Creator Gender: male / Collection: Prints and Drawings / Subject Terms: literary theme - YCBA Collections Search Search Results

<< YCBA Home << YCBA Home

Start Over

You searched for:

Creator Gender male

Collection Prints and Drawings

Subject Terms literary theme

Abraham van Diepenbeeck Doctor Ass (A Satire on the Law)

Abraham van Diepenbeeck, 1596–1675

Doctor Ass (A Satire on the Law)

undated

Paulus Pontius Aubertus Miræus

Print made by Paulus Pontius, 1603–1658

Aubertus Miræus

ca. 1635

Francis Barlow Illustration to Aesop's Fables: The Fox & the Crane

Follower of Francis Barlow, 1622–1704

Illustration to Aesop's Fables: The Fox & the Crane

undated

William Faithorne the Younger Sylvio and Dorinda

Print made by William Faithorne the Younger, ca. 1669–1703

Sylvio and Dorinda

between 1680 and 1703

unknown artist Robin Hood and Clarinda hunting deer in a wooded landscape

unknown artist

Robin Hood and Clarinda hunting deer in a wooded landscape

undated

unknown artist Fluellen Forcing Pistol to Eat His Leek

unknown artist

Fluellen Forcing Pistol to Eat His Leek

undated

Thomas Carwitham Jupiter and Callisto: Ovid, Metamorphoses, Book 2

Thomas Carwitham, active 1723

Jupiter and Callisto: Ovid, Metamorphoses, Book 2

ca. 1723

Thomas Carwitham Ceres and Abas: Ovid, Metamorphoses, Book 5

Thomas Carwitham, active 1723

Ceres and Abas: Ovid, Metamorphoses, Book 5

ca. 1723

Thomas Carwitham The Daughters of Cecrops discover Ericthonius: Ovid, Metamorphoses, Book 2

Thomas Carwitham, active 1723

The Daughters of Cecrops discover Ericthonius: Ovid, Metamorphoses, Book 2

1723

Thomas Carwitham Illustration to Homer's Iliad

Thomas Carwitham, active 1723

Illustration to Homer's Iliad

1723

Richard Wilson Gulliver Bound by the Lilliputians

Richard Wilson, 1713/4–1782

Gulliver Bound by the Lilliputians

undated

John Faber the Younger Kitty Clive as Lady Easy in "The Careless Husband"

Print made by John Faber the Younger, ca. 1695–1756

Kitty Clive as Lady Easy in "The Careless Husband"

