Creator Gender: male / Credit Line: Yale Center for British Art, Paul Mellon Collection / On-site Access: Accessible by appointment in the Study Room / Exhibition History: The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09) / Classification: Prints

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Creator Gender male

Credit Line Yale Center for British Art, Paul Mellon Collection

On-site Access Accessible by appointment in the Study Room

Exhibition History The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)

Classification Prints

George Townly Stubbs, 1748–1815

The Horse and Lion

1770

Print made by John Hall, 1739–1797

William Penn's Treaty with the Indians

1775

James Barry, 1741–1806

The Phoenix or the Resurrection of Freedom

1776

William Woollett, 1735–1785

The Death of General Wolfe

1776

Print made by James Barry, 1741–1806

King Lear and Cordelia

1776

Johann Jacobé, 1733–1797

Omai

1777

Print made by Thomas Gainsborough, 1727–1788

Wooded Landscape with Peasant Reading Tombstone, Rustic Lovers and Ruined Church

1779 to 1780

Print made by Agostino Brunias, 1728–1796

A Cudgelling Match between English and French Negroes in the Island of Dominica

1779

Print made by Agostino Brunias, 1728–1796

Free Natives of Dominica

1780

James Parker, 1750–1805

Fainasollis, Borbar and Fingal

1783

Figures engraved by Francesco Bartolozzi, 1728–1815

The Death of Captain Cook

1783

Joseph Haynes, 1760–1829

Death on a Pale Horse

1784

John Keyse Sherwin, c.1751–1790

William Woollett

1784

Francesco Bartolozzi, 1728–1815

The Death of Chatham

1788

John Raphael Smith, 1752–1812

The Indian Widow

1789

Print made by John Raphael Smith, 1752–1812

The Slave Trade

1791

Print made by John Raphael Smith, 1752–1812

African Hospitality

1791

William Sharp, 1749–1824

King Lear: Act III, Scene IV

1793

Abraham Raimbach, 1784–1868

Key To The Figures In "The Death Of Chatham"

1794

James Gillray, 1756–1815

The Death of the Great Wolf

1795

James Gillray, 1756–1815

Presages of the Millenium

1795

Peter Simon, 1750–1810

A Midsummer Night's Dream, Act IV, Scene I

c.1796

Thomas Girtin, 1775–1802

View of Pont Neuf, The Mint etc

1802

Thomas Girtin, 1775–1802

View of the Pont Neuf, The Mint & etc

c.1802

Print made by Thomas Girtin, 1775–1802

A View of Pont Neuf, the Mint, & c

1803

Charles Heath, 1785–1848

Time holding a Lithographic Stone

1804

James Gillray, 1756–1815

The Valley of the Shadow of Death

1808

Print made by Luigi Schiavonetti, 1765–1810

William Blake, Frontispiece

1808, published 1813

Print made by John Sell Cotman, 1782–1842

Tan-y-Bwlch, Merionethshire, North Wales

between 1810 and 1817

Print made by John Crome, 1768–1821

Mousehold Heath, Norwich

between 1810 and 1811

Etched by Joseph Mallord William Turner, 1775–1851

Frontispiece to the 'Liber Studiorum'

1812

Etched by Joseph Mallord William Turner, 1775–1851

Peat Bog, Scotland

1812

Print made by John Crome, 1768–1821

Composition: Sandy Road through Woodland

1813

Print made by George Cooke, 1781–1834

Poole, Dorsetshire

1814

Etched by Joseph Mallord William Turner, 1775–1851

Norham Castle on the Tweed

1816

Print made by William Bernard Cooke, 1778–1855

Battle Abbey, The Spot where Harold Fell

1819

Print made by William Bernard Cooke, 1778–1855

Torbay from Brixham

1821

Wood block engraved by William Blake, 1757–1827

Thenot Remonstrates with Colinet; Imitation of Eclogue I

1821, reprinted 1977

Wood block engraved by William Blake, 1757–1827

The Blighted Corn; Imitation of Eclogue I

1821, reprinted 1977

Wood block engraved by William Blake, 1757–1827

Colinet Rests by a Stream at Night; Imitation of Eclogue I

1821, reprinted 1977

Wood block engraved by William Blake, 1757–1827

And Unyok'd Heifers, Loitering Homewards, Low; Imitation of Eclogue I

1821, reprinted 1977

Print made by Charles Turner, 1774–1857

Shields on the River Tyne

1823

Print made by Edward Calvert, 1799–1883

The Sheep of His Pasture

ca. 1828

Print made by Edward Calvert, 1799–1883

The Ploughman

1827

Print made by John Martin, 1789–1854

The Deluge

1828

Print made by Edward Calvert, 1799–1883

The Bride

1828

Print made by David Lucas, 1802–1881

Old Sarum

1829 to 1830

Print made by Robert Wallis, 1794–1878

Stone Henge

1829

Print made by Edward Calvert, 1799–1883

The Return Home

1830

Print made by David Lucas, 1802–1881

Hadleigh Castle, Large Plate

1830 to 1832

Print made by David Lucas, 1802–1881

Hadleigh Castle, Large Plate

1830 to 1832

Print made by Frederick Christian Lewis the Elder, 1779–1856

Field of Waterloo

1830

Print made by John Horsburgh, 1791–1869

Folkestone Harbour and Coast to Dover

1831

Print made by John Horsburgh, 1791–1869

Folkestone Harbour and Coast to Dover

1831

Print made by Edward Goodall, 1795–1870

Fingal's Cave, Staffa

1833

Print made by Henry Le Keux, 1787–1868

Abbotsford

1834

Print made by Robert Wallis, 1794–1878

Dudley, Worcestershire

1835

Print made by W. R. Smith, active 1819–1851

Harlech Castle, North Wales

1836

Print made by David Lucas, 1802–1881

Salisbury Cathedral

1837

Print made by W. R. Smith, active 1819–1851

Chain Bridge over the River Tees

1838

Print made by William Miller, 1796–1882

Modern Italy

1842

Print made by John Burnet, 1784–1868

Sir David Baird discovering the body of Tipu Sultan

1843

Print made by Samuel Palmer, 1805–1881

The Lonely Tower

1879

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