Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'
1797
21
William Blake, 1757–1827
Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'
1797
22
William Blake, 1757–1827
Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'
1797
23
William Blake, 1757–1827
Plate 32 (page 70): 'Till death, that mighty hunter, earths them all'
1797
24
William Blake, 1757–1827
Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'
1797
25
William Blake, 1757–1827
Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'
1797
26
William Blake, 1757–1827
Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'
1797
27
William Blake, 1757–1827
Plate 7 (page 12): 'Its favours here are trials, not rewards'
1797
28
Engravings by William Blake, 1757–1827
Plate 9 (page 15):' The longest night though longer far, would fail'
1797
29
Engravings by William Blake, 1757–1827
Plate 13 (page 23): 'We censure nature for a span too short'
1797
30
William Blake, 1757–1827
Plate 15 (page 25): 'Behold him, when past by; what then is seen'
1797
31
William Blake, 1757–1827
Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"
1797
32
William Blake, 1757–1827
Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'
1797
33
William Blake, 1757–1827
Plate 26 (page 49): 'As if the sun could envy, check'd his beam'
1797
34
William Blake, 1757–1827
Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'
1797
35
William Blake, 1757–1827
Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'
1797
36
William Blake, 1757–1827
Plate 37 (page 86): 'His hand the good man fastens on the skies'
1797
37
William Blake, 1757–1827
Plate 40 (page 90): 'That touch, with charm celestial heals the soul'
1797
38
William Blake, 1757–1827
Plate 41 (page 92): 'When faith is virtue, reason makes it so'
1797
39
William Blake, 1757–1827
Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'
1797
40
William Blake, 1757–1827
Plate 33 (page 72): 'And vapid; sense and reason shew the door'
1797
41
William Blake, 1757–1827
"The Book of Thel William Blake Original Wrappers 1789"
1789
42
William Blake, 1757–1827
Plate 43 (page 95): 'The goddess bursts in thunder and in flame'
1797
43
William Blake, 1757–1827
Plate 2 (page 1): 'Swift on his downy pinion flies from woe'
1797
44
William Blake, 1757–1827
Plate 6 (page 10): 'Disease invades the chastest temperence'
1797
45
William Blake, 1757–1827
Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'
1797
46
William Blake, 1757–1827
"Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young
1797
47
Thomas Worlidge, 1700–1766
Self Portrait
1752
48
William Watts, 1752–1851
Heveningham Hall, in Suffolk, the Seat of Sir Gerard William Vanneck Bartholomew
1782
49
Henry Kingsbury, active 1750–1780
The Beggar and his Dog
50
Pierre Charles Canot, ca. 1710–1777
Near Plymouth with the Ordinance Wharfe..
1756
51
Print made by Isaac Basire, 1704–1768
Cherokee Delegation to England
1730, printed ca. 1748
52
Samuel Buck, 1696–1779
The Southwest view of Hertsmonceux Castle in the County of Sussex
53
Amos Green, 1735–1807
Views in England, Scotland and Wales: Prebend's Bridge at Durham
1799
54
Amos Green, 1735–1807
Views in England, Scotland and Wales: View on the Brathay near Clappensgate
1799
55
James Barry, 1741–1806
King Lear
1776
56
unknown artist
Lyn Regis
1731-1748
57
William Byrne, 1743–1805
Fonthill as it was before Mr. Beckford's alterations
1793
58
James Bretherton, ca. 1730–1806
Pot Fair, Cambridge
1777
59
Sutton Nicholls, active 1725
Views of ten gates of London on one sheet
1731-1748
60
John Bowles, 1701–1779
Oxford
1731-1748
61
James Mason, 1710–1783
The Happy Peasants
1775
62
Samuel Buck, 1696–1779
S.W. Prospect of Birmingham
1731-1748
63
Thomas Milton, 1742/1743–1827
Lucan-House
1783
64
James Lewis, 1751–1820
Drawings of Classical Ornament (A Volume)
1771-1772
65
Isaac Johnson, 1754–1835
Earlham House, Norfolk (Album of 22 designs and surveys of Edward Bacon's seat at Earlham)
undated
66
Samuel Buck, 1696–1779
Views of the Cities of Westminster and London taken from the Opposite Bank of the Thames
1749
67
Samuel Buck, 1696–1779
Views of the Cities of Westminster and London taken from the Opposite Bank of the Thames
1749
68
Samuel Buck, 1696–1779
Views of the Cities of Westminster and London taken from the Opposite Bank of the Thames
1749
69
William Angus, 1752–1821
Twickenham Park House in Middlesex
1795
70
James Hulett, fl.1740–m.1771
A View of the Celebrated Mr. Pope's House at Twickenham
undated
71
William Watts, 1752–1851
Seat of the Rt. Hon. Welbore Ellis, at Twickenham in Middlesex
1782
72
unknown artist
The Trinity House
1798
73
Benjamin Cole, 1697–1783
Langborn Ward and Candlewick Ward
1755
74
George Vertue, 1684–1756
A Plan of the Ground and Buildings in the Strand, called the Savoy, taken in the Year 1736
1754
75
unknown artist
Londinum Antique, this plan shows the ancient extent of the famous cities of London and Westminster as it was near the begining of the Reign of Queen Elizabeth (8 sheets) Vertue, Soc. Antiq., Lond. Exxudit 1737
1737
76
unknown artist
Londinum Antique, this plan shows the ancient extent of the famous cities of London and Westminster as it was near the begining of the Reign of Queen Elizabeth (8 sheets) Vertue, Soc. Antiq., Lond. Exxudit 1737
1737
77
unknown artist
Londinum Antique, this plan shows the ancient extent of the famous cities of London and Westminster as it was near the begining of the Reign of Queen Elizabeth (8 sheets) Vertue, Soc. Antiq., Lond. Exxudit 1737
1737
78
unknown artist
Londinum Antique, this plan shows the ancient extent of the famous cities of London and Westminster as it was near the begining of the Reign of Queen Elizabeth (8 sheets) Vertue, Soc. Antiq., Lond. Exxudit 1737
1737
79
Francesco Bartolozzi, 1728–1815
The Triumph of Beauty and Love
1783
80
Francesco Bartolozzi, 1728–1815
The Resurrection, St. Mary Magdalene; And Mary, Mother Of James
1782
81
Francesco Bartolozzi, 1728–1815
Contemplation
1791
82
Francesco Bartolozzi, 1728–1815
Pulto Carrying Apples, Bride Leading Eros
c.1785
83
Francesco Bartolozzi, 1728–1815
Il Mezzo Giorno - The Mid Day
1760
84
Francesco Bartolozzi, 1728–1815
Mother And Child
1795
85
Francesco Bartolozzi, 1728–1815
Hebe
1791
86
Francesco Bartolozzi, 1728–1815
The Meeting Of Edward V And His Brother, The Duke Of York