1739

Daniel Nikolaus Chodowieki 'Henry IV, Part I,' Act II, Scene II

Print made by Daniel Nikolaus Chodowieki, German, 1726–1801

'Henry IV, Part I,' Act II, Scene II

undated

Daniel Nikolaus Chodowieki 'Henry IV, Part I,' Act II, Scene III

Print made by Daniel Nikolaus Chodowieki, German, 1726–1801

'Henry IV, Part I,' Act II, Scene III

undated

Daniel Nikolaus Chodowieki 'Henry IV, Part I,' Act II, Scene IV

Print made by Daniel Nikolaus Chodowieki, German, 1726–1801

'Henry IV, Part I,' Act II, Scene IV

undated

Daniel Nikolaus Chodowieki 'Henry IV, Part I,' Act II, Scene II

Print made by Daniel Nikolaus Chodowieki, German, 1726–1801

'Henry IV, Part I,' Act II, Scene II

undated

Daniel Nikolaus Chodowieki 'Henry IV, Part I,' Act II, Scene IV

Print made by Daniel Nikolaus Chodowieki, German, 1726–1801

'Henry IV, Part I,' Act II, Scene IV

undated

Daniel Nikolaus Chodowieki 'Henry IV, Part I,' Act II, Scene IV

Print made by Daniel Nikolaus Chodowieki, German, 1726–1801

'Henry IV, Part I,' Act II, Scene IV

undated

Daniel Nikolaus Chodowieki 'Henry IV, Part I,' Act IV, Scene II

Print made by Daniel Nikolaus Chodowieki, German, 1726–1801

'Henry IV, Part I,' Act IV, Scene II

undated

Daniel Nikolaus Chodowieki 'Henry IV, Part I,' Act III, Scene III

Print made by Daniel Nikolaus Chodowieki, German, 1726–1801

'Henry IV, Part I,' Act III, Scene III

undated

Daniel Nikolaus Chodowieki 'Henry IV, Part I,' Act III, Scene III

Print made by Daniel Nikolaus Chodowieki, German, 1726–1801

'Henry IV, Part I,' Act III, Scene III

undated

Daniel Nikolaus Chodowieki 'Henry IV, Part I,' Act V, Scene IV

Print made by Daniel Nikolaus Chodowieki, German, 1726–1801

'Henry IV, Part I,' Act V, Scene IV

undated

Daniel Nikolaus Chodowieki 'Henry IV, Part I,' Act II, Scene IV

Print made by Daniel Nikolaus Chodowieki, German, 1726–1801

'Henry IV, Part I,' Act II, Scene IV

undated

Daniel Nikolaus Chodowieki 'Henry IV, Part I,' Act V, Scene I

Print made by Daniel Nikolaus Chodowieki, German, 1726–1801

'Henry IV, Part I,' Act V, Scene I

undated

Isaac Taylor Unidentified Periodical / Play Illustration

Isaac Taylor, 1730–1807

Unidentified Periodical / Play Illustration

undated

Isaac Taylor Unidentified Periodical / Play Illustration

Isaac Taylor, 1730–1807

Unidentified Periodical / Play Illustration

undated

Isaac Taylor Unidentified Periodical / Play Illustration

Isaac Taylor, 1730–1807

Unidentified Periodical / Play Illustration

undated

Isaac Taylor Scene from the play, "The Careless Husband"

Isaac Taylor, 1730–1807

Scene from the play, "The Careless Husband"

undated

Isaac Taylor Unidentified Periodical / Play Illustration

Isaac Taylor, 1730–1807

Unidentified Periodical / Play Illustration

undated

Isaac Taylor Unidentified Periodical / Play Illustration

Isaac Taylor, 1730–1807

Unidentified Periodical / Play Illustration

undated

Isaac Taylor Unidentified Periodical / Play Illustration

Isaac Taylor, 1730–1807

Unidentified Periodical / Play Illustration

undated

Isaac Taylor Unidentified Periodical / Play Illustration

Isaac Taylor, 1730–1807

Unidentified Periodical / Play Illustration

undated

Guillaume Philippe Benoist Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

1745

Guillaume Philippe Benoist Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;...

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..

1745

Guillaume Philippe Benoist Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

1745

Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

1745

Guillaume Philippe Benoist The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

1745

Guillaume Philippe Benoist Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming

1745

Joseph Slater Robin Hood and Clarinda Hunting Deer

Joseph Slater, c. 1750– died after 1789

Robin Hood and Clarinda Hunting Deer

undated

William Hogarth Mr. Garrick in the Character of Richard the Third - "Richard III," Act V, Scene VII

William Hogarth, 1697–1764

Mr. Garrick in the Character of Richard the Third - "Richard III," Act V, Scene VII

1746

William Hogarth Mr. Garrick in the Character of Richard III

William Hogarth, 1697–1764

Mr. Garrick in the Character of Richard III

1746

Charles Grignion Mr. Garrick in the Charakter (sic) of Richard the 3D

Charles Grignion, 1717–1810

Mr. Garrick in the Charakter (sic) of Richard the 3D

1746

Sawrey Gilpin Study for "Gulliver's Travels"

Sawrey Gilpin, 1733–1807

Study for "Gulliver's Travels"

undated

Pieter van Bleeck Griffin and Johnson

Print made by Pieter van Bleeck, 1700–1764

Griffin and Johnson

1748

George Romney Witches' Cavern: MacBeth's Second Visit

George Romney, 1734–1802

Witches' Cavern: MacBeth's Second Visit

undated

George Romney Witches' Cavern: MacBeth's Second Visit

George Romney, 1734–1802

Witches' Cavern: MacBeth's Second Visit

undated

George Romney The Banquet Scene

George Romney, 1734–1802

The Banquet Scene

ca. 1792

George Romney MacBeth at the Witches' Cave: Second Visit, or Canidia and the Youth, or The Opening of the Ark

