"A Select Collection of English Songs," London, 1783
1783
3
Pierre Charles Canot, ca. 1710–1777
"A View of Charles Town the Capital of South Carolina in North America," from Scenographia Americana
1758-1760
4
James Gillray, 1756–1815
"all Bond Street trembled as he strode"
1802
5
Georg Goldberg, 1830–1894
"Antony and Cleopatra," Act III, Scene XI
undated
6
unknown artist
"Bubbles"
1897
7
John Cooke Bourne, 1814–1896
"Building Retaining Wall and Church near Park Street, Camden Town, Sept. 17, 1836"
1838
8
John Cooke Bourne, 1814–1896
"Building the Stationary Engine House, Camden Town, April 26th 1837"
1839
9
Print made by George Cruikshank, 1792–1878
"Captain Kelly conveys a slight remonstance"
undated
10
unknown artist
"Cherry Ripe"
1897
11
Print made by John Doyle ('H.B.'), 1797–1868
"Concert Monstre" of "Musical Congress" Extraordinary!
1849
12
William Blake, 1757–1827
"Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young
1797
13
William Heath, 1795–1840
"Fashion and Folly": set of 23 on 12 leaves, with front printed wrapper
14
Print made by John Hoyland, 1934–2011
"Fly Away"
1981
15
Sir Howard Hodgkin, 1932–2017
"For John Constable"
1976
16
James R. Mackrell, c.1815–1846
"Ghuznee", Winner of The Oaks - 1841 / with Characteristic Portraits of Mr. John Scott & Mr. William Scott
1841
17
Print made by Donald Wilkinson, born 1937
"Grasmere" from Gray's Journal
1982
18
James Heath, 1757–1834
"Here, I and sorrows sit; here is my throne, bid kings come and bow to it"
1802
19
James Heath, 1757–1834
"Hubert, let me not be bound!"
1802
20
William Heath, 1795–1840
"Illustrations to Heraldry": set of six with title-page and printed wrapper
21
Print made by James Charles Armytage, 1802–1897
"It's Auld Ailie Hersell"
1836
22
Print made by James Charles Armytage, 1802–1897
"It's Auld Ailie Hersell"
1836-1837
23
Print made by James Charles Armytage, 1802–1897
"It's Auld Ailie Hersell"
1836
24
Francis Legat, 1755–1809
"King Lear", Act V, Scene III
1792
25
Gustav Kuhn, 1872–ca. 1928
"Macbeth": Theatre-Figuren
26
Sir Max Beerbohm, 1872–1956
"Magnetic, has the power to infect almost everyone with the delight that he takes in himself," George Bernard Shaw
1905
27
William Woollett, 1735–1785
"Maid of the Mill"
ca. 1765
28
James Heath, 1757–1834
"Mark your divorce young sir, whom son I dare not call"
1804
29
Print made by George Cruikshank, 1792–1878
"May I be Cursed," muttered Jack Sheppard, "if ever I try to be honest again!"
1839
30
Garnet Terry, active 1780–1796
"Mr. John Farley" Cook at the London Tavern
undated
31
James R. G. Exley, 1878–1967
"No Bird can with the well-bred cock compare..."
1924
32
George Hunt, active 1820–1840
"Nonpareil" / The Property of Mr. John Dixon of Knightsbridge / This Wonderful Creature, Performed the unprecedented Match, of Trotting 100 Miles in harness on Sunbury Common, on Wednesday the 27th April, 1836. ..
1836
33
John Hamilton Mortimer, 1740–1779
"Richard II", Act III, Scene II
1775
34
unknown artist
"Shoeing the Bay Mare"
1899
35
Sir Peter Blake, born 1932
"Side Show" Portfolio
between 1974 and 1978
36
Gustav Kuhn, 1872–ca. 1928
"Sommernachtstraum": Theatre-figuren
37
Benjamin Smith, 1775–1833
"Tempest", Act I, Scene I
1797
38
Print made by George Cruikshank, 1792–1878
"That aint him!"
undated
39
Bradford Rudge, 1805–1885
"The Bedford Times" / This print of the Bedford Times Coach, is respectfully dedicated / by permission, to William Henry Whitbread Esq're. / by his most obedient & obliged Servant / J. Matthew Crispin
undated
40
William Blake, 1757–1827
"The Book of Thel William Blake Original Wrappers 1789"
1789
41
James Gillray, 1756–1815
"The Feast of Reason & the Flow of the Soul," - I.E. - The Wits of the Age, Setting the Table in a - Roar
1797
42
Henry Heath, active 1824–1835
"The Impudent Challenge" / The following Anecdote was told with great glee by his late Majesty William IV, at a Dinner given by George IV, at the Cottage, Windsor Park..
undated
43
Robert Dodd, 1748–1816
"The Indian Emperor" or "The Conquest of Mexico"
1792
44
Print made by Thomas Bewick, 1753–1828
"The Mute Swan" or "Tame Swan"
undated
45
Leslie Matthew 'Spy' Ward, 1851–1922
"The Queen's Memorial". Thomas Brock 21 September 1905 (with biography). Vanity Fair
1905
46
James Heath, 1757–1834
"Then go, bid the huntsmen wake them with their horns"
1802
47
William Blake, 1757–1827
"There is No Natural Religion", London, by William Blake
ca. 1788
48
James Heath, 1757–1834
"This is fairy gold, boy, and will prove so"
1804
49
James Gillray, 1756–1815
"Two Pairs of Portraits;" presented to all the unbiased Electors of Great Britain
1798
50
William Blake, 1757–1827
"Visions of the Daughters of Albion", London, by William Blake
1793
51
James Heath, 1757–1834
"We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."
