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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionOn-site Access Accessible by appointment in the Study Room
Remove constraint On-site Access: Accessible by appointment in the Study RoomClassification Prints
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1
- The Under Vaulting of one Side of the Canopy of the Monument of Aveline, Coutess of Lancaster, Plate III
- 1780
2
- The North Front of the Monument of King Sebert, Plate IV
- 1780
3
- The Figures Supposed to be those of King Sebert and King Henry III, Plate V
- 1780
4
- The Figure of Aveline Countess of Lancaster, Cumbent on her Monument, Plate II
- 1780
5
- Heads & Ornaments on the North Side of the Monument of King Sebert, Plate VI
- 1780
6
- The Front of the Monument of Aveline, First Wife of Edmund Crouchback, Plate I
- 1780
7
- The Monument of Ann of Cleves, Fourth Wife of King Henry VIII, Plate VII
- 1780
8
- The Argument. "Man has no notion of moral fitness..." (Plate 2"
- ca. 1788
9
- I. "Man cannot naturally Percieve..."(Plate 3)
- ca. 1788
10
- II. "Man by his reasoning power can only compare..." (Plate 4)
- ca. 1788
11
- IV. "None could have other than natural or organic thoughts..." (Plate 6)
- ca. 1788
12
- V. "Mans desires are limited by his perceptions..." (Plate 7)
- ca. 1788
13
- III. "From a perception of only 3 senses..." (Plate 5)
- ca. 1788
14
- VI. "The desires & perceptions of man untaught..." (Plate 8)
- ca. 1788
15
- "Therefore God becomes as we are..." (Plate 9)
- ca. 1788
16
- II. "Reason or the ratio of all we have already known..." (Plate 11)
- ca. 1788
17
- Frontispiece (Plate 1)
- ca. 1788
18
- I. "Mans perceptions are not bounded by organs of perception..." (Plate 10)
- ca. 1788
19
- There is No Natural Religion
- ca. 1788
20
- Love Songs, Class I. Tailpiece
- 1783
21
- Love Songs, Class II. Headpiece
- 1783
22
- Love Songs, Class II. Tailpiece
- 1783
23
- Love Songs, Class III. Headpiece
- 1783
24
- Drinking Songs, Headpiece
- 1783
25
- Ancient Ballads, Tailpiece
- 1783
26
- Love Songs, Class V. Headpiece
- 1783
27
- Drinking Songs, Tailpiece
- 1783
28
- Miscellaneous Songs, Headpiece
- 1783
29
- Miscellaneous Songs, Tailpiece
- 1783
30
- Love Songs, Class III. Tailpiece
- 1783
31
- Love Songs, Class IV. Headpiece
- 1783
32
- Love Songs, Class IV. Tailpiece
- 1783
33
- Ancient Ballads, Headpiece
- 1783
34
- Love Songs, Class I. Headpiece
- 1783
35
- Ritson's 'A Select Collection of English Songs', Volume I
- 1783
36
- May-Day in London
- 1784
37
- Infant Joy (Plate 28)
- 1789
38
- The Little Girl Found (Plate 22)
- 1789
39
- The Divine Image (Plate 24)
- 1789
40
- A Cradle Song (Plate 26)
- 1789
41
- Night (Plate 30)
- 1789
42
- Songs of Innocence, Frontispiece (Plate 1)
- 1789
43
- Songs of Innocence, Title Page (Plate 2)
- 1789
44
- The Little Black Boy (Plate 6)
- 1789
45
- The Ecchoing Green (Plate 8)
- 1789
46
- The Chimney Sweeper (Plate 10)
- 1789
47
- Laughing Song (Plate 14)
- 1789
48
- The Little Girl Lost (Plate 20)
- 1789
49
- Spring (Plate 12)
- 1789
50
- The Little Boy Lost (Plate 16)
- 1789
51
- The Lamb (Plate 18)
- 1789
52
- Introduction (Plate 3)
- 1789
53
- The Shepherd (Plate 4)
- 1789
54
- II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
- 1789
55
- Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
- 1789
56
- I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
- 1789
57
- Title Page, The Book of Thel (Plate 2)
- 1789
58
- IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
- 1789
59
- III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
- 1789
60
- IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
- 1789
61
- II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
- 1789
62
- III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
- 1789
63
- Title Page, The Book of Thel (Plate 2)
- 1789
64
- Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
- 1789
65
- III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
- 1789
66
- Thel's Motto (Plate 1)
- 1789
67
- The Little Black Boy (Plate 30)
- 1789
68
- Thel's Motto (Plate 1)
- 1789
69
- III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
- 1789
70
- Songs of Innocence, Frontispiece (Plate 1)
- 1789
71
- Night (Plate 16)
- 1789
72
- A Cradle Song (Plate 18)
- 1789
73
- Nurse's Song (Plate 22)
- 1789
74
- Spring (Plate 26)
- 1789
75
- A Dream (Plate 4)
- 1789
76
- The Little Girl Found (Plate 6)
- 1789
77
- The Ecchoing Green (Plate 10)
- 1789
78
- Infant Joy (Plate 14)
- 1789
79
- Laughing Song (Plate 28)
- 1789
80
- Introduction (Plate 3)
- 1789
81
- The Lamb (Plate 8)
- 1789
82
- The Divine Image (Plate 12)
- 1789
83
- Songs of Innocence, Title Page (Plate 2)
- 1789
84
- The Little Boy Lost (Plate 20)
- 1789
85
- On Anothers Sorrow (Plate 24)
- 1789
86
- Original Wrapper to The Book of Thel
- 1789
87
- The Book of Thel
- 1789
88
- Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul
- 1789-1794
89
- I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
- 1789
90
- The Book of Thel
- 1789
91
- Beggar's Opera, Act III
- c.1790
92
- Pity
- ca. 1795
93
- 'Like that, the dial speaks; and points to thee' (Page 33)
- ca. 1797
94
- 'This King of Terrors is the Prince of Peace' (Page 63)
- ca. 1797
95
- 'And vapid; sense and reason shew the door' (Page 72)
- ca. 1797
96
- 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
- ca. 1797
97
- 'The thunder if in that the Almighty dwells' (Page 80)
- ca. 1797
98
- 'The Sun beheld it – No, the shocking scene' (Page 75)
- ca. 1797
99
- 'His hand the good man fastens on the skies' (Page 86)
- ca. 1797
100
- 'Is lost in love! thou great Philanthropist' (Page 87)
- ca. 1797