George Romney, 1734–1802

MacBeth at the Witches' Cave: Second Visit, or Canidia and the Youth, or The Opening of the Ark

undated

George Romney MacBeth: Banquet Scene

George Romney, 1734–1802

MacBeth: Banquet Scene

undated

George Romney MacBeth: Banquet Scene

George Romney, 1734–1802

MacBeth: Banquet Scene

undated

George Romney Standing Figure, Probably for Lady Macbeth

George Romney, 1734–1802

Standing Figure, Probably for Lady Macbeth

undated

George Romney Titania's Attendants Chasing Bats

George Romney, 1734–1802

Titania's Attendants Chasing Bats

undated

George Romney MacBeth: Banquet Scene

George Romney, 1734–1802

MacBeth: Banquet Scene

undated

George Romney MacBeth: Banquet Scene

George Romney, 1734–1802

MacBeth: Banquet Scene

undated

George Romney MacBeth at the Witches' Cave: Second Visit

George Romney, 1734–1802

MacBeth at the Witches' Cave: Second Visit

undated

George Romney MacBeth: Banquet Scene

George Romney, 1734–1802

MacBeth: Banquet Scene

undated

George Romney Unidentified Subjects

George Romney, 1734–1802

Unidentified Subjects

undated

George Romney The Abandonment and Rescue of Perdita from "The Winter's Tale"

George Romney, 1734–1802

The Abandonment and Rescue of Perdita from "The Winter's Tale"

undated

George Romney The Abandonment and Rescue of Perdita from "The Winter's Tale"

George Romney, 1734–1802

The Abandonment and Rescue of Perdita from "The Winter's Tale"

undated

George Romney The Abandonment and Rescue of Perdita from "The Winter's Tale"

George Romney, 1734–1802

The Abandonment and Rescue of Perdita from "The Winter's Tale"

undated

George Romney Three Studies of a Standing Woman, Possibly Lady MacBeth

George Romney, 1734–1802

Three Studies of a Standing Woman, Possibly Lady MacBeth

undated

George Romney The Abandonment and Rescue of Perdita from "The Winter's Tale"

George Romney, 1734–1802

The Abandonment and Rescue of Perdita from "The Winter's Tale"

undated

George Romney Tempest, Version A

George Romney, 1734–1802

Tempest, Version A

undated

George Romney Sketch for Canidia and the Youth

George Romney, 1734–1802

Sketch for Canidia and the Youth

undated

George Romney Exit Pursued by a Bear, or "The Abandonment of Perdita" from "The Winter's Tale"

George Romney, 1734–1802

Exit Pursued by a Bear, or "The Abandonment of Perdita" from "The Winter's Tale"

undated

George Romney "Lear in the Storm," King Lear, Act III, Scene II

George Romney, 1734–1802

"Lear in the Storm," King Lear, Act III, Scene II

undated

George Romney A Procession of the Damned: Study for the Damned in Dante's "Inferno"

George Romney, 1734–1802

A Procession of the Damned: Study for the Damned in Dante's "Inferno"

undated

George Romney Miranda, Prospero, and Caliban: The Tempest

George Romney, 1734–1802

Miranda, Prospero, and Caliban: The Tempest

undated

George Romney Prospero and Miranda

George Romney, 1734–1802

Prospero and Miranda

ca. 1787

George Romney Daphnis and Chloe

George Romney, 1734–1802

Daphnis and Chloe

undated

George Romney Abandonment and Rescue of Perdita from "The Winter's Tale" (Tampered with but Not Fake)

George Romney, 1734–1802

Abandonment and Rescue of Perdita from "The Winter's Tale" (Tampered with but Not Fake)

undated

George Romney Birth of Man

George Romney, 1734–1802

Birth of Man

undated

John Faber the Younger Margaret Woffington as Mrs. Ford in "The Merry Wives of Windsor"

Print made by John Faber the Younger, ca. 1695–1756

Margaret Woffington as Mrs. Ford in "The Merry Wives of Windsor"

1751

Alexander Runciman Celadon and Amelia from Thomson's 'The Seasons'

Alexander Runciman, 1736–1785

Celadon and Amelia from Thomson's 'The Seasons'

undated

William Faithorne the Younger Sylvio and Dorinda

Print made by William Faithorne the Younger, ca. 1669–1703

Sylvio and Dorinda

between 1752 and 1768

Edward Fisher Miss Kitty Fisher as 'Cleopatra Dissolving the Pearl'

Print made by Edward Fisher, 1722–1785

Miss Kitty Fisher as 'Cleopatra Dissolving the Pearl'

between 1752 and 1763

Simon François Ravenet Mr. Garrick and Miss Bellamy in the Characters of Romeo and Juliet

Simon François Ravenet, 1706–1774

Mr. Garrick and Miss Bellamy in the Characters of Romeo and Juliet

1753

Philippe-Jacques de Loutherbourg Thomas Weston as Spy in Bates "The Rival Candidates"

