's or Opposition Members engaged upon Hazardous Points
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. The New Treasury Offices, Whitehall

No cover image available
Creator:
Thomas Abiel Prior, 1809–1886
Date:
undated
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Set of four: 1. The Walk

No cover image available
Creator:
Thomas Sutherland, ca. 1785–1838
Date:
1824
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Set of four: 2. Starting

No cover image available
Creator:
Thomas Sutherland, ca. 1785–1838
Date:
1824
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Set of four: 3. Weighing and Rubbing Down

No cover image available
Creator:
Thomas Sutherland, ca. 1785–1838
Date:
1824
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Set of four: 4. The Race: Coming in

No cover image available
Creator:
Thomas Sutherland, ca. 1785–1838
Date:
1824
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection