An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Front of the Monument of Aveline, First Wife of Edmund Crouchback (Plate I)
1780
2
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Under Vaulting of one side of the Canopy of the Monument of Aveline, Coutess of Lancaster (Plate III)
1780
3
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Figures supposed to be those of King Sebert and King Henry III (Plate V)
1780
4
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: Heads and Ornaments on the North Side of the Monument of King Sebert (Plate VI)
1780
5
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Figure of Aveline Countess of Lancaster, Cumbent on her Monument (Plate II)
1780
6
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The North Front of the Monument of King Schert (Plate IV)
1780
7
Engraved by James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Monument of Ann of Cleves, fourth Wife of King Henry VIII (Plate VII)
1780
8
William Blake, 1757–1827
"A Select Collection of English Songs," London, 1783
1783
9
William Blake, 1757–1827
A Select Collection of English Songs
1783
10
William Blake, 1757–1827
A Select Collection of English Songs
1783
11
William Blake, 1757–1827
A Select Collection of English Songs
1783
12
William Blake, 1757–1827
A Select Collection of English Songs
1783
13
William Blake, 1757–1827
A Select Collection of English Songs
1783
14
William Blake, 1757–1827
A Select Collection of English Songs
1783
15
William Blake, 1757–1827
A Select Collection of English Songs
1783
16
William Blake, 1757–1827
A Select Collection of English Songs
1783
17
William Blake, 1757–1827
A Select Collection of English Songs
1783
18
William Blake, 1757–1827
A Select Collection of English Songs
1783
19
William Blake, 1757–1827
A Select Collection of English Songs
1783
20
William Blake, 1757–1827
A Select Collection of English Songs
1783
21
William Blake, 1757–1827
A Select Collection of English Songs
1783
22
William Blake, 1757–1827
A Select Collection of English Songs
1783
23
William Blake, 1757–1827
A Select Collection of English Songs
1783
24
William Blake, 1757–1827
A Select Collection of English Songs
1783
25
William Blake, 1757–1827
May-Day in London
1784
26
William Blake, 1757–1827
"The Book of Thel William Blake Original Wrappers 1789"
1789
27
William Blake, 1757–1827
Beggar's Opera, Act III
1790
28
William Blake, 1757–1827
Plate 2 (page 1): 'Swift on his downy pinion flies from woe'
1797
29
William Blake, 1757–1827
Plate 3 (page 4): 'What, though my soul fantastick measures trod'
1797
30
William Blake, 1757–1827
Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge'
1797
31
William Blake, 1757–1827
Plate 11 (page 17): 'NIGHT the SECOND/ ON/ TIME,/DEATH/ AND FRIENDSHIP'
1797
32
Engravings by William Blake, 1757–1827
Plate 13 (page 23): 'We censure nature for a span too short'
1797
33
William Blake, 1757–1827
Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'
1797
34
William Blake, 1757–1827
Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'
1797
35
William Blake, 1757–1827
Plate 26 (page 49): 'As if the sun could envy, check'd his beam'
1797
36
William Blake, 1757–1827
Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'
1797
37
William Blake, 1757–1827
Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'
1797
38
William Blake, 1757–1827
Plate 43 (page 95): 'The goddess bursts in thunder and in flame'
1797
39
William Blake, 1757–1827
Plate 12 (page 19): 'Emblem of that which shall awake the dead'
1797
40
William Blake, 1757–1827
Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'
1797
41
William Blake, 1757–1827
Plate 21 (page 37): 'Love, and love only, is the loan for love'