Philippe-Jacques de Loutherbourg, 1740–1812

Thomas Weston as Spy in Bates "The Rival Candidates"

undated

John Michael Rysbrack Illustration to the Iliad

John Michael Rysbrack, 1694–1770

Illustration to the Iliad

between 1760 and 1769

Francis Hayman Falstaff Inspecting the Recruits

Francis Hayman, 1707/8–1776

Falstaff Inspecting the Recruits

between 1761 and 1765

Michael "Angelo" Rooker Illustration to Beaumont and Fletcher

Michael "Angelo" Rooker, 1746–1801

Illustration to Beaumont and Fletcher

undated

Charles Spooner Mr. Garrick in the Character of King Lear - "King Lear", Act III, Scene V

Charles Spooner, c.1720–1767

Mr. Garrick in the Character of King Lear - "King Lear", Act III, Scene V

1761

Sawrey Gilpin Study for the Figure of Gulliver

Sawrey Gilpin, 1733–1807

Study for the Figure of Gulliver

ca. 1769

Henry William Bunbury Falstaff Carrying Dead Hotspur

Henry William Bunbury, 1750–1811

Falstaff Carrying Dead Hotspur

undated

Henry William Bunbury Launce Teaching His Dog Crab

Henry William Bunbury, 1750–1811

Launce Teaching His Dog Crab

undated

John Boyne Malvolio: Possibly a Self-Portrait in the Role

John Boyne, ca. 1750–1810

Malvolio: Possibly a Self-Portrait in the Role

undated

Johann Jacobus Haid Mr. Foote in the Character of Major Sturgeon in "The Mayor of Garratt"

Johann Jacobus Haid, 1704–1767

Mr. Foote in the Character of Major Sturgeon in "The Mayor of Garratt"

1765

William Woollett Celadon and Amelia

Engraved by William Woollett, 1735–1785

Celadon and Amelia

1766

William Hamilton Nature unveils herself to the infant Shakespeare: Thomas Gray, The Progress of Poesy, III.1

William Hamilton, 1751–1801

Nature unveils herself to the infant Shakespeare: Thomas Gray, The Progress of Poesy, III.1

undated

Johann Jacobus Haid Mr. Garrick in "The Farmer's Return"

Johann Jacobus Haid, 1704–1767

Mr. Garrick in "The Farmer's Return"

1766

William Woollett Celadon and Amelia

Print made by William Woollett, 1735–1785

Celadon and Amelia

1766

Robert Smirke Scenes from an Eastern Romance [Arabian Nights]

Robert Smirke, 1752–1845

Scenes from an Eastern Romance [Arabian Nights]

undated

Robert Smirke Illustration for an Eastern Romance, possibly 'The Arabian Nights' (with female figure reclining at left)

Robert Smirke, 1752–1845

Illustration for an Eastern Romance, possibly 'The Arabian Nights' (with female figure reclining at left)

undated

Robert Smirke Illustration for an Eastern Romance, possibly "The Arabian Nights", with Kneeling Female Figure at Right)

Robert Smirke, 1752–1845

Illustration for an Eastern Romance, possibly "The Arabian Nights", with Kneeling Female Figure at Right)

undated

Robert Smirke Illustration for Shakespeare's " A Winter's Tale" or '"Cymbeline"

Robert Smirke, 1752–1845

Illustration for Shakespeare's " A Winter's Tale" or '"Cymbeline"

undated

Robert Smirke Illustration for Don Quixote (with figures on a donkey)

Robert Smirke, 1752–1845

Illustration for Don Quixote (with figures on a donkey)

undated

Robert Smirke Illustration for Don Quixote, Two Figures at a Table

Robert Smirke, 1752–1845

Illustration for Don Quixote, Two Figures at a Table

undated

Robert Smirke Illustration for an Eastern Romance, possibly 'The Arabian Nights', with Two Male Figures Standing

Robert Smirke, 1752–1845

Illustration for an Eastern Romance, possibly 'The Arabian Nights', with Two Male Figures Standing

undated

Richard Earlom Angelica and Medoro

Print made by Richard Earlom, 1743–1822

Angelica and Medoro

1768

John Finlayson David Garrick as Sir John Brute in Act IV, the Drunken Scene, in Vanburgh's 'The Provok'd Wife'

John Finlayson, 1730–1776

David Garrick as Sir John Brute in Act IV, the Drunken Scene, in Vanburgh's 'The Provok'd Wife'

1768