1802
52
Isaac Cruikshank, 1764–1811
"Westminster Races:" - ( A Political Heat, Run In Convent Garden, Between Old Veteran A Famous Horse The Property Of His M-----y, Dutchess A Filly, The Property Of The Duke Of D-----e, And Judas An Obstinate Ass, Who Was Clearly Distanced )
1784
53
Print made by John Smith, 1652–1743
"When Love Doth Make His Arrow Sharp"
undated
54
John Kay, 1742–1826
"Why, Sir John, my face does you no harm..."
1789
55
John Raphael Smith, 1752–1812
"William and Margaret"
1802
56
Henry Herbert La Thangue, 1859–1929
'A Study' from 'Representative Art of Our Time' (a portfolio of eight prints)
undated
57
George Townly Stubbs, 1748–1815
'Anvil'
1794
58
George Vertue, 1684–1756
'At the High Court of Justice for the trying and inditing of Charles Steuart King of England January Anno Dom. 1648'
1750
59
George Townly Stubbs, 1748–1815
'Baronet'
1794
60
George Townly Stubbs, 1748–1815
'Baronet'
1794
61
George Townly Stubbs, 1748–1815
'Dungannon'
1794
62
Charles Hunt, 1803–1877
'Eclipse' / 'He was bred in 1764, by H.R.H. Wm. Cuke of Cumberland, got by Marsk, son of squirt, a son of Gartletts Childers, own brother to Flying Childers..
1839
63
William Pether, ca. 1738–1821
'Gimcrack'
1766
64
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
'Henry IV, Part I,' Act II, Scene II
undated
65
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
'Henry IV, Part I,' Act II, Scene II
undated
66
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
'Henry IV, Part I,' Act II, Scene III
undated
67
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
'Henry IV, Part I,' Act II, Scene IV
undated
68
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
'Henry IV, Part I,' Act II, Scene IV
undated
69
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
'Henry IV, Part I,' Act II, Scene IV
undated
70
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
'Henry IV, Part I,' Act II, Scene IV
undated
71
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
'Henry IV, Part I,' Act III, Scene III
undated
72
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
'Henry IV, Part I,' Act III, Scene III
undated
73
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
'Henry IV, Part I,' Act IV, Scene II
undated
74
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
'Henry IV, Part I,' Act V, Scene I
undated
75
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
'Henry IV, Part I,' Act V, Scene IV
undated
76
George Townly Stubbs, 1748–1815
'Mambrino'
1794
77
George Townly Stubbs, 1748–1815
'Mambrino'
1794
78
Thomas Cook, 1744–1818
'O the Roast Beef of Old England'
79
John Hamilton Mortimer, 1740–1779
'Poet, from A Midsummer Night's Dream, Act V, Scene i'
1775
80
George Townly Stubbs, 1748–1815
'Protector'
1794
81
George Townly Stubbs, 1748–1815
'Pumpkin'
1794
82
Luigi Rados, c.1780–1840
'Samuele Johnson'
83
Luigi Rados, c.1780–1840
'Samuele Johnson'
84
Charles Hunt, 1803–1877
'Satirist'. (with 'Coronation') Rode by W. Scott. / The Winner of the Great St. Leger Stakes at Doncaster 1841..
1841
85
George Townly Stubbs, 1748–1815
'Sweetbrier'
1794
86
George Townly Stubbs, 1748–1815
'Sweetbrier'
1804
87
George Townly Stubbs, 1748–1815
'Sweetwilliam'
1796
88
George Townly Stubbs, 1748–1815
'Sweetwilliam'
1796
89
unknown artist
'The Bull and Gate', Kentish Town
undated
90
Charles Rosenberg, active 1828–1848
'The Burial of Tom Moody', the celebrated Whipper in / who was upwards of Thirty Years in the service of George Forrester Esq. of Willey Hall, ..
1831
91
James Fittler, 1758–1835
'The Gamester,' Act V, Scene IV
1792
92
James Roberts, active 1766–1809
'The Happy Consultation' or 'Modern Match'
93
unknown artist
'The Old Castle Inn', Kentish Town
94
Sir Frank Short, 1857–1945
'Twixt Dawn and Day
1919
95
George Townly Stubbs, 1748–1815
'Volunteer'
1794
96
James Gillray, 1756–1815
("Portrait of Gentleman" Walking)
1800
97
Dean Wolstenholme, 1757–1837
(1) Death of Tom Moody...Exhibiting a View of Rockwood in Shropshire
1841
98
Dean Wolstenholme, 1757–1837
(2) Burial of Tom Moody...Exhibiting the View of Willey Church in Shropshire
1841
99
Wenceslaus Hollar, 1607–1677
(i) A True and Exact Prospect of the Famous Citty of London . . . (ii) Another Prospect of the Sayd Citty taken from the Same Place . .
1666
100
Wenceslaus Hollar, 1607–1677
(i) A True and Exact Prospect of the Famous Citty of London, . . . (ii) Another Prospect of the Sayd Citty taken from the Same